Edward Scissorhands Cinematic Techniques Essay

Burton’s use of techniques results in an amplified outlook on gloomy or brightened scenes. His use of lighting and color in each individual film shows the effect of the two techniques. In Edward Scissorhands, Tim’s use of lighting behind Edward during the police scene made Edward

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an

Inspired by Roald Dahl and Vincent Price, director Tim Burton is easily one of the most remarkable and creative directors of his generation. Burton has a unique and individual way of challenging the minds of viewers and attracting individuals to his films, and has been using this technique for over 30 years. His ways persuade the audience to change the mood they have toward the film. In the films Charlie and the Chocolate Factory, Edward Scissorhands, and Big Fish Director Tim Burton uses cinematic and editing techniques such as lighting, sound, and flashbacks in order to enhance the mood and feelings of viewers.

He uses close up in Edward scissorhands to show ho Ed has scars from his hands and showed how his hands are different. Tim shows how Ed is different from everyone because his has scissors for hands and not regular hands with ten fingers. In Nightmare before Christmas you see close ups when Jack sings his songs and introduces the characters. Tim Burton uses close up shots to establish how the charters are feeling and flaws that a charter has. This cinematic technique helps to show how emotion and flaws of a charter.

The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a

Camera techniques is a very general aspect of cinema that covers all movements, lens’, angles, and shot types a camera can ascribe to. For example, the camera angle can establish the mood and tone of a sequence, with the application of high camera angles depicting characters as exposed. Furthermore, camera movement comprises of zooming, panning, tilting, and tracking as a way of producing emotion and compelling viewers. Camera lens’ spans from telephoto to wide angle and gives to the tone and appearance of the movie. Finally, shot types can include long shot, extra-long shot, close up, extra close up, and point of view, and form circumstance of the characters in their settings amid that moment in the plot. In Edward Scissorhands, director Tim Burton relies upon a bevy of different camera angles to capture Edward as an assailable protagonist, alone and existing as separate from community.

Lighting can impact the mood and notion of a certain scene. Tim Burton, in "Edward Scissorhands", uses lighting to convey the emotion of the character and the scene. For example in the multiple scenes where the character Kim is featured, there is a glowing, faint but noticeable light around her, creating a calm aura. This has a positive effect on the audience because the lighting manipulates how Kim is perceived, which is pure and angelic. In addition to this film, Burton uses lighting quite immensely in his short based on Vincent Price, "Vincent". Vincent was based on a little boy named Vincent Malloy who was obsessed with actor Vincent Price and the brilliant poet and writer Edgar Allen Poe. In this short he dresses and acts as Vincent Price and reads day and night the work of Poe, he also invents odd concoctions and one day hopes to dip his aunt in wax for his wax museum. Over the multiple scenes, you can see Burton's use of dark lighting to portray Vincent Malloy's dark mind. For instance in the scene where Vincent's mother locks him in his room and tell him to stop letting his imagination get the best of him the lighting goes dark, which conveys Vincent's mood as sad, dark, and tormented. Another instance of Burton using lighting to impart the mood is in "Charlie and the Chocolate Factory". In the specific

High key lighting makes the viewer feel very happy and open, since high key lighting is usually used in bright and playful scenes. For example, in Burton’s Charlie and the Chocolate Factory, when the Willy Wonka is introducing the tourists to the candy room, there is a variation of colors and the lighting used was very bright. By using this type of lighting, it makes the viewer feel joyful and very positive. Also, in Burton’s Edward Scissorhands, the scene when Edward is introduced to Peg’s neighborhood, the lighting is very bright. This makes the viewers understand the differences between Edward’s deep and dark mansion, compared to Peg’s bright and colorful neighborhood. The contrast allows the readers to feel the uniqueness between the two different lifestyles of Edward and

For instance, in the intro of Edward Scissorhands when Kim was telling her granddaughter the story of Edward, they were in a room filled with warm light from the fireplace. This technique gave the audience the effect to become suspicious and watch more. Just like in The Big Fish when his Edward was telling the story of how he “caught” his wife with the fish swimming in the water. The lighting of the water made the viewer wonder if something good or bad is going to happen. Some of the viewers may not have noticed it but the camera framing plays a big role in establishing the mood.

In Charlie and the Chocolate Factory Tim Burton uses lighting to create various moods and tones. In Charlie and the Chocolate Factory there was back lighting on the chocolate mansion, that Willy Wonka had built, that shows excitement. This affect is achieved because it shows the massive palace. Without this it would not have shown such a great

Tim Burton uses low angles, eye-level angles and high angles in order to contrast human and mans in a distinctive way as well as address the relationship between them. Additionally, he also uses closeup shots and medium shots to create mood and impression and at the same time, show that Edward and people of the neighborhood live in very different conditions. Both of these cinematic techniques leave the audience with meanings which justifies the theme of the movie. These methods of filming shape meaning as well as cause the movie to turn out as an interesting one. Some people might be somehow different than others by an extreme amount, but do understand that we still have sameness within each other, and they have no reason to be disliked

Tim Burton has directed movies like Charlie and the chocolate factory, Edward Scissorhands, Big Fish, and many more. He is known for his unique style which is dark humor. He uses many techniques to create different moods or feelings you wouldn't usually feel .Tim Burton uses flashback, shot'reverse'shot, and camera movements to create different types of mood.

From Edward Scissorhands to Charlie and the Chocolate Factory and from Charlie and the Chocolate Factory to Big Fish, Tim Burton uses cinematic techniques in order to intrigue his watchers to have them become more engrossed in his movies. Tim Burton's past is strange for his techniques. An example of this could be that he worked at Disney, which is a place filled of happy things with no dark meaning at all. In Big Fish, Charlie and the Chocolate Factory, and Edward Scissorhands, Tim Burton uses flashbacks, lighting, and high angles to prove that mood can change in the blink of an eye.

In my essay I am going to reference two films, Edward Scissorhands (1990) and Vincent (1982), directed by Tim Burton. Edward Scissorhands, is Tim Burton’s take on the Frankenstein story. We can clearly see the influences that have appealed to Tim Burton in the classic Frankenstein (1931) was not the character’s monstrousness appeal but the sense of sad sorrow that audiences sympathized to in Boris Karloff’s performance. Whereas in Tim Burton’s vision, we see a “Special” character as the Frankenstein Monster, in the similar way that we call people with disabilities Special. And then we have Vincent, a short stop-motion animation. The short film itself is an entertaining aspect of a suburban boy named Vincent who recites Edgar Ellen Poe and categorizes with Horror film star, Vincent Price. With similarities to Edward Scissorhands, the main character is a chance for Tim Burton to represent himself on the screen as a tortured boy, outsider and artist. I am going to discuss how cultural and psychological concerns are represented through characterization, art direction, cinematography, and sound. I will support my discussion by analyzing a reflection on both the similarities and differences between the two films, and whether a distinctive “Burton” signature (aesthetics, cultural and psychological concerns) is evident.