Edna Pontelleir In The Awakening

In The Awakening, the mother-women were “women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels (Chopin 19).” They readily relinquished their individual identities. Madame Ratignolle exemplified the role of the mother-woman as she was defined by and found pleasure in her roles of both wife and mother: she “played [the piano] very well, keeping excellent waltz time and infusing an expression into the strings that … inspired… keeping up her music on account of the children… because she and her husband both considered it a means of brightening the home and making it attractive (Chopin 61).” Although Edna revels in motherhood, she believes that there is an ideal truth beyond it. This truth, according to Dyer, cannot coexist with the social, the moral, or even the biological obligations of motherhood (105). Edna, therefore, finds

Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.

Chopin uses the first hand description of Adele from Edna as a literary comparison to previous descriptions of Adele, allowing insight into Edna’s own perceptions and changing world view.

In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,

But they need not have thought that they could possess her, body and soul" (504).  Although Edna did perform her duties as a wife for some time, she is not the typical housewife.  She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1).  Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage.  Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs.  When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him.  For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night.  You must come in the house instantly," Edna replies: "I mean to stay out here.  I don't wish to go in, and I don't intend to.  Don't speak to me like that again; I shall not answer you" (492).  Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself.  Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment

In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.

These first thirteen chapters chronicle the daily life of Edna Pontellier, The Awakening’s protagonist. The novel opens on Mr. Pontellier; he is smoking a cigar and reading the newspaper while idly observing the life and activity around him. The novel turns its attention to his wife, Edna Pontellier. She is described as “rather handsome than beautiful” and has a face with a “certain frankness of expression,” an intriguing description if there ever was one. She is accompanied by Robert Lebrun, the son of Madame Lebrun, the owner of “the house” at which the Creole aristocracy stayed on the Grand Isle. They are rather close companions; Robert has chosen to follow her around for the summer, as is later revealed to be his custom. It’s revealed that Edna is an American woman from “the old Kentucky bluegrass country.” As the day progresses, Chopin details the tiny minutiae of married life that have disappointed both Leonce and Edna; Leonce feels hurt by her dismissiveness- “He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation…”- while Edna resents his overbearing conventionality- “An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish.” The Pontelliers reconcile before Leonce leaves for New Orleans

In the story about Edna Pontellier a major theme is her omitted self discovery. In the story we can see how Chopin uses style, tone and content to make the reader understand how it was for a person challenging many of the beliefs of the society at the beginning of the twentieth century.

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.

She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.

Since the beginning of time social constrictions have always retained a firm grasp on the ideas and actions of humanity. While it remains a formidable foe, still some choose to fight back against the norm. This never-ending war is responsible for major advancements in the social order, but not every story is so successful. In Kate Chopin’s “The Awakening”, Edna Pontellier finds herself fighting this very battle that, although begins with a positive outlook, ultimately ends in her demise.

In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,

In The Awakening, which was written by Kate Chopin, the boundaries and limitations placed on Edna Pontellier by society will guide her struggle for freedom and her ultimate demise. Her husband Leonce Pontellier, the women of the creole society, and the Grand Isle made it clear that Edna is stuck in a male ran society. Despite these individuals, Edna has a human desire to be independent and is successfully able to free herself from having to conform to society. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conforming to society. “Edna's journey for personal independence involves finding words to descover herself. She commits suicide rather than sacrificing her independent, individual existence as social conventions demand of her” (153).

In the melting pot of a complex cultural, Mrs. Edna Pontellier is a married woman to a rich, successful business man. In this society, women are expected to perform household duties, obey their husbands’ commands, and above all else, take care of the children. It is often sought out to marry men of success, as this will secure a financial future. Furthermore, according to The Awakening, it was not uncommon for a man to run off to attend to business while a woman would constantly remain at home. Despite the fact that Edna has had everything provided for her, she is in a state of rebellion against her husband and the social norm of standards. Edna’s personally had even been stated as an “instinctively the dual life- that outward existence which forms, the inward life which questions” (Chopin 572). In Kate Chopin’s The Awakening, Mrs. Edna Ponteiller struggles with her identity as a mother, a wife, and as an individual.