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Electra Essay

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The House of Mannon Eugene O’Neill’s Mourning Becomes Electra is a play of revenge, sacrifice, and murder conveyed through visible references to Aeschylus’ House of Atreus. O’Neill alludes to The House of Atreus in order to ground the play; attaching the plot to well-known aspects of history. As well, it brings a certain significance that otherwise would be neglected if their underlying manifestations went unnoticed. The most prominent of these allusions is that to Aeschylus’ House of Atreus. O’Neill specifically modeled Mourning around Aeschylus’ work, modernizing it, applying it to a new generation of readers. Agamemnon, a general in the Trojan War, becomes Ezra Mannon, a Civil War soldier of the same rank.

Ezra “was a great man…he …show more content…

This parallels Clytemnestra’s killing of Agamemnon in order to further explore her love interest, Aegisthus, as well as Orestes’ homecoming. Orestes later takes his own life, escaping certain agony and torment. Prior to Orestes’ suicide, however, he conspires with his sister, Electra, in attempt to prevent their mother from becoming romantically involved with Aegisthus. Ultimately, the only ample resolution to prevent such an event from transpiring is the murder of Aegisthus, which is executed by Electra and Orestes. This series of events directly parallels the actions of Lavinia and Orin in response to their mother’s display of love for Captain Adam Brant. Christine, in a moment of loss and severe depression, commits suicide with a revolver; her son follow suit, leaving Lavinia alone in the Mannon estate.

With Lavinia left to endure a lifetime of guilt stricken sorrow, the Mannon dead plague her continuously, much like when Orin was still alive. The Mannon dead serve the same purpose as Aeschylus’ furies in that they “haunt” Lavinia and Orin, eventually leading to Orin’s suicide and Lavinia’s assumption of responsibility. There were no ghosts, spirits, or specters present, merely portraits that kept a vigil on the house and the Mannon name. O’Neill alludes to the House of Atreus with the intention of expressing the revenge, the hatred, the murderous contempt that threads itself throughout the play.

Christine openly expresses her adulterous love for Brant

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