Edgar Allan Poe : The Dark Side Of Human Nature

A famous philosopher Socrates once said, 'the unexamined life is not worth living.' With that idea, the question 'Are Human Beings Intrinsically Evil?' has been asked by philosophers for many years. It is known as one of the unanswerable questions. Determinists have come to the conclusion that we are governed by the laws of science, that there is nothing we can do about ourselves being evil because we naturally are. Evil is simply the act of causing pain. In this essay I will argue that human beings are born with a natural reaction to 'fear and chaos' to be instinctively evil.

Edgar Allan Poe is known for some of the most horrifying stories ever written through out time. He worked with the natural world, animals, and weather to create chilling literature. Two most notable thrillers are “The Cask of Amontillado” and “The Tell-Tale Heart”. Poe was infatuated with death, disfigurement, and dark characteristics of the world. He could mix characters, setting, theme,and mood in a way that readers are automatically drawn into reading. Both of these short stories have the same major aspects in common.

The two short stories “The Tell-Tale Heart” and “The Cask of Amontillado” share similar and different characteristics. Both written by Edgar Allen Poe, these stories involve murder, possibly insane narrators, and weak victims. They both also contain the theory of madness and obsession. Although these stories share many similar aspects, they differ in murder justification, murder execution, and final outcome of each situation.

After the murder of the old man, the narrator cuts his limbs apart and stuffs him underneath the floorboards. While suffocating the old man, a noise is made and is heard by the neighbors. So the next thing that is heard by the narrator is the knocking on the door by the police. The narrator plays it cool and invites them and even takes them to the room in which the old man was under. He is perfectly content with them and makes small talk until the narrator notices a pounding sound. The narrator hears a beating that 's growing louder by the second, convinced that the officers can hear it as well, he confesses to the murder of the old man. Perfectly depicting the guilty conscious of the narrator, and thus proving that a guilty conscious will always overpower.

It could just be symbolic for a choice that he must make in his life.

Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go

Edgar Allan Poe, an American born writer and poet during the early 19th century, is known for his dark and twisted diction that continues to captivate readers to this day. Nearly all of Poe’s stories contain hidden symbolism and themes that entice readers to discover the secrets in his writings over a hundred years later and the “Cask of Amontillado” is no different. Written in November of 1846, nearly three years before Poe’s death, “The Cask of Amontillado” is often regarded as one of Poe’s master pieces, full of symbolism and dramatic irony. Edgar Allan Poe’s dramatic ironies and symbolisms in his short story “The Cask of Amontillado” convey a dark theme of pain, manipulation, and the impact of revenge.

"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.

Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.

Throughout “The Tell-Tale Heart”, Edgar Allan Poe, tries to convey the central themes of guilt and insanity to the audience. How the narrator tells the story proves the theory completely. He tells his audience how he plans to kill the old man, and he takes them with him every step of the way. While telling the readers how he murders the man, he also assures them that he is not mad or insane. However, the readers know that he is crazy because he kills a harmless old man, that he claims to love, solely because he fears his eyeball. He is trying to convince himself of this, as well as, trying to convince his audience. Though he proves to have a mental incapability, he still shows signs of morality and guilt. The beating heart demonstrates this human quality that he obtains. When the narrator uses the lantern in his plan, he shows signs of

Edgar Allan Poe’s, “The Cask of Amontillado” (1846) is narrated by Montressor. He is a gothic narrator, as his motives are associated with revenge and mental instability. In fact, the story opens with Montressor’s description of revenge of his friend Fortunato, who supposedly “insulted” him, and he lures Fortunato to his family’s catacombs for his death. However, Montressor is unwilling to reveal Fortunato’s insult and he is uncertain of why he wants to commit the horrendous act. Montressor’s narration is unreliable, and as the story unfolds we deduce his mental state. By carefully analyzing the tale, Montressor’s psychological dilemma encourages us to find the missing pieces of the puzzle and interpret the events in a metaphorical sense suggesting that the events are far less associated with revenge but more with Montressor’s guilt.

it the most of the plot in the story. The title of the story gives the reader the symbol from the beginning, as the heart. Although he uses the heart as a symbol, Poe also uses other symbolic representations too. From the beginning of the story, the narrator tries to describe his reasoning in killing the old man. ?It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was

Jonathan has not really come to accept his father’s death. This symbol “suggests a presence of

Edgar Allan Poe’s short story “The Tell-Tale Heart” is an ingenious tale, that contains terrifyingly evocative details. In the “Tell-Tale Heart” there comes a man that committed an iniquitous crime, who constantly assures the readers that he is sane simultaneously, while proceeding to perpetrate homicide. Edgar Allan Poe applies supernatural that contains a reasonable explanation, dramatic irony, and the dangers that dwell inside a human, to reinforce the horror of the story and to uncover that humans cannot endure guilt and must eventually confess.

Edgar Allan Poe was a prominent writer during the era of Romanticism, but Poe’s poems focused primarily on the Dark Romanticism, developed under Romanticism. The era of Romanticism was commonly described as showing raw emotion, but there was still a conflict in the story. The purpose of Romanticism was for the writer to feel free; there were no rules when it came to this form of writing. Dark Romanticism was looking at the gothic side of stories rather than the heroism stories, which focused more on death, and the flaws of humans. Dark Romanticism also focused on the evil aspect of writings rather than the heroic part to stories. Edgar Allan Poe’s poems are shown more in this type of writing rather than the typical Romantic writings. When looking more into Dark Romanticism readers are able to see how Poe could have connected his personal turmoil to his poems. The University of Delaware’s library says, “Suffering for offenses against God, man and Nature, the hero-villains wander the earth, alone and misunderstood. Their personal torment in a vast universe is emphasized by desolate settings of icebound seas, jagged mountains and bottomless abysses: imagery that would inspire artistic, literary, and musical compositions,” (Dark Romanticism). This quote shows readers that writers during the Dark Romanticism era used their own sufferings in order to make the stories seem more dramatic and almost human. Looking into the poems “Annabel Lee” and “The Raven”, readers are able to see