Essay on Edgar Allen Poe’s The Cask of Amontillado

Montresor tells the story in detail of how he leads a man, Fortunato, to his death. Montresor repeatedly expresses the need to kill Fortunato because he has done something to insult him and he must pay for it with his life. Montresor tells readers early in the story that he is going to be lying to Fortunato’s face by acting one way, but thinking about killing him the whole time. He says "I continued, as was my wont, to smile in

Some people believe that Fortunato should have seen Montresor’s evil plan coming, and that he deserved this fate. At the very beginning of the story, Montresor “The thousand

The cast of Amontillado was written by Allan Poe at a time when he felt he was being unjustly attacked. Most critics believe that the cask of Amontillado was written by Poe against his critics in the Mirror. I believe the cask of Amontillado is a story of Revenge and Hatred against some friends whom be believed had wrongfully accused him. A review of Allan Poe as a person and his experiences in life is essential a clear understanding of "The Cask of Amontillado". Hence, I will apply a cultural method of interpretation.

It is indicated that in the past that Fortunato has hurt Montresor many times, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” However, there were never any insults or unkind acts actually mentioned in the story. It is exactly the opposite. Fortunato was friendly and helpful towards Montresor. From the very beginning of the story, one can obviously see that Montresor thinks that Fortunato has wronged him. “He had a weak point-this Fortunato-although in other regards he was a man to be respected and even feared.” This line shows that Montresor’s plan was well thought out. There is not any indication of what Fortunato thinks about Montresor. It can only be assumed that he trusts him do to the fact that he follows Montresor into the catacombs. It is up until the last moment, before the last brick is laid, that Fortunato believes this is all a joke. “Ha! Ha! Ha! – He! He! He! – a very good joke, indeed-an excellent jest.” Montresor is successful in his plan for vengeance. He succeeds in having Fortunato follow him into the catacombs and with great ease, had him up against the wall and shackled. Then tier-by-tier, Montresor constructed Fortunato’s tomb of bricks around him. When Montresor called out to him, he heard nothing and thus his plan was a success. “In pace requiescat!”

It is often said that irony is the vital literary element to a story because it gives the story character. Whether it changes the mood, creates suspense, adds foreshadowing, engages the reader or something else, irony can do many things for a story.

However, Montresor has a characteristic that, not shown prominently, but given through little hints until the end. That secret characteristic is guilt, guilt for wanting to kill Fortunato. Some of those hints show at the carnival, down in Montresor’s catacombs, and even as Montresor is building in the wall to keep Fortunato in to die. At the carnival, Montresor calls Fortunato his ‘friend’. “It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend.” (Poe). In addition, Montresor is talking about Fortunato, with the term friend being used. Another is, “I was so pleased to see [Fortunato]...” (Poe). In this part of the story, Montresor even says himself that he was happy to see his friend, Fortunato. He shows signs of actually liking Fortunato, but for strongly believing in his family motto and arms of revenge, he feels the need to get revenge on Fortunato for what he did to Montresor. Montresor greets Fortunato kindly and with warmth, “[m]y dear Fortunato, you are luckily met. How remarkably well you are looking to-day!” (Poe). Montresor

Montresor does this by flattering and acting concerned about the health of Fortunato when really his only concern is killing Fortunato. While in the wine cellar, Montresor says to Fortunato, “Come, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchesi-.” Montresor does an excellent job of being Fortunatos’ friend and at the same time convinces him to continue drinking and telling him, “A draught of this Medoc will defend us from the damps.” Montresor was not trying to defend either one of them, his only purpose was to place Fortunato into a higher state of drunkenness. Montresor causes Fortunato to become so drunk that while he was being chained to the wall by Montresor, “He was too much astounded to resist.” “The Cask of Amontillado” is filled with many ironies and also life lessons; such as know who your real friends are. Fortunato thought his real friend was Montresor when, in reality, Montresor was anything but his friend. Not only did Montresor fake his sincerity towards Fortunato, he was also vengeful and very intelligent in his actions to kill Fortunato.

Edgar Allan Poe is an American author whose writing style, full of mysteries and macabre, has fascinated generations. However, his works are more than just thrillers and morbidities. The writings of this author often contain other themes such as companionship, family bonds, longing passion, and perhaps the strongest of these is revenge. “The Cask of Amontillado” and “Hop-Frog; or, The Eight Chained Ourang-Outangs” are two short stories that certainly demonstrate a recurring theme of revenge. Poe not only presents his signature pattern of cold fate in both works but also displays the struggle of a lower social class against the higher social class to the extent that it almost hints at a call for revolution.

Montresor is the brutally insensitive narrator and presents his story from a unique first person perspective. Poe was intricate in telling this story from his point of view. He could have chosen to paint a picture for the readers through the eyes of Fortunato or possibly an outside narrator’s perspective. Poe makes an interesting decision as to who was going to tell the story. Significantly, he does not explain the nature of Fortunato’s transgression through Montresor's point of view. To explain further, Montresor tells the story in the first person, the reader is able to be directly aware of his thoughts therefore

Human nature can be driven by many things such as hate, pain, and even happiness. Humans can be very sensitive to many things. That's why when someone runs through the middle of the road, people get mad, and when someone crashes their car into their neighbor's house, their neighbor yells at them and makes them pay for it. Some components of  human nature are; revenge, greed, and the will to survive.

Later on the story Montresor is offended by Fortunato when the fortuned one tells him that he

Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.

“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.

     Revenge can be sweet, but in this case it is just down right grotesque! In Edgar Allen Poe’s “The Cask of Amontillado” it talks about a gentlemen named Montressor and how he is angry at Fortunato for insulting him in the past. Montressor will not let this go unpunished, so he thinks up a clever scheme to get back at him. This plan is in a way, ingenious but most definitely insane and crazy.

Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.