Effective Dramatic Imagery in Wilfred Owen’s “Dulce et Decorum Est”

The use of repetitant capitalisation of the first "GAS" and the use of exclamation marks creates this mood. The next line "An ecstasy of fumbling" adds to the current poem atmosphere with everyone fumbling to have the masks on before being affected by gas. An anti-climax of helmets being fitted "just in time" misleads the reader into thinking that the helmets all were put on successfully but in the following plosive conjunction "but" the reader now understands this is not the case. Again in the last line Owen requests for the attention of the reader with the personal pronoun and simile "As under a green sea, I saw him drowning" an image of the fog of green air in which the soldiers disappear in is generated in the mind of the reader.

Then, "An ecstasy of fumbling / Fitting the clumsy helmets just in time / But someone still was yelling out and stumbling [. . .]. " Everyone has managed to put on his mask, except one unfortunate soldier. As the mustard gas seeps into his lungs, he begins to scream and jerk around, but it is too late for his companions to save him. "[W]atch the white eyes writing in his face / His hanging face / [. . .] at every jolt, the blood / Come gargling from the froth-corrupted lungs [. . .] / Of vile, incurable sores on the innocent tongue [. . .]. " Nowhere in the entire poem is there any mention of how wonderful and brave the soldiers feel at being given the chance to die for their country.

In conclusion, “Dulce et Decorum” by Wilfred Owen is a poem written with the clear purpose of destroying the heroic tradition by telling the truth about war. It doesn’t sugar coats the ugly reality of war, but describes in vivid disturbing details. Even if the poet died during the battles of the Great War, we can be very grateful that some of his works survived to tell the tale as it is. Not noble, regal nor godly, but

Throughout the ages, poetry has played--and continues to play--a significant part in the shaping of a generation. It ranges from passionate sonnets of love to the gruesome realities of life. One such example of harsh realism is Wilfred Owen 's "Dulce et Decorum Est." Owen 's piece breaks the conventions of early 20th Century modernism and idealistic war poetry, vividly depicts the traumatizing experiences of World War I, and employs various poetic devices to further his haunted tone and overall message of war 's cruel truths.

This technique serves to emphasize the solemn and serious content. In stanza one, Owen describes the soldiers as they set off towards the army base from the front line. The simile "Bent double, like old beggars"(1) not only says that they are tired, but that they are so tired they have been brought down to the level of beggars who have not slept in a bed for weeks on end. Also, the simile "coughing like hags"(2) helps to depict the soldiers? poor health and depressed state of mind. Owen makes us picture the soldiers as ill, disturbed and utterly exhausted. He shows that this is not the government-projected stereotype of a soldier, in gleaming boots and crisp new uniform, but is the true illustration of the poor mental and physical state of the soldiers. By telling us that many of the platoon are barefoot, Owen gives us an idea of how awful the soldiers? journey already is; it then gets even worse. Owen tells us that the soldiers, although they must have been trained, still do not notice the deadly mustard gas shells being fired at them from behind; such is the extent of their exhaustion.

Owen paints a picture of the oppressiveness of war and the fears that constantly follow them to help create the tone. Owen talks about the repercussions of war and how the soldiers never rest completely because they are always on the lookout for another attack. Once optimistic, young, healthy soldiers have been turned into depressed, fatigued, and hunger ridden shells of the human beings they once were (Spacey). By comparing parts the war to “smothering dreams” and to being as “obscene as cancer” (Owen 494), Owen proves that the war is not anything of which to be proud. However, it is in the last few lines that Owen truly expresses his disapproval of the war. He says it is a lie to tell children that it is sweet and honorable to die for one’s country. He accuses America for taking advantage of young men who are “ardent for some desperate glory” (Owen 494) by convincing them that war is a way to receive that glory. Owen

Wilfred Owen’s “Dulce et Decorum Est” is a poem made of four stanzas in an a, b, a, b rhyme scheme. There is hardly any rhythm to the entire poem, although Owen makes it sound like it is in iambic pentameter in some lines. Every stanza has a different amount of lines, ranging from two to twelve. To convey the poem’s purpose, Owen uses an unconventional poem style and horrid, graphic images of the frontlines to convey the unbearable circumstances that many young soldiers went through in World War I. Not only did these men have to partake in such painful duties, but these duties contrasted with the view of the war made by the populace of the mainland country. Many of these people are pro-war and would never see the battlefield themselves. Owen’s use of word choice, imagery, metaphors, exaggeration, and the contrast between the young, war-deteriorated soldiers and populace’s favorable view of war creates Owen’s own unfavorable view of the war to readers.

Wilfred Owen’s piece, “Dulce et Decorum Est,” slams open the doors of the ideology of a soldier’s demeanor and uncovers what truly lies in the smoke and rubble of war, specifically in the battlefield of World War 1. Wars appears to be this grand exemplification of heroism and gruesome occurrences to most. However, what fails to meet the eye is that a soldier’s life, though inglorious is an addition to that person’s being, it is a part of who they gradually become.

In the first stanza, Owen describes a regiment marching through sludge, something not unusual for soldiers at the time. In the second stanza, however, he introduces a new threat, mustard gas. The speaker exclaims: “Gas! GAS! Quick, boys!” (Owen L9). As most of the soldiers are putting on their gas masks, one fails to do so. The speaker is left watching the man struggle: “flound’ring like a man in fire or lime…guttering, choking, drowning.” (Owen L12-16). After watching his fellow soldier succumb to the hellish effects of the gas, the speaker could not erase the images from his memory. In the last stanza, he chastised the people at home who romanticize war and challenged them to think about how admirable it is to watch a man die: “the white eyes writhing in his face, His hanging face, like a devil’s sick of sin” (Owen L19-20).

Wilfred Owen’s poem “Dulce et Decorum Est” makes the reader acutely aware of the impact of war. The speaker’s experiences with war are vivid and terrible. Through the themes of the poem, his language choices, and contrasting the pleasant title preceding the disturbing content of the poem, he brings attention to his views on war while during the midst of one himself. Owen uses symbolism in form and language to illustrate the horrors the speaker and his comrades go through; and the way he describes the soldiers, as though they are distorted and damaged, parallels how the speaker’s mind is violated and haunted by war.

Another tool in developing the effectiveness of the poem is the use of compelling figurative language in the poem helps to reveal the reality of war. In the first line, the metaphor, ?Bent double, like old beggars under sacks,?(1) shows us that the troops are so tired that they can be compared to old beggars. Also, the simile "coughing like hags"(2) helps to depict the soldiers? poor health and depressed state of mind. Owen makes us picture the soldiers as ill, disturbed and utterly exhausted Another great use of simile, ?His hanging face, like a devil's sick of sin,?(20) suggests that his face is probably covered with blood which is the color symbolizing the devil. A very powerful metaphor is the comparison of painful experiences of the troops to ??vile, incurable sores on innocent tongues.?(24) This metaphor emphasizes that the troops will never forget these horrific experiences. As you can see, Owen has used figurative language so effectively that the reader gets drawn into the poem.

As the day is coming to an end, the soldiers are heading back to camp worn out and covered in blood from their open flesh wounds. However, upon their walk back to camp, chaos begins to abrupt from the awareness of gases shells. Fortunately, many soldiers scrambled to put on their gas masks just in time while one unlucky soldier is stuck screaming from the poison entering his body. In stanza two, the speaker recalls the stumbling soldier dropping to the ground and the yelp of chemicals bubbling in his lungs. Additionally in stanza three, the speaker replays the horrific gas attack that he witnessed in a dream. He is stuck hopelessly in the past trying to find a solution to what he could have done to save the dying soldier. Furthermore, the narrator describes the carelessness that the other soldiers had in stanza four. The speaker discusses the combatants flinging the deceased soldiers into the wagon, as if it were just another one down. By adding vivid descriptions of a soldier choking and drowning from the gases, the reader gets an idea of what war is really like. The speaker ends the poem with the following statement, “Dulce et Decorum Est,” which in English translates to “It is sweet and proper to die for ones’ country” (Owen). By adding this phrase, the narrator leaves the reader uneasy about the casualties and truth of

Context is able to give the audience a greater knowledge of the meaning behind the text. In the case of Wilfred Owen’s texts of Dulce et Decorum Est and Anthem for a doomed youth, his portrayal of death and war is important for the reader to understand. With the context of WW1 and his personal involvement, his text have a greater meaning and are easier to understand.

Wilfred Owen’s poetry acts as a medium for people to deepen their understanding of the terrors of war, such as death, suffering, pain and hopelessness. He speaks for those who have been to war, they can truly understand war as they lived and experience these horrors. While those back at home are ignorant to these facts due to the jingoistic propaganda by the government, Owen attempts to open their eyes to this atrocity. These narratives of war are made terrifyingly apparent in “Dulce et Decorum Est” where the responders breathe the air of death. While in “Futility”, Owen uses an extended metaphor of the sun to reinforce how there is no hope of life for the personas.

Wilfred Owen poems ‘The Sentry’ and ‘Dulce et Decorum Est’ contain a myriad of both shocking and realistic war experiences on a microscopic level. Wilfred Owen a company officer talks about his egregious exposure to war and how war contaminates life and existence of humans. In both poems the 1st stanza implies the threats and life in war, which then springboards us to the physical effect of one specific soldier and the thirds stanza he relives the inescapable experience and ends the poem with a bleak, ironic statement. ‘The Sentry’ and ‘Dulce et Decorum Est’ have many similarities; they highlight the price paid by soldiers and relentlessly unveil the full scale of war 's horrors. There are two types of prices paid by soldiers due to war; one deprives humans of their sanity whereas one consumes the breath which makes us human.