Transborder Organizations: Back To The United States

In several cultures, women are seen as archetypes more than men. The proposition of women are instantly idealized and glorified and instantaneously ignore the true complexity of a woman. Countless of these superficial images can be seen across various cultures where the societies within these cultures define what it means to be a female and what type of behavior is and isn’t acceptable within those parameters. The persistent restatement of these stories throughout these generations reinforces the gender system. Women who step out of the norm in these societies are then held punishable for their actions. Alicia Gaspar de Alba pinpoints the three archetypal roles that are given to the women in the Mexican and Chicana cultures. These are,

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

In the annual household survey, conducted by the Bureau of Justice Statistics earlier this year, it was reported that 84 out of 100 incidents of rape or sexual misconduct were reported by women (FiveThirtyEight). In most cases, when women immigrate to the United States they are either alone or have paid a great deal of money to have a smuggler help them on their journey to reach the US and Mexico border, which means that they are in a situation where they are very vulnerable, which can lead to them getting raped, or even murdered. Throughout the novel “Enrique’s Journey”, Nazario writes about how Enrique witnessed the rape of a seventeen-year-old girl named Wendy while heading to America. She too was immigrating when Chiapas, a gang group, took her. “‘If you scream,’ he says, ‘we cut you to bits.’ Then he rapes her.” (97). Having Nazario write about the gang rape of a young woman immigrating to America has a very powerful effect on the reader because it shows the trauma that thousands of women go through when looking for a better

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.

Despite being outcasted by other feminist groups such as the mainstream Chicano movement, and the second wave feminist movement, they wanted to set themselves apart through the use of their own personal experiences with gender, race, ethnicity, sexuality, class structure, and so forth. This term relates to Mexican-American and Hispanic women who oppose the traditional “household wife” role. They challenged the fundamental ideologies women, and young women are taught at an early age, and breaks away from the idea that men have dominion over women. This can also be categorized as a movement that fights against stereotypes against women. This term is important in context to our reading’s because this movement paved way for Chicano women to make their voice heard in their community. Just like we familiarize ourselves with key men in the Chicano movement, women also wanted to describe their experiences, and social injustices they were challenged with because they were women on top of other

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.

In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These

Throughout the book, it is evident that predominantly only the observations and perspectives of Anglo-American males were presented rather than the ones belonging to native Latinos men which, arguably, can be problematic as the audience is only exposed to what Americans have to say on Mexican- American culture adaptation. This exclusion of the native voice can especially be seen at the section regarding targeting women as the crucial point in infiltrating the Mexican home with Americanized ideals. According to Sanchez, during 1915, there was a clear mindset that thought the “housekeeper creates the atmosphere” in the family and should “the female adopt American values, the rest of her family would follow” (Sanchez 99). Home teachers were told to teach women songs in English about the duty of women such as “…like to wash, to sew, to cook”. Yet, after six years, women stilled lacked behind men in English skills which, were seen as the a crucial part of Americanization. Unsurprisingly, the lack of success in the Americanization of women was perceived to be the “patriarchal nature of the Mexican Family”(Sanchez 101). Disappointingly, Sanchez did not include the Mexican female voice into this section, which could have provided more insights on how the women themselves felt about the Americanization programs and how they perceived the roles they played within their family, as he felt that professors such as Emory Bogardus (Sanchez 101) from University of Southern California has a more right to talk about Mexicano family structure than the Mexicans

Poor Mexican American. Female child. We all look alike: dirty feet, brown skin, downcast eyes. You have seen us if you have driven through South Texas on the way to Mexico. We are there – walking barefoot by the side of the road. During harvest time there are fewer of us – we are with our families in the fields. (prologue)

Before World War II, the Mexican American community had a very rich history in the United States; also they were suffering racial, economic and educational segregation. They still were foreigners in a land that once belonged to them. The women had a very specific part in this community´s development.

Cisneros’ family bounced back and forth between Mexico and the United States for most of her youth, which led to firsthand experience in the difficulties of growing up as a multicultural person (Doyle. 54-55). As an adult, she settled in San Antonio, Texas, but that feeling of not belonging to either culture never left her. She drew on this feeling as inspiration for many works, including “Woman Hollering Creek,” a short story about a Mexican woman, named Cleofilas, brought to live in the United States by her new husband. She is excited to leave her lazy brothers and old-fashioned father behind, and dreams of the endless possibilities that

The book Fresh Fruit, Broken Bodies: Migrant Farmworkers in the United States illustrates the fieldwork of the author Seth M. Holmes by explaining the myriad aspects of migrant workers’ lives in the U.S.—from the politics to the social environments to the physical body. By not only studying, but living, the lives of these migrant workers, Holmes brings the reader a view unseen by the vast majority and provides the opportunity for greater understanding through the intense details of his work. The voices of vastly different characters—real people—are captured and expounded on without judgment but with deep consideration for all factors that contribute to each person’s life, opinions, and knowledge. Ultimately, a picture of intersectionality is painted in the colors of migrants, mothers, fathers, children, doctors, soldiers, executives, the poor, the rich, and more.

The book ‘Labor and Legality: An Ethnography of a Mexican Immigrant Network’ by Ruth Gomberg-Munoz explains the hardships that surround the Mexican immigrant network. Over the years the ‘undocumented’ workers coming to America from Mexico has increased which has gained the attention of the American government and the media, as it is ‘illegal behavior’. Gomberg-Munoz attempts to create an understanding of the lives of these workers by telling individual’s personal stories. The author reports the workers undocumented lives rather than reviewing their status as this is already covered in society. The author’s main topic revolves around the principle that undocumented workers strive to improve their quality of life by finding employment in the United States (Gomberg-Munoz 9). Gomberg Munoz also presents the daily struggles the works face daily, and how these struggles “deprives them of meaningful choice and agency” which effects their opportunity and futures (Gomberg-Munoz 9). This ethnography shows their social identities through work, the reasons why their position is illegal and how they live their everyday lives under the circumstances.

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are