Accompanying this essay is a transcription of the first verse and refrain from a vocal performance of “El Terengue”. The recording comes from the Ruben Cobos Collection and is performed by Edwin Berry. This recording was made in Tome, New Mexico in 1971. El Terengue is a Spanish New Mexican lullaby about a little owl. Berry’s performs the song accompanying himself on tambourine. Though I was unable to find any information about specifics of Spanish New Mexican lullabies, I anticipate that it is not much different than any other lullaby in that they are songs traditionally used to soothe children or put them to sleep. However, additional research would necessary to know for sure. I chose to transcribe this song because I liked the feel of
In 1970 Vicente’s father died a little bit before he was going onto the stage, Vicente not wanting to disappoint his fans he went on stage and preformed the whole show since that moment his music expanded all around the world touching everybody’s heart with his powerful and beautiful lyrics.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using
1. The selection’s thesis (or dominant impression) is the people of El Hoyo live like a big family sharing the same amount of emotions through the happy and tough times and helping and looking out for each other.
With a great reputation for its historical significance, ‘Los olvidados’ (1951), a film shot in Mexico City, directed by Luis Buñuel, endorsed the defining point of his profession. Having studied the given excerpt of the script from a scene of the film, this report will not only portray intriguing political, historical and social aspects, but also the phonological, morphological and lexical aspects and how they influence the given content. The geographical location of this film has also proven to be of relevant influence. Buñuel succeeded to attract the wider world's interest into his work as it was his intention to make everyone realise the truth. Ironically, Buñuel being a surrealist director, Los olvidados was not a surreal film. It was the first film directly addressing not only the issues identified with the Mexican society but also Mexican cinema itself. From here, the attributes of Mexican cinema were perpetually replaced.
An hour with abuelo by Judith Ortiz Cofer describes a boy changing his perspective about his grandfather. “Just one hour una hora, is all i’m asking of you son.” (Judith cofer 592) That shows us that he does not think too fondly of his grandfather. “I walk slowly down the hall toward the exit sign. I want my mother to have to wait a little.” (Judith cofer 596) This shows us that he had a good time. Another piece of evidence that supports this question is “Anyway, after my mother nags me for about a week, I let her drive me up to golden years.” (Judith cofer 592)This piece of text shows that he hated his grandfather because he only let her mom drive him there after weeks of begging. A quote that states he liked him is “I liked it all” (Judith
There are many eerie stories in the Mexican culture. I didn't grow up with a grandma, so I didn't really know that story, till a few years ago. Well this is a short version of the story, la Llorona was a gorgeous young lady, she got married and her husband didn't give her attention. Her children got all the attention, and she got very jealous, so she drowned her kids in a river. So, to this day people say they hear her cry at night "oh my children, where are my children".The young woman walks along the rivers crying to find her children, La Llorona woman". La Llorona has many similarities to the Medea. She is one of the most is known in the Spanish language. The English language she is known as "the weeping known ghost in Texas. There are many stories about la
From the essay “ Se Habla Espanol” by Tania Barrientos in the Norton Field Guide to Writings with Readings, I found that the author born in 1960 just like me, also, her family and my family are Hispanics, as a result, she and I face stereotypes fitting into two cultures. However, I want to spend more emphasis on similarities and differences trying to fit under philosophic pressure, and the acquisition of a language circumstances.
El Patron needs a new heart and Matt is the only supplier. He wants to believe that the old man loves and would never kill him; nevertheless, he has to face the truth. On page 218 it states, “No matter how treacherous El Patron had been, Matt loved the old man.” Discovering that El Patron only needs Matt for spare parts crushes the boy. He feels that his “accomplishments were a sham. It didn’t matter how intelligent he was” (216). Maria, Matt's childhood friend, tries to help him escape from the clutches of El Patron. While they are trying to figure out a plan she tells him “You’re not a dog. You’re so much, much more” (217). The truth about his purpose only discourages him, but he overcomes it and takes action. Though Matt is still hurt and
LA PONCIA: The final prayers. I’m off to hear them. I love the priest’s singing. In the paternoster his voice rose up, and up, and up like a pitcher slowly filling with water. Of course at the end he gave a screech, but it was a glory to hear him! There’s no one these days to match the old sexton, Tronchapinos. He sang at the Mass for my mother, who is in glory. The walls would shake, and when he said Amen it was if a wolf was in church. (Imitating him) Ameeeen! (She begins coughing)
Rodriguez is ashamed. He is ashamed with the fact his espanol is no longer his main language. The author presents, “I grew up a victim to a
This paper will be comparing and contrasting Merengue Tipico music, which is a type of merengue, and bachata music of the Dominican Republic. Merengue and Bachata are the two most popular music genres in the Dominican Republic. These two kinds of music represent the Dominican Republic and its people. Many Dominicans have taken their music and traditions to different parts of the world. Mainly, the Bachata and Merengue have expanded to different cities of the United States and Latin America. Although both genres have a lot of characteristics in common, they also have many differences. Two of the main differences these two genres have are the instrumentation and their artists and composers.
R/s Tremell’s mother passed away this past weekend and now he is in the care of Louvenia. R/s Tremell stated that David is mean and whips with a belt. R/s according to Tremell, David hits him for no reason and sometimes there are marks. R/s Tremell said that David hit him two weeks ago and in the past David has hit him in the head by mistake. R/s David has a half moon shape mark on his left chest that happened five weeks ago. R/s Tremell has a flat line mark on his right leg and he said it is from getting whipped by David. R/s Tremell initially said all the older children get whipped by David and he later said he only gets whipped.
The women of el hara pitied BJ because she had no children, no gold, away from her mother and even she was thin and could not cook rice. In El Nahra the community is close and they all know each other or know of one another. While in America were BJ is from that is not necessarily seen in society in America the driving force is individualism. They also did not recognize her way American lifestyle as proper. In El Nahra they focus on family honor and following cultural customs the people of this community do not want to tarnish their family name. All actions in the community are based on the strong bonds that exist throughout. These women did not know anything other than el Nahra they did not have the luxury of education and traveling to see
Enrique and Rosa arrived in the USA safely because of the help of Raimundo, an ex-coyote in Mexico. With his help, the siblings were introduced with Monte, a guy who provided cheap home and shadow job market. Because they worked with other illegal immigrants, they weren’t treated badly. Fortunately, Rosa had a nice supervisor that took care of her and Enrique needed to pretend as a Mexican so he could befriend with others. I guess at the time, Guatemalan level status is lower than Mexican in the USA. But the siblings were fairly lucky that their supervisor didn’t care about their status as long as they worked fine.
Your guide is Leonel “Guajiro” Gonzalez, who has played in many Cuban bands including Elito Reve and many sessions in studios around Havana. Leonel will open your eyes as to the possibilities of using the Cuban tres in, not just a traditional context, but also to play Cuban music styles like timba, danzon, mambo and cha-cha-chá.