Edgar Allan Poe And The Cask Of Amontillado

Edgar Allen Poe's brings us a twisted tale of vengeance and horror in "The Cask of Amontillado." Poe's character, Montresor, acts as our guide and narrator through this story. He grabs a hold of the reader as he tells the story from his own apathetic and deceptive mind to gain vengeance from the weak and dismal Fortunato. Montresor's mentality is disturbing as he uses his clever, humor, ironic symbolism, and darkness to accomplish this.

The cast of Amontillado was written by Allan Poe at a time when he felt he was being unjustly attacked. Most critics believe that the cask of Amontillado was written by Poe against his critics in the Mirror. I believe the cask of Amontillado is a story of Revenge and Hatred against some friends whom be believed had wrongfully accused him. A review of Allan Poe as a person and his experiences in life is essential a clear understanding of "The Cask of Amontillado". Hence, I will apply a cultural method of interpretation.

To develop the analytical paper about the text “The Cask of Amontillado” by Edgar Allan Poe, some sources will be used to support the thesis statement, which is “The author uses irony in the text to illustrate the murder of Fortunado by Montresor, who seeks salvation through death”. Also, there is going to be an analysis on the irony found in the text in relation with the story. To support this thesis, I am going to use some examples from some sources such as “Literary analysis: Irony in The Cask of Amontillado" by Amelia Tibbett, “Irony in "The Cask of Amontillado” by Kerry Michael Wood, and “Poe 's Short Stories Summary and Analysis” by Bella Wang , and the text will be written in the third person.

What can a character that lived in 1700s Italy have in common with a teenager in the 1960s? Though it may seem impossible Edgar Allan Poe’s character Montresor in The Cask of Amontillado shares similar characteristics to John Updike’s A&P teenage Sammy. Both of these characters share sarcastic tendencies and a need to make a name of himself. Though, each man differs in the way he goes about making that name. While Montresor decides murder is the way, Sammy quits his job to be noticed.

Edgar Allen Poe's, "The Cask Of Amontillado," is a between two enemies. It humorously portrays the foil of Fortunato, as he is led through the catacombs. Poe's humour is dark, sarcastic and very ironic, which quickly becomes a signpost of the tale. Poe sets himself apart from other authors in his works, based on how he depicts and encounters death. It accentuates the notion that at times, your worst enemy will appear as your best friend. Pride is the downfall of every man and the same can be said for witty and daring tale fortunato.

Is there really a perfect crime? This is the main point in Edgar Allen Poe’s “The Cask of Amontillado.” The story is a dark tale of a presumably insane man who suffers from, according to him, “the thousand injuries of Fortunato I had borne as I best could” (Poe 75). One of the major factors in telling this story is the setting. The story is set primarily in the Montresor family catacombs, which provides the dark setting, filled with human remains, and this reflects where Montresor commits his crime, where no one will expect. Furthermore, the narration also helps in telling the story. It is first person point of view, so the story is heard entirely from him. Readers will go into Montresor’s

Edgar Allan Poe; a famous all American Poet, short story writer and critic. Some of his most famous writings include Raven and The Cask of Amontillado. His writings all include horror or some type of mystery. Edgar did not have the “white picket fence” type of life. His was like riding on a rollercoaster, full of difficulties, but he turned out to be a writing genius. But I think that alcohol, and unsupportive family impacted Poe’s writing style, as well as the difficulties in his life.

Is there anything that someone could do to you that would cause you to commit murder? Could you get away with it? Montresor is the murderous narrator who has committed the perfect murder in just such a tale, “The Cask of Amontillado.” Montresor plots and kills an unwary friend/foe during carnival time for motives that are unclear. The author of this tale, Edgar Allan Poe, influenced by his somewhat tragic life and one of the most influential Gothic writers, uses symbolism and irony to show the multitude of complicated motives of the narrator in his famous horror story.

“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.

     Revenge can be sweet, but in this case it is just down right grotesque! In Edgar Allen Poe’s “The Cask of Amontillado” it talks about a gentlemen named Montressor and how he is angry at Fortunato for insulting him in the past. Montressor will not let this go unpunished, so he thinks up a clever scheme to get back at him. This plan is in a way, ingenious but most definitely insane and crazy.

“The Cask of Amontillado” written by Edgar Allan Poe is a Gothic style short story from the mid-1800s. The story focuses on two main characters, Montresor and Fortunato, and a plot for revenge told as a recollection. It is set in Italy during Carnival, which seemed to play a massive role in the murder plot and how it played out.

The famous author Austin O’Malley stated, “Revenge is often like biting a dog because the dog bit you.” O’Malley’s point of view is seen in classic and modern literature about humanity. The Cask of Amontillado, a classic short story by Edgar Allen Poe is about the narrator Montresor who is going to get revenge on his ‘friend’ during a festival in Italy. Montresor uses his wit to lure Fortunato to his awful demise. A Poison Tree, a classic poem by William Blake is based on a man who holds in all of his anger to release on his foe. The narrator uses his pain and sorrow to finally attack his foe to his death. Because of events of verbal irony and treachery, Poe and Blake use their narrators of The Cask of Amontillado and A Poison Tree to reveal their enemies’ disloyalty doesn’t get a free pass; rather betrayal can lead to thoughts and ideas of vengeance carefully planned out.

Edgar Allan Poe was a gothic style writer from the 1800s. He focused his stories on the horror and madness he had experienced from the world around him. He uses Gothic literature characteristics in most, if not all, of his writings. Some of the most prevalent traits we can see include horror, over use of emotions, and symbolism.

Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are

Poe’s writing style was much like that of Hawthorne’s, but drew from the darker side of romance creations. This gothic mood believed in the dark truths of the human heart, which are the ends and motivations for many of his stories. Human corruption and violence ends in murder in “The Black Cat”. Gothic writings move more into the supernatural side, which lets observer of the see a living person in the picture at his first, sleepy glance.