Edward Scissorhands Analysis

The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an

The film ‘Edward Scissorhands’ by Tim Burton can be seen as a modern day fairytale. However, there are many important themes that make the film richer and deeper in meaning. The film is not simply entertaining, because the director examines the importance of individuality, love and appearance and reality.

Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.

Another example from the movie is when Edward is introduced into this brand new style of living where he is the new ‘toy’ and uses his creative side to make people’s lives more enjoyable and fulfilling by cutting neighbours hair and turning a hedge into art. Tim Burton makes us think to look beneath the surface and not too just leave out someone who doesn’t look normal, he makes us think about our everyday life how we can be ignorant, rude and reject people who don’t look like us and have a disability. In Edward Scissorhands Edward isn’t always seen as the good guy from the town’s perspective. In the opening seen when we are given a bird’s eye view of the cars moving in and out of the town, this gives us the thought that the town is bright, bubbly and organized to the split second that the cars come out of the drive way but really as the movie goes on they seem to take the tag of being the ‘bad town’. In the movie the town thinks he is the bad guy because of what people have been gossiping about. Edward becomes the ‘bad guy’ as he is being betrayed/forced into the role of the town devil when he is the town hero as he has bought something to the town that will

In usual fairytale movies, filmmakers intend to make films that give happy endings with simple miraculous entertainments. However, in the fable movie, Edward Scissorhand, the director, Tim Burton, positions the viewers to understand the significant meaning of particular issues. “E.S” is can be seen as a story of stereotypical suburbia with social criticism. In this essay, starting from analysing this film and providing dominant discourse, the use of characters will be discussed followed by debate of technical and symbolic codes which help to put up the discourse. In particular, this essay will consider the technical code of camera angle and symbolic codes of colour which emphasize the dominant discourse.

Tim Burton’s gothic drama film Edward Scissorhands explores what is immoral with our society. A present issue with humanity is people who are different are encouraged to conform. In addition, society plays by the rules and follow societal norms rather than listening to their hearts. Most importantly, humans are cruel and exploit those who are vulnerable for their own benefit. Through the use of film techniques, Burton proposes the faults in humanity and the brutal nature of humans.

In Tim Burton’s 1990 film Edward Scissorhands, explores how people who are different are treated in society. This statement will explore the reasons why and how people are treated differently. The statement will prove that there are people who are treated differently because of what and who they are.

Tim Burton’s fictional worlds are ones of clear compartmentalization, quite often between literal shades of black and white. Through visual contrasts the audience is not only drawn into the plot, but also given explicit messages about how to interpret the actions and motives of the characters. His macabre art style and purposeful storytelling both hint at his rejection of the status quo; throughout his stories he reinforces the idea that normality is not synonymous with morality through the use of stark lighting contrast, yin and yang style settings, and costumes that are polarly different.

How would you feel if you had scissors as hands? In the beginning of Edward Scissorhands, Edward wasn't finished so he was left with scissors as hands. During the movie Edward goes through a journey trying to fit in and be accepted by everyone. In the film Edward Scissorhands, director Tim Burton uses the stylistic elements of juxtaposition and symbolism to develop the theme, never judge someone by their appearance.

The film ‘Edward Scissorhands’ by Tim Burton is a story about a lonely boy with a unique disability: scissor hands, it follows Edward as he experiences life outside of his isolated home and through his hardships of dealing with prejudice and people treating him differently. It also follows him when he makes judgments of others wrongly and shows the consequences to both parties from those decisions made on them.

Tim Burton, the director of Edward Scissorhands, draws inspiration for his work from fairytales and children’s stories. He has always had an affinity for the darker elements of these stories, which is made evident in the film Edward Scissorhands. The film’s main character is a man named Edward who has scissors for hands. Later, it is shown that he was a metal figure brought to life by his inventor, an elderly man who dies before he is able to give Edward human hands. Edward lives in a mansion on a hill on the edge of town, all alone, until a woman named Peg finds him and bring him to live with her family. Edward immediately develops an attraction to Peg’s daughter, Kim, though she has a boyfriend. Towards the end of the film, Kim tells Edward that she loves him, and Edward seems to be completed. However, Edward struggles to conform to society, and eventually is forced by the members of the community to return to his mansion, isolated from any human interaction. The film combines a make-believe character, as often found in children’s books, with elements of a horror film, like suspicion and violence. The film features several flashbacks throughout that elaborate on Edward’s past and show how he came to be. Burton uses these flashbacks to grow the audience’s understanding of Edward, explain events, and emphasize themes.

The film ‘Edward Scissorhands’ by Tim Burton, is a modern day fairy tale which follows the story of Edward, a young man that is taken out of isolation and introduced into a new way of life. Although the film is for entertainment, that is not its sole purpose. The film has deep and rich themes, which convey many important messages to the audience. Some themes of the film include; conformity, appearances versus reality and individuality.

Does abnormal people like the way they are - hated by the “ordinary” people? The movie “Edward Scissorhands” directed by Tim Burton, is about a man named Edward who has hands that are scissors. He was fabricated by the inventor who lived in a mysterious, gloomy castle. The reason why his hands were scissors, was because the inventor died before he replaced it with human hands. That the inventor was dead, Edward was left out and living in the castle all by himself; until, when a local Avon saleswoman, Peg Boggs went into the castle and saw Edward. She felt frightened of his hands at first. However, she realizes that Edward is harmless and lonely so she decides to take him to her home. Once Peg introduced Edward to everyone in Peg’s neighborhood, most people got along with him. Edward was also recognized as a talented, trustworthy person once he proved his skills on hedge-trimming and hair-cutting. However, not everyone accepted him and at last, the whole neighborhood start to reject him. As a result, Edward ends up living back up in the castle, his home. In the movie Edward Scissorhands, Tim

Edward Scissorhands is one of the more dark and sad movies that i've seen. In this movie Tim Burton does an amazing job of using special film techniques to scare or to make the viewer feel something that they normally wouldn't feel. Some of the main filming techniques that get these felling across are lighting, music, and camera movement. In one of my favorite scenes from the movie Edward is mad because Kim rejected him and chose her mean abuseful boyfriend, when Edward gets home he cuts up the wallpaper, the walls, and the curtains. The way that Tim Burton lets you know is mad is playing very fast dark music and moving the camera very fast to let you know that he's angry and he's not gonna hide his anger.

In my essay I am going to reference two films, Edward Scissorhands (1990) and Vincent (1982), directed by Tim Burton. Edward Scissorhands, is Tim Burton’s take on the Frankenstein story. We can clearly see the influences that have appealed to Tim Burton in the classic Frankenstein (1931) was not the character’s monstrousness appeal but the sense of sad sorrow that audiences sympathized to in Boris Karloff’s performance. Whereas in Tim Burton’s vision, we see a “Special” character as the Frankenstein Monster, in the similar way that we call people with disabilities Special. And then we have Vincent, a short stop-motion animation. The short film itself is an entertaining aspect of a suburban boy named Vincent who recites Edgar Ellen Poe and categorizes with Horror film star, Vincent Price. With similarities to Edward Scissorhands, the main character is a chance for Tim Burton to represent himself on the screen as a tortured boy, outsider and artist. I am going to discuss how cultural and psychological concerns are represented through characterization, art direction, cinematography, and sound. I will support my discussion by analyzing a reflection on both the similarities and differences between the two films, and whether a distinctive “Burton” signature (aesthetics, cultural and psychological concerns) is evident.