Edward Scissorhands Film Analysis

Directed in 1990 by Tim Burton, Edward Scissorhands is set in an idealistic community in 1950s America. The story follows the Frankenstein-like character of Edward (Johnny Depp), as he navigates a pastel- coloured world that is unfamiliar to him, after he is found alone in his former creator’s mansion on top of a hill by Peg (Dianne Wiest) and she takes him into her home. At first, the community fears Edward, but they grow to appreciate him for his many talents, until he is framed by the boyfriend of Peg’s daughter Kim (Winona Ryder), whom Edward has fallen in love with, for a crime that he didn’t commit. This film has elements of fantasy, drama and romance.

The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an

The film ‘Edward Scissorhands’ by Tim Burton can be seen as a modern day fairytale. However, there are many important themes that make the film richer and deeper in meaning. The film is not simply entertaining, because the director examines the importance of individuality, love and appearance and reality.

Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.

The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a

Tim Burton, a masterful Director who effectively uses his techniques to really enhance a story’s capabilities to tell a tale. In Vincent Malloy he used cinematic techniques to show the gloominess and loneliness that Vincent Malloy felt when he thought he was Vincent Price. Tim Burton uses close ups and low key lighting in order to depict loneliness and to communicate that being lonely and isolated may be how you start, but when you really come out is when your true colors really shine.

How would you feel if you had scissors as hands? In the beginning of Edward Scissorhands, Edward wasn't finished so he was left with scissors as hands. During the movie Edward goes through a journey trying to fit in and be accepted by everyone. In the film Edward Scissorhands, director Tim Burton uses the stylistic elements of juxtaposition and symbolism to develop the theme, never judge someone by their appearance.

The film ‘Edward Scissorhands’ by Tim Burton is a story about a lonely boy with a unique disability: scissor hands, it follows Edward as he experiences life outside of his isolated home and through his hardships of dealing with prejudice and people treating him differently. It also follows him when he makes judgments of others wrongly and shows the consequences to both parties from those decisions made on them.

Tim Burton, the director of Edward Scissorhands, draws inspiration for his work from fairytales and children’s stories. He has always had an affinity for the darker elements of these stories, which is made evident in the film Edward Scissorhands. The film’s main character is a man named Edward who has scissors for hands. Later, it is shown that he was a metal figure brought to life by his inventor, an elderly man who dies before he is able to give Edward human hands. Edward lives in a mansion on a hill on the edge of town, all alone, until a woman named Peg finds him and bring him to live with her family. Edward immediately develops an attraction to Peg’s daughter, Kim, though she has a boyfriend. Towards the end of the film, Kim tells Edward that she loves him, and Edward seems to be completed. However, Edward struggles to conform to society, and eventually is forced by the members of the community to return to his mansion, isolated from any human interaction. The film combines a make-believe character, as often found in children’s books, with elements of a horror film, like suspicion and violence. The film features several flashbacks throughout that elaborate on Edward’s past and show how he came to be. Burton uses these flashbacks to grow the audience’s understanding of Edward, explain events, and emphasize themes.

The film ‘Edward Scissorhands’ by Tim Burton, is a modern day fairy tale which follows the story of Edward, a young man that is taken out of isolation and introduced into a new way of life. Although the film is for entertainment, that is not its sole purpose. The film has deep and rich themes, which convey many important messages to the audience. Some themes of the film include; conformity, appearances versus reality and individuality.

Edward Scissorhands is one of the most curios and anticipating oviesive seen and it all starts off with A man named edward scissorhands is living in a dark mansion up on the mountain towering over the little town. Then an Avon representative drives up to the mansion and realizes the Edward is the only one living up in this mansion and decides to take him home to her house. Then then the peg the Avon representative took edward on a tour of the house and they get to her daughter kim's room and right when you see it you can tell edward like kim but Jim edwards boyfriend does not like Edward every much because he's different. If i was that person i would not bring edward home because who knows what he is capable with those scissorhands.

Does abnormal people like the way they are - hated by the “ordinary” people? The movie “Edward Scissorhands” directed by Tim Burton, is about a man named Edward who has hands that are scissors. He was fabricated by the inventor who lived in a mysterious, gloomy castle. The reason why his hands were scissors, was because the inventor died before he replaced it with human hands. That the inventor was dead, Edward was left out and living in the castle all by himself; until, when a local Avon saleswoman, Peg Boggs went into the castle and saw Edward. She felt frightened of his hands at first. However, she realizes that Edward is harmless and lonely so she decides to take him to her home. Once Peg introduced Edward to everyone in Peg’s neighborhood, most people got along with him. Edward was also recognized as a talented, trustworthy person once he proved his skills on hedge-trimming and hair-cutting. However, not everyone accepted him and at last, the whole neighborhood start to reject him. As a result, Edward ends up living back up in the castle, his home. In the movie Edward Scissorhands, Tim

In my essay I am going to reference two films, Edward Scissorhands (1990) and Vincent (1982), directed by Tim Burton. Edward Scissorhands, is Tim Burton’s take on the Frankenstein story. We can clearly see the influences that have appealed to Tim Burton in the classic Frankenstein (1931) was not the character’s monstrousness appeal but the sense of sad sorrow that audiences sympathized to in Boris Karloff’s performance. Whereas in Tim Burton’s vision, we see a “Special” character as the Frankenstein Monster, in the similar way that we call people with disabilities Special. And then we have Vincent, a short stop-motion animation. The short film itself is an entertaining aspect of a suburban boy named Vincent who recites Edgar Ellen Poe and categorizes with Horror film star, Vincent Price. With similarities to Edward Scissorhands, the main character is a chance for Tim Burton to represent himself on the screen as a tortured boy, outsider and artist. I am going to discuss how cultural and psychological concerns are represented through characterization, art direction, cinematography, and sound. I will support my discussion by analyzing a reflection on both the similarities and differences between the two films, and whether a distinctive “Burton” signature (aesthetics, cultural and psychological concerns) is evident.

Horror films are movies that aim to elicit a strong physiological reaction in the viewer, such as raised heartbeat and fear. Three horror films by the names of Psycho, Scream and The Messengers will be analysed and compared to an episode of the popular children’s show Shaun the Sheep. Five elements will be addressed in this analysis, those being camera techniques, Mise-en-scene, Editing, Lighting and Sound.

''The power of Christ compels you! The power of Christ compels you! The power of Christ compels you!!! ...'' Father Merrin&Father Damien Karras from the movie -The Exorcist-