El Camino de Miguel Delibes

Josie Mendez-Negrete’s novel, Las Hijas de Juan: Daughters Betrayed, is a very disturbing tale about brutal domestic abuse and incest.  Negrete’s novel is an autobiography regarding experiences of incest in a working-class Mexican American family.  It is Josie Mendez-Negrete’s story of how she, her siblings, and her mother survived years of violence and sexual abuse at the hands of her father.  “Las Hijas de Juan" is told chronologically, from the time Mendez-Negrete was a child until she was a young adult trying, along with the rest of her family, to come to terms with her father 's brutal legacy. It is a upsetting story of abuse and shame compounded by cultural and linguistic isolation and a system of patriarchy that devalues the

In A Place Where the Sea Remembers, Sandra Benitez invites us into a mesmerizing world filled with love, anger, tragedy and hope. This rich and bewitching story is a bittersweet portrait of the people in Santiago, a Mexican village by the sea. Each character faces a conflict that affects the course of his or her life. The characters in this conflict are Remedios, la curandera of the small town who listens to people’s stories and gives them advice, Marta, a 16 year old teenage girl, who was raped and became pregnant. Chayo is Marta’s big sister and Calendario is Chayo’s husband. Justo Flores, his conflict is person vs. self. One of the most important conflicts in this story is person vs. person, then person vs. supernatural followed by

Chalino Sanchez was born and raised in la Chilla known as “el rancho” the ranch. Chalino had six brothers, and a sister, named Juana. Chalino lost his father at age six, and lived in poverty at a young age with his mother Sannorina Felix. and siblings. It was always a struggle they either had to pick tomatoes or become a drug trafficker in Sinaloa. Chalino would tell his mother “don’t worry, with my body and voice in California you will not be without” page 23 in the book “A Chronicle Play of Fulgor and Death”. In a world so cold that “blood burns like fire” and the only way to get someone back is to revenge. Chalino never thought his arrival to California was going to be in a blink of an eye. Chalino persuaded the American dream he promised his mother that when he moved to California he would make it to the spot light, using his voice and body. Keeping in mind his sister’s rape. He wanted a better life, for his family than living the life in Mexico. Julian Camacho Segura is the author of “A Chronicle Play of Fulgor and death.” Julian Camacho Segura journey began from Mexico, back to the United States. Julian was born in El Centro California in 1969, raised in Inglewood, California in the rancho Del Cantinela. “Julian says” Most of the book is fiction but a lot is not because Chalino did, for example, buy cassettes in Lennox where his grandfather saw him because the ladies would sell in front of the laundrymats where he worked,” recalled Segura. Julian

     As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using

In Miguel De Cervantes Saavedra’s classic novel, The Ingenious Hidalgo Don Quixote is a wonderful tale about a man who abandons his normal life to pursue life as a knight. The characters in the novel such as Dulcinea, his love, Marcela, Maritornes and Sancho Panza his squire happens to play a great and important role in the novel when exampling the theme of love. The themes of love, care, infatuation and loyalty are greatly expressed throughout the novel. Throughout the novel, Cervantes is able to examine how one can differentiate true love from false and infatuated love.

The song "La Chicharonera" was sung by Narciso Martinez in 1936. The song was a big hit and that's how Martinez's career started with instant success. Martinez was considered the father of the Conjunto music as he spread his cultural and tradition through his music. Moreover, he was best known for "El Hurricane del Valle" as he was really good with swift playing. He had the capability of recording 20 different tunes in one single day. HIs music was so good that it became famous not only in Mexico, but also on the other side of the borderland called Taxes. Some of the example of his classic song tunes include "La Chicaronera," "La Prrita," "La Polvadera," and "Los Coyotes" (Harris Craig). All of the tunes were solo performance of Martinez but,

This essay will be going through the different types of love, and the power that they wield. Throughout the novel, different characters hold different powers of love. First, Clara’s love towards Ferula and Pedro Segundo will be discussed. And second, Esteban’s obsessiveness with Clara will be looked at closer. The bonds of love are stronger in relationships that aren’t acceptable compared to relationships that are acceptable in society.

Question 1 1 out of 1 points Since passage of the Anti-Drug Abuse Act of 1986, all __________ of controlled substances have themselves become controlled substances. Selected Answer: Answers: b. analogs a. agonists b. analogs c. antagonists d. designer drugs

A “Bildungsroman” is defined as a piece of literature that focuses on the mental, moral, and psychological growth of a protagonist in transition from childhood to adulthood. Ideologies adopted into a Bildungsroman are ones that shows the coming of age like the shortcoming of loved ones, meet with challenges that the adult world presents to the younger generation, and having mentors or guides who teach the ways of life through valuable lessons. In Rudolfo Anaya’s coming of age novel, “Bless Me, Ultima”, the Bildungsroman concepts and ideas about maturity from childhood blossom as the novel's protagonist, Antonio Marez, lives his Hispanic, Catholic life at the age of eight, through countless experiences that molds his coming of age. Elements that substantially influences Antonio's coming of age includes confrontations with death, disappointment in realizing soul crushing realities, and encounters with emotions and despair that would be met in the adult world. Antonio, through, these structural elements, shapes his shift from a child to a man by emphasizing why certain events occur in his life.

Although the book’s titular character is Oscar de Leon, he shares chapters with his sister, his mother, his college roommate, Yunior (revealed to be the book’s narrator), and his mother’s parents, the Cabrals. By representing a family with different personalities—Oscar is overweight, and nerdy while Lola is powerful and independent, for example—Díaz creates a microcosm for all Dominican immigrants. Each chapter (and character) in the past is melded into the story in the present, and in this way, the momentum and excitement is never lost until the very last

She sometimes sits out by the creek and remembers her father telling her “I am your father, I will never abandon you.” (Cisneros 1) She remembers this only after she is a mother and this is when she realizes “How when a man and a woman love each other, sometimes that love sours. But a parent’s love for a child, a child’s for its parents, is another thing entirely.” (Cisneros 1) Surely by now she feels her love souring. She can not understand why Juan must drink all time and why he continues to beat after he promises that he will never do it again.

From Ignacio’s first entrance onto the stage it is evident that he is an honest character. ‘Soy un pobre ciego.’ He exclaims the fact that he is not like the people in the outside world using the

Continuing in the theme of conformity; if the boys are united by their heteronomy, Cuellar’s castration, in contrast, is the source of his ostracism. His unfortunate accident is a wound that ‘time opens instead of closes’, and as the story progresses, Vargas Llosa juxtaposes the boys socially inclusive youthful pastimes of football and studying mentioned earlier in the novel with his comparatively solitary penchant for the ocean and surfing “a puro pecho o con colchón” (94) in chapter five. In this passage, his distance from the others is symbolised by the isolation of the sea; the narrator says the water “se lo tragó” (95) and later, the boys state that “se perdió” (96). Clearly, Cuellar’s failure to partake in the testosterone fuelled rituals of sexual maturity in the city has seen him shunned from the rest of the boys and resigned to hanging out with “rosquetes, cafichos y pichicateros” (96) instead – the modern, metropolitan outcasts. Evidently, Cuellar is incapacitated by this highly heteronormative lifestyle, as the inherent masculinity of the city is a fixed identity that will perpetually exclude him, or anyone else who cannot fulfil Peruvian societies idea of gender appropriate behaviour.

The Life of Lazarillo De Tormes was written in 1554. This novel was an inspiring and great representation of a segment in the 16th century Spanish society. Even though the Author is unknown, it was translated by W.S. Merwin and introduced by Juan Goytisolo. The Life of Lazarillo De Tormes is centered on a young boy who has to adept in the world daily struggles for existence and goes through many experiences along the way ,becoming a servant for many different masters. He also discovers the world’s injustices, and adapts to what he has to go through in his journey to survive. Throughout the novel The Life of Lazarillo De Tormes shows how the fictional literature plays a huge part in social criticism, the Spanish economy has a big effect, and how the squire and other characters reflect upon the novel.

Pedro Paramo is a novel that cannot be fully understood without consideration of its rich cultural background. It is this Mexican background, which informs so much of the novel, providing the main conflict. The narrator of the tale remarks “some villages have the smell of misfortune” while describing the locale of Pedro Parámo, the small Mexican town of Comala where the story plays out on many levels (83). On the surface level, this story is merely about a tyranical man who ruins his hometown of Comala. But in reality he does much more than that, his presence detroys the town completely, driving everyone out and converting the town to a type of purgatory. This deeper harm that he causes, by damning the rest of his townsmen is the evil