Effects Of Modernism

Thirdly, the execution of the composition is most important as it ties together and pieces all the factors that reflect the personal views and characteristics of the painter. Impressionists would often lay pure colors side by side on the canvas to give an overall appearance of a blend of colors. Through Caillebotte’s pure color use, his vibrancy shines through attributing his work as better.

According to Tolstoy, the true purpose of art is connected to our abilities to feel emotion. “To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art” (Tolstoy,66 ). Much like food is necessary for sustenance, art is necessary for our sympathetic capacities. In order for this form of communication to occur, the artist must have the capacity to express and transmit through his art, while the audience must have the capacity for sympathy in order to feel the artist’s expression. According to Tolstoy, simply transmitting an emotion is not enough to define art. A true work of art must be infectious to its audience and be able to express individual feelings lucidly and purposefully.

In Wassily Kandinsky's excerpt from Concerning the Spiritual in Art, he argues that art is supposed to make one’s soul resonate through the discovery of the unknown and color. Kandinsky claims that at first art is only understood by one person, usually the original artist, and it then slowly expands to more and more people as they look at the art. This allows them to discover something the previously did not know or understand. He then claims that color affects the viewer in two distinct ways: physically and psychologically. Using these two claims, he supports his argument that art allows the soul to feel in ways that are not possible otherwise.

When art was modernized, it was no longer a certain style. New artist were looking for new materials to use for paintings and sculptures. Artist were also wanting to free themselves from the depiction of external reality, and focus on art that could provide feeling or ideas. Modernists educated each other to embrace the “primitive” style of African and Pacific art. Cubism Style opened a path for artist to learn about pure abstraction or non- objective art. New wave of artistic experiment incarnation was called the avant-garde. Avant-garde were artists from the New York School who

The engulfing size of the painting (250.5 x 159.5 cm) drives the audiences mind into a hypnotic frenzy as they are overwhelmed by bright and sensual colours, which, have the ability to evoke deep emotions and realisations. Kandinsky has portrayed this through the disorientation of his own personal visions of society during the industrial revolution. The rough yet expressive outline of buildings, a rainbow and the sun gives reference to realism as it allows viewers to connect and understand underlying motifs and shapes yet is painted abstractly to move away from the oppressive and consumerist society. Thus, Kandinsky breaks boundaries through his innovative approach to his art-making practise concluded from his personal belief of ‘art for arts sake’. He believed that art should mainly convey the artist’s personal views and self-expressionism that translated a constant individuality throughout his work from an inner intentional emotive drive. This broke traditional boundaries as art in the renaissance period was meant to be a ‘narration’ or an artwork where an audience could learn and benefit from. This is evidently shown in Composition IV as it exemplifies Kandinsky’s inner feelings towards the industrialised society

Modernism describes the ideology of the art and design that were produced during the modernist period. There has been a lot of controversy about when modernism started, yet many believe it initiated sometime in the late 19th century and continued to the early 20th century. The modernist movement was meant to be a break from traditions and it was set up to separate the value of certain works from the conservative realism. For instance, Unlike the traditional art that was aesthetic, this movement was more about space and form. In modernist design, shape and organization of products and buildings were based on their functional requirements. As a result, designs became simpler without the traditional decorative concepts. The idea behind the

For Tolstoy, the value of art comes from the function art serves in society and in human historical development. Art appears in everything that lives and should have the force to bring people together as a community. For him expressionism in art is a means of communication, in such as a language. Therefore, language can be described as a form of art under the theory of expressionism. Speech transmits the thoughts and experiences of mankind, serving as a means of expression among them; art also acts in a similar manner by sharing emotions. If people could not be affected by art, we would still be in the era of savagery. Referring back to the author of our book, John Fisher, emotional communication is essential to art. Fisher also states that too much harnessed emotion will tend to lower the value of art.

Kandinsky, himself an accomplished musician, developed his idea of the correspondence between a work of art and the viewer, and called it "Klang" (sound or resonance). He wrote: "Color is the power which directly influences the soul. Color is the keyboard, the eyes are the hammers, and the soul is the piano with the strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul." He even claimed that when he saw color he heard music. To reinforce his analogy with the musical expression, Kandinsky for many years used musical terms as titles, he began to divide his paintings into three categories: "Impressions" (which still show some representational elements), "Improvisations" (which convey spontaneous emotional reactions), and "Compositions" (which are the ultimate works of art, created only after a long period of preparations and preliminaries). Of the three types, Improvisation, as its name suggests, was the most spontaneous, beginning, perhaps, with a subject (object), but one which then receded rapidly from view as various themes were woven from and

An Old Master’s painting provides for the viewer the possibility of being part of the space created as an illusion of depth by the painters, and this in itself characterizes how these painters found their own different way of challenging painting compared to what it previously used to be, by breaking the limits of painting defined by the medium. And on the contrary, Modernist paintings focusing on the flatness of the pictorial plane give the viewer the possibility to travel through the painting “only with the eye” (experienced by Manet and Impressionist painters). But, Greenberg insists that being self-critical doesn't suggest that leading painting into the extreme abstraction is the answer to Modernist painting (he gives the example of Kandinsky and Mondrian).

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

The “point and line to plane” (Kandinsky 1979:6) is the painting element, such as the letters that make up the word, different combinations will have different effects. As Kandinsky (1979:12) has demonstrated, that point, line and plane is the basic building material of the artwork itself, and that in every different art the elements of art are certainly different. However, it is necessary to first distinguish the basic elements from the other elements, no artwork does not have these artistic elements. Therefore, the common feature between Wassily Kandinsky’s paintings and Guan Zhong Wu’s paintings are point, line

The Modernist Period was first a reaction against the previous Victorian culture. Intellectuals and artists of the 20th century believed that the previous era’s way of doing things was a cultural dead end and they wanted to break away from traditions.

Modernism was a broad period surrounding many movements. It covered from 1860 to 1970. This movement challenged the traditional thinking with the aim to change the way artists represented the world. Modernism refers to this

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.