Ed Ruscha's Influence On Contemporary Art

You are required to discuss a work by a 20th or 21st century artist, photographer, designer, architect, film-maker, philosopher or writer and show how this work reflects, contradicts or extends theories of and attitudes to visual culture current at the time of its making.

Pablo Picasso arrived in Paris in the year 1900 at the age of just 19, and within a few years he became a well-known artist and a dominating figure in the world of modern art movement. The one piece of art that he produced in 1906 through 1907 was the Les Demoiselles d’Avignon and would change the word of art forever. This became the piece art that helped launch Cubism and a whole new artistic expression. Because of this art and many other, Pablo Picasso has become one of the most important figure of 20th century, in terms of art, and art movements that occurred over this period. This Spanish born artist had a distinct style and eye for artistic creation. There had been no other artists, prior to Picasso, who had such an impact on the art world. Although his art career spanned over a 7 decade period, Pablo Picasso

Pop art got its name from Lawrence Alloway, who was a British art critic in 1950’s. The name “Pop Art” reflected on the “familiar imagery of the contemporary urban environment” (kleiner, 981). This art form was popular for its bold and simple looks plus its bright and vibrant colors. An example of this type of art is the oil painting done by Andy Warhol, “Marilyn Diptych” (Warhol, Marilyn Diptych) in 1962. The Pop art movement became known in the mid-1950 and continued as main type of art form until the late 1960’s. The Pop art movement, was a movement where medium played a huge part in the society, with it reflecting on advertisements, comic strips and even celebrities, like Marilyn. This movement also has a large

Picasso's innovations expanded our minds and actually went to the art. His work has influenced many art and research not only in the art world, but also influenced the sculpture, architecture and music. The CUBIST movement revolutionized many of the world's features. This has provoked a new thinking process, which leads to a new style and deep in the sense. It changed the way to see the world. Picasso's Cubism is trusted as the greatest break in the art history since the Renaissance revolution. The Picasso artist's "rules" gave to the people. His analytical cubism transformed the paintings from a single perspective to many perspectives and broke geometric shapes. His later cubism, Synthetic Cubism it’s developed by use of daily

Edvard Munch is regarded as the pioneer of the Expressionist movement in modern painting. At an early stage Munch was recognised in Germany and central Europe as one of the creators of a new and different movement of art, that helped artists to express their feelings about all the social change that was happening around them.

Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.

Pablo Picasso was one of the brightest artist for his time and he has been credited with influencing many of the different directions that art went in the twentieth century. Picasso was said to influence styles of art like surrealism and co-invent cubism and not unlike artists before him, he drew inspiration from the great people of the time such as Freud or artists like Cézanne. Picasso was unique in the fact that his paintings represented what he wanted them to represent and through the freedom of interpretation, Picasso was able to influence those who saw his works. Picasso was such a different painter in his time because instead of focusing on the details and trying to make things perfectly realistic, he painted with a sort of freedom

The sixties were a time of social and political change in America, and the art world was not left untouched. Early in the decade a new movement focused on popular culture and national icons began to develop. It was aptly named Pop art. "Many critics were alarmed by Pop, uncertain whether it was embracing or parodying popular culture and fearful that it threatened the survival of both modernist art and high culture..." (Stokstad 1101) Pop artists were not the first to make cultural statements with their work, however controversial art always draws criticism and attention. One of the most well known artists of the Pop movement was Andy Warhol, a young commerial illustrator from manhattan. Warhol's use of popular icons and brands as the focus

In Andy Warhol’s time he was seen as very commercial and not truly a defined artist. Warhol was very popular to average society but never quite Throughout his whole life he has had struggles with Sydenham’s chorea, terrible shyness, and lastly making artwork acceptable to other artists. And as we get farther from his time we see how much value and meaning there was in his work.

The engulfing size of the painting (250.5 x 159.5 cm) drives the audiences mind into a hypnotic frenzy as they are overwhelmed by bright and sensual colours, which, have the ability to evoke deep emotions and realisations. Kandinsky has portrayed this through the disorientation of his own personal visions of society during the industrial revolution. The rough yet expressive outline of buildings, a rainbow and the sun gives reference to realism as it allows viewers to connect and understand underlying motifs and shapes yet is painted abstractly to move away from the oppressive and consumerist society. Thus, Kandinsky breaks boundaries through his innovative approach to his art-making practise concluded from his personal belief of ‘art for arts sake’. He believed that art should mainly convey the artist’s personal views and self-expressionism that translated a constant individuality throughout his work from an inner intentional emotive drive. This broke traditional boundaries as art in the renaissance period was meant to be a ‘narration’ or an artwork where an audience could learn and benefit from. This is evidently shown in Composition IV as it exemplifies Kandinsky’s inner feelings towards the industrialised society

His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.

He continued his education at the Carnegie Institute in Pennsylvania graduating with a BA in Fine Art. Warhol moved to New York in 1948-49 where he started work as a graphic designer, creating adverts for fashion magazines such as Glamour, Vogue and Harper’s Bazaar. Andy Warhol shot to fame and soon became highly respected as a commercial artist. ”Tina Fredrick, then art director of Glamour” says “She was thrilled by Andy’s drawings but could not find a commercial use for them. She told him his drawings were good, but Glamour could only use drawings of shoes at the moment. The next day Warhol came back with 50 drawings of shoes” footwear being an important part of his advertising career until the mid 1960s.

Wassily Kandinsky was a Russian-born artist, whose contributions to the world of modern art are innumerable. On an artistic level, Kandinsky's maturation process from representational art to abstract art is fascinating. From his earliest work, with an impressionistic flair, to his later work, which was pure abstraction, Kandinsky was an innovator and a genius. He bridged the gap between reality painting of earlier decades and the fantasy pastime of the twentieth century.

Edvard Munch is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was recognized in Germany and central Europe as one of the creators of a new movement in art. Munch and many artists of the time needed to express their feelings about all the change that was happening around.

of art as a finished product, signed by the artist and authenticated by the art market,