Essay on Edvard Munch

Like the painting, the sketch exhibits a number of West 's finest imaging and clearly and convincingly depicts all of the feeling of a frightful scene. The larger oil on canvas work isn 't one portrait, but rather, a

Some of the prominent artists of this movement were/are: Max Beckmann, Otto Dix, Lyonel Feininger, George Grosz, Ernst Ludwig Kirchner, August Macke, Emil Nolde, Max Pechstein, Oskar Kokoschaka, Alfred Kubin, Vincent Van Gogh, Kathe Kollwitz, Wassily Kandinsky and Edvard Munch.

This made me perceive myself as if I were subordinate or not enough, later on I found out that was not it; but for a while that was my battle. Daniel Munczek Edelman in his short academic journal also writes about the fear his mother had of him being different and not being able to speak the language (English), “My immigrant mother freaked out when I couldn't speak English at the beginning of nursery school.” (Edelman 59.40). His mother knew how hard it would be for him not knowing the language, how the difference of his culture would and could affect him. This article was written in two-thousand thirteen, it is a recent article proving that the differences in cultures are still relevant. His anecdote is essential because he gives background to what goes on in the differences of culture and examples of how culture has perceptions and how it can shape oneself. “My boss, half African-American and half white herself, jokingly called me "half-caste," insisting that I would one day admit that I wasn't totally white.” (Edelman 59.40) This justifies my point that the way we look does have an influence on the way others view “us”. Daniel Munczek Edelman’s boss did joke about his ethnicity because of the way he looked, he didn’t totally look like his other ethnicities and didn’t really involve himself

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

This is a representation of how the political and religious systems in the Late Medieval Ages treated women as the subordinates of men. It is the woman who attempts to bribe the skeletons with a bowl of coins to try to cheat out of death. None of the other male figures attempt to cheat death. This is significantly similar to the Christian biblical story of Adam and Eve and how it was Eve’s fault for eating the apple and causing orignal sin. The Christian idea and stereotype of women trying to cheat the system and sinning has still be translated through this painting. However, it is clear that the attempts to cheat death are futile and that death has no biases or judgements.

The artist depicts an initial confusing and weirded-out thought for the viewer at first glance, but as one deeply examines the art, the subject matter begins to become more clear. The vision being shared in this non-objective painting has a context of placing one in the standing of Mr. Man by gaining height and freedom from the (white) bars that are rising on each level that represent conflict which traps one in a “cage” of misery. The unbalanced symmetry of having the left side take up more space with little action, and the right side being smaller with the action unraveling, makes the viewer break down each composite perspective. For the left side, the mysterious female muse, Moon-Face, has an unproportional face that is almost blushing with shades of light pasty orange, with the mouth wide open. The energetic mood is amplified by the tone of yellow that is splashed in the mouth, representing a loss of words or at a state of disbelief. The female’s lower half is created with tints of red that enhances the curves on her body, as if chiaroscuro connects the light and dark contrast to show outline of the breasts, stomach, and hips in

There was also another figure looming over the other figures in the painting. However, this one didn’t seem human, because when you looked at its face you saw a skull. I think this was symbolizing death. To be honest, what originally drew me to this painting wasn’t the painting itself. It was the colors that were making up the painting. The colors of The Pestilence were so different from the other painting in the exhibit. The painting consisted of tints and shades of blue, red, orange, and yellow. In comparison to the other painting in the exhibit, The Pestilence consisted of colors that both complemented and contrasted against each other. By doing this Breckenridge made an art work that made it hard for me to look away from. I mean, when I walked into the room where it was located, I was instantly drawn to it.

The painting that I decided to analyze was one of a woman with what looked to be death hovering over her shoulders. It gives the impression of sadness and darkness. The painting has small details everywhere, giving a message to those who look at it carefully. Patrick McGrath Muñíz, a student at Lone Star College-Montgomery, was the artist behind the painting.

Specific Purpose: To inform the audience about the importance of Edvard Munch’s contribution to modern art.

Edward Munch piece of art titled The Scream (1983) was created in Oslo, Norway. It is one of the most popular work of art in the world and it is currently located at the Museum of Modern Art in New York. Most of the paintings created by this artist were done in oil, pastel on cardboard; including this one. The characteristics of this piece of art present a subjective perspective, the artist didn't fail to capture the feeling or experience of the figure, even though he didn't achieve complete or accurate depiction, which makes this painting of a impressionism style.

vard Munch was a prolific yet perpetually troubled artist preoccupied with matters of human mortality such as chronic illness, sexual liberation, and religious aspiration. He expressed these obsessions through works of intense color, semi-abstraction, and mysterious subject matter. Following the great triumph of French Impressionism, Munch took up the more graphic, symbolist sensibility of the influential Paul Gauguin, and in turn became one of the most controversial and eventually renowned artists among a new generation of continental Expressionist and Symbolist painters. Munch came of age in the first decade of the 20th century, during the peak of the Art Nouveau movement and its characteristic focus on all things organic, evolutionary and

The art world has a limitless array of mediums and different artistic periods, challenging the opinion of what should be accepted by the masses. "Expressionism is the art of the emotive, the art of tension provoked by consciousness of the forces which surround modern humankind." Challenging the academic traditions of the previous centuries, Edvard Munch impacted the art world as an instrumental leader in the development of modern German expressionism. His painting The Scream has made its mark in questioning the ideals of what is acceptable concerning the history of art. The paper will discuss Munch’s life history, uncovering the influences which led him to expressionism, as well as a detailed description and analysis of The Scream,

Edvard Munch was born in a time full of sadness and death. When he was a young boy, his mother and sister had passed away. He seems to have transferred his sadness in reality to his artwork to illustrate the true human condition. By the time he was in his middle age, Munch became an alcoholic and did not want to seek help for his depression. It wasn't until he was 21, in 1885 that Munch had the opportunity to go to Paris. When he was in Paris, Munch saw the work of the impressionists and became inspired by the works of Pizarro and Monet. When he returned back to his home, he began useing the impressionist brushstroke which was not as tight. His brushwork became more loose and color more subtle. Contrary to the impressionists, he never painted

Edvard Munch is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was recognized in Germany and central Europe as one of the creators of a new movement in art. Munch and many artists of the time needed to express their feelings about all the change that was happening around.

“The Scream” is a famous painting by Edvard Munch .The 1893 painting is regarded as one of the most iconic human figures in the history of Western art. The painting is described by Munich as an autobiographical representation of his own feelings of insanity. The painting was created by Much through the use of oil, tempera, and pastel while he was living in Oslo, the capital and perhaps the most popular city in Norway. The painting is generally described as abstract. It is referred to as being an iconic part of the Expressionism Movement, a movement that manifested in Germany from 1905 until 1950.The movement established a new way and approach to artistic presentation. America journalist Arthur Lubow cites the painting as “"an icon of modern art, a Mona Lisa for our time."(Lubow, 2006)