Essay on Edvard Munch

1385 Words 6 Pages
Edvard Munch is regarded as the pioneer of the Expressionist movement in modern painting. At an early stage Munch was recognised in Germany and central Europe as one of the creators of a new and different movement of art, that helped artists to express their feelings about all the social change that was happening around them.

Munch was born in 1863, and before long he had come to know the intensity of emotional pain. His father was a doctor who often bought patients to the Munch home. His mother died when Edvard was five years old, his older sister died of disease at the age of fifteen, and Edvard himself was often ill. One of his youngest sisters was also diagnosed with a mental illness at an early age. With death and illness as a
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The woman is depicted as a creature of temptation, a selfish enslaver of men. She embraces the man, and appears to be sucking the life out of him.

Edvard wrote of the inspiration of the painting in his diary. The paintings showed emotion that had never been expressed so openly through art before. This painting is laced with hidden meanings, the faceless clock represents the uncertainty of the artists time left, the bed represents death, the placement of the figure between these two pieces symbolises the decisions and issues he is experiencing. The painting depicts a horse pulling a cart, which appears to be dangerously out of control. The body is distorted, twisted and disfigured with terror.

Edvard Munch's "The Scream" was painted around the end of the 19th century, and is possibly the first Expressionist painting. The Scream was very different from the art of its time. During this time artists tried to paint realistic paintings. Munch was a tortured soul, and it certainly showed in this painting. Most of his family had died, and he was often plagued by sickness. The Scream was a reflection of what was going on at the time, and what was going on in Munch's own mind
It seemed to me that I could hear the scream. I painted this picture; painted the clouds as real blood. The colors screamed" (Preble 52). Some people, when they look at this painting, only see
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