Editing, Cinematography, and Sound in Gladiator Essay example

By utilising a variety of filmic techniques, both Scott Hicks and Anthony Fingleton created a key action scene to engage and connect the audience to their films. To convey the intensity of the scene, Hicks and Fingleton used a vast range of filmic techniques, however the two key features used, were sound

One of the things that stood out for me in the movie is, as mentioned in the article, the great combination of sound to accompany visually compelling images of war. A notable example is when the troops play cards in their underground bunker and the bombs keep coming down, creating a disturbing exploding sound. Within this discourse, one can tell that the soldiers have been made used to such sound and proceed to

The camera angle and shots used in the scene were medium shots to extreme close ups on Aron's (Franco's) face, to where he is cutting his arm off, this is used to build tension in the scene. The camera is also filmed in a Go-pro (amateur camera/ self-shot type) format, which makes it look like Aron is filming himself. The scene also shows many of shots skipping from his knife to blood to facial expressions of Aron while he is cutting his arm, this helps build even more tension in the scene. The scene wouldn't be as intense without the sounds produced in it, with the music being played increases in tempo (crescendo tempo) during the scene, as if it was an operation, where the heart beat rises to make the scene dramatic and intense. There are parts of the scene where there seems to be a robotic screeching sound used every time Aron tries to cut through his nerves, which this brings the tension into a maximum when the screeches

In the movie Gladiator, emperor Marcus Aurelius died and wanted someone to take over the throne in order to continue leading Rome, but he wanted someone who is not corruptive and a good emperor as Maximus not as his son Commodus who become eventually a bad emperor. Most of the movie has occurred in the Rome Forum, which consists of the important things, since it is regarded as the city center that has the senates’ houses and their monuments, as the SPQR, which stands for the senate and people of Rome. Plus, gladiators’ fights were in the Colosseum. Romans were polytheistic, because they worshiped more than one god. Rome has had different social classes: plebes who accounted for most of the people, patricians who were wealthy people

David Kopec Professor Koranda Humanities 101 1 March, 2015 Oral Presentation- Gladiators The Romans were known for living a life with violence. They enjoyed watching prisoners of war, slaves, and criminals fight beasts or be publically executed.

This close-up thus creates a collective protagonist which in turn becomes an embodiment of the Algerian people. In contrast, the two French paratroopers on the other side of the wall, are shot in side profile through a long lens with their backs turned to the audience, whilst the machine gun which holds connotations of the violence and brutality employed by the French army is incorporated into the left hand side of the frame. Pontecorvo's simplification of the nationalist struggle is further signified through the interplay of dark and light elements. Whilst Pontecorvo employs a chiaroscuro image of Ali La Pointe's hideout in order to highlight the faces of the FLN members against the dark background, the visual expressions of the French soldiers are obscured by shadows. The audience is consequently denied the same intimacy that they are permitted to experience with Ali La Pointe and his collaborators. It can be argued therefore that this opening sequence which begins with the fate of Ali conveys Pontecorvo's natural empathy with the Independent movement.

The film starts with the camera static, moving when James leaves his seat to stand in front of the attendees. The camera gradually tracks down the isle towards James as he starts his eulogy, communicating with slow camera movement in building a realistic tension with the character’s performance. Medium close ups are used to emphasize James’s emotions from mourning where in one instance a tear can be seen. The camera emphasizes the protagonist emotions and moves with the actor’s performance for a realistic

When I began my research, I initially looked for ways the outcasts of Roman society (i.e. slaves, prisoners of war, and condemned criminals) became role models due their success in the Roman games. While actors, charioteers, hunters, martyrs, and gladiators were all available, I have decided to focus primarily on gladiators. Historians and hobbyists of the Roman games seem to have been fascinated more so by the gladiators and gladiatorial combat than charioteers and the races they competed in. I speculate this captivation, which I am also caught in, has more to do with modern expectations of sports and competition. Despite the impressive horsepower of racecars, Nascar simply cannot compete with the National Football League’s prestigious hold on the attention of the average sports fanatic.

This camera shot is panned out to show the small and narrow surrounding, making the audience feel Andy may be feeling trapped. The high camera angle is used to show ‘the Sisters’ have power over Andy and Andy’s feeling of hopeless. The lighting was also dark to express that everything is going bad for Andy. This isolated and hopelessness moment of Andy was shown by a variety of cinematography techniques in Mise en Scene which has influenced the audience to feel the isolation of having no hope during the moment when Andy’s got beaten

The camera zooms in on the protagonist, surrounded by enemies. They’re fighting with everything they have, and despite the odds are succeeding. A few simple notes, and everyone in the movie theater knows the villain is about to enter the room - the stakes are higher than ever. This is an example of leitmotif, an important musical tactic that the modern Western world has Wagner to thank for. Leitmotif is a short theme associated with a specific character or situation. Wagner developed the technique, and used many of these in his operas (Fuller). This technique has become very popular in film, musical theater, and

First, I’m going to discuss about the cinematography of the film. There is a lot of exaggeration to dramatize as a purpose to make the film more interesting, but it resulted as making the opposite reaction. One of the elements it’s for instance the music; it is very disturbing and one of the worst thing in the movie. It always comes when they try to put a lot of suspense when something big is happening in the plot, for example when Dominique slaps Roark with a riding crop, the over dramatic and high pitched music comes. Furthermore, it’s very misplaced in my opinion, since for example, when the dean is talking with Roark to expel him, the music puts a stressful mood, it can give us an impression that Roark cares about what he’s telling him.

Finally, the film showed me the importance of leadership and to follow the rules. The Glade allows the small community to have a sense of normality in their current position. Strict guidelines and responsibilities means that the people don’t need to fear about others and what it currently happening as everyone focuses solely on their own job. “‘Order,’ Newt said. ‘Order. You say that over and over in your head. Reason we're all the same around here is because we work our hardest and manage the order. Order's the reason why we threw Ben out, we can't have mad men running around trying to kill innocent people, now can we? Order. Last thing we can’t afford is you screwing up.’” This taught me that in our society we need a strong leader, rules

One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.

Sound in a scene can communicate meaning and give life to a moving image. As I created the music for the scene I had certain intentions as a director and composer which required the construction of a multifaceted soundtrack to convey the narrative of the scene. The music is chosen and composed to elicit emotional response and ways in which it can convey the dramatic intentions of the film narrative. As music can convey the scope of a film, I used music in my scene to show it as an epic drama. I tried to use sound in my scene is such a way so as to not

This review is the examination of sound and its cohesion with visual elements in the movie Kill Bill Volume 1, specifically from 1:30:14 – 1:37:30. The Kill Bill trilogy does not follow a chronological sequence. This allows the viewer to meet the character first and then see how their experiences created who they are.