Effects Of Beauty On African American Women

This white fantasization begins with the comparison of the African-American woman to the white woman in countenance who have pale complexions and finer hair, which is directly contrasted with African-American women’s more curly-coiled hair and varying complexions that are darker than those who have mostly a European racial background. To achieve this

Colorism is a discrimination that favors lighter skin more than darker skin. For the black community, these images in the media have a profound effect on women of color because in our society lighter skin is seen as “prettier”. This is why attractive black women are constantly asked if they are mixed, because it is not the “norm” for a darker skin woman to be considered beautiful. There are some mixed women who are born with thicker hair, regular brown eyes, and brown skin, and they receive discrimination because they are not the type of

If a black woman had dark skin she would resemble a man, therefore making her ugly in society’s standards. This pressures black women to constantly be "compatible with the white female standard of beauty" (Ashe 580) in order to be socially accepted in society. Intuitively black women understood that in order to be considered desirable, the less black they had to look. This unfortunate perception of beauty stems from a long pattern of "sociohistorical racial injustices" (Bealer 312) towards darker skinned African Americans. Maria Racine states in her review that since slavery black people who approximated closer to whites were sexually sought after by black slave men and white plantation owners and were considered to live a somewhat "easy coexistence" because of their appearance (Racine 283). Since it’s start, colorism laid the pathway of racial prejudice towards dark skinned individuals. The result of treating dark African Americans as subhuman beings led to the altering of the black psyche by creating a "pervasive hierarchy" of beauty that black woman constantly combated or were forced to accept. (Bealer 312).

Near the middle of her article, Perry argues that even though statistics show black girls having the highest self-esteem of their physical appearances, the rate will fall as they “move into adolescence and their bodies come under scrutiny” (138).

There is a cliché quote that people say, “Beauty is in the eye of beholder.” But in the essay “The Ugly Truth About Beauty” (1998) Dave Barry argues about how women who spend countless hours on their so called “beauty” whereas men seem not to care. Barry uses juxtaposition and exaggeration to poke fun at men and women behavior and shed light on the harm that the beauty industry is doing. When Barry argues his point of his essay he addresses both genders, but more specifically teenage to middle age men and women, but he writes about it in a humorous and light-hearted manner.

...Morrison explores in the novel [and] centers upon the standard of beauty by which white women are judged in this country. They are taught that their blonde hair, blue eyes, and creamy skins are not only wonderful, but

In Killing Us Softly, Kilbourne gives the example of the common advertising image of a black women in a jungle setting, wearing a leopard skin. In most media, white women are considered the “standard model” of what is desirable, both from the perspective of what a women should look like, and

Since the early 1900s, Black women have had a fascination with their hair. More explicitly, they have had a fascination with straightening their hair. The need to be accepted by the majority class has caused them to do so. Though the image of straight hair as being better than coarse hair still hasn’t left the Black community, there has been a surge of non straight hairstyles since the nineteen sixties. Wearing more natural hairstyles, which ironically enough include ‘weaves’ and ‘hair extensions’ has been considered to be more empowered and more enlightened. However, this image comes with a price, and though it appears the ‘natural’ hairstyle movement has advanced Black women, it has actually set

Throughout many decades, African American women have been able to set their own standards of beauty. Lonnae Parker, a writer for The Washington Post, states in her article Black women heavier and happier with their bodies than white women, poll finds, that “Freed from that high-powered media gaze, generations of black women have fashioned their own definitions of beauty with major assists from literature, music, and help from their friends” (Parker, 2012). The importance of this quote is that they were getting help from their culture, the music and literature is essentially the culture that helped them to define their own standards of beauty. By being isolated

The desire to feel beautiful has never been more in demand, yet so impossible to achieve. In the book “The Bluest Eye”, the author, Toni Morrison, tells the story of two black families that live during the mid-1900’s. Even though slavery is a thing of the past, discrimination and racism are still a big issue at this time. Through the whole book, characters struggle to feel beautiful and battle the curse of being ugly because of their skin color. Throughout the book Pecola feels ugly and does not like who she is because of her back skin. She believes the only thing that can ever make her beautiful is if she got blue eyes. Frieda, Pecola, Claudia, and other black characters have been taught that the key to being beautiful is by having white skin. So by being black, this makes them automatically ugly. In the final chapter of the book, the need to feel beautiful drives Pecola so crazy that she imagines that she has blue eyes. She thinks that people don’t want to look at her because they are jealous of her beauty, but the truth is they don’t look at her because she is pregnant. From the time these black girls are little, the belief that beauty comes from the color of their skin has been hammered into their mind. Mrs. Breedlove and Geraldine are also affected by the standards of beauty and the impossible goal to look and be accepted by white people. Throughout “The Bluest Eye” Toni Morrison uses the motif of beauty to portray its negative effect on characters.

Even with the concept race not being genetic, discrimination has prevalent in society and in the society Una Marson lived in where she writes “ I like me black face And me kinky hair. I like me black face. And me kinky hair. But nobody loves dem I jes tink it’s fair.” Marson describes an instance where she loves who she is, from her dark skin to her kinky hair but no one else does. Her constant instance that she loves her features, in some ways makes the reader believe that she only recently come to accept herself for who she was. A problem many people face growing up, but the feeling of not living up to a fair skinned and haired standard is common among many ethnic communities. With women who have darker being told they were ugly and being rejected the opposite sex who wanted light skinned or white women so there children come out pretty (Newmany). Although she know feels confident in with herself and her identity, she knows that due to other racist beliefs they won’t like her because her skin is dark and her is kinky. It’s not fair and in 2016, it’s still not

Although embracement or celebrations of this stereotypically black feature may empower these women who reverse or redirect the hegemonic gaze that had been centered on their backsides for so long, these Eurocentric derived presumptions and idealizations of female blackness, nevertheless, remain. However, attempts to redefine these social constructions, while accentuating this feature Beyoncé refers to as “bootylicious,” has transformed beauty industries and ideas of sexual desirability which “subverts social hierarchies and normalcy” (Hobson 88). These redefinitions of beauty, more specifically, black beauty, from the “grotesque, carnivalesque body,” (Hobson 88) seeks “a healthier body image than their white counterparts” who are exclusively depicted as slender and petite (Durham 36-37). Thus, black women begin to visualize their own bodies and other black women bodies in ways that lead to non-sexualized, non-deviant conclusions. Challenging these “controlling images,” as Patricia Hill Collins identifies in Hobson’s article, only “unmirrors” black femininity and its history, a term Hobson cited from black artist and theorist, Lorraine O’Grady, because in order to “name ourselves rather than be named we must first see ourselves” (89). She later adds

Participants in the study reported feelings of inadequacy in comparison to their lighter skinned counterparts in everything from school competitions to mate selection. These feelings of inadequacy remained prevalent from childhood through adulthood. Media also plays a key role in how the skin tone bias is perpetuated. Rap and Hip-Hop music videos often portray lighter skinned women as the love interest of the main character or the woman the male finds sexually desirable (Wallace, Townsend, Glasgow, & Ojie, 2011). Movies and television programs targeted towards African Americans may also have a light skinned woman as the successful, attractive character with a juxtaposing character who is darker, loud, obnoxious, and often fits into the “sassy sidekick” trope. A popular Black situational comedy in the 1990s, Martin, was a prime example of this (Walter et al., 1992). The main character’s girlfriend Gina, was a successful, beautiful lighter skinned woman and her best friend, Pam, was dark skinned and often the recipient of Martin’s jokes about her appearance. Exposure to these repeated stereotypes for Black women only furthers the notion that light skin is somehow superior to dark skin. This could mean that for African American women, having darker skin is a risk factor for developing body dissatisfaction.

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

Toni Morrison writes how at the beginning the mother hates her daughter’s skin complexion. The title, ‘Sweetness’, is actually the name of which the narrator want her daughter to address her. She does not want her daughter to call her “mother”. In fact she believes it would cause more issues within the community. The mother, Sweetness, is a lighter tone woman who feels that there is no way possible she could have had a child which such dark skin. It is all because of a term called colorism. Colorism is a form and tool of oppression that forces differential treatment of individuals and groups based on skin color (Okazawa). The short story give the audience a glimpse into the complex and hardships of African American life. Toni Morrison show how the characters struggle to function in a society they face with discrimination and feelings of inferiority