Elegy to and Unfortunate Lady Essay

In a world usually depicted as a “man’s world,” a woman’s role is not considered as significant and thus can be repressed. It is why a feminist perspective or criticism comes into place, especially in literature. By definition, a feminist criticism consist of scrutinizing “the ways in which literature reinforces the economic, political, social, and psychological oppression of women.” (Tyson) In Gail Godwins’s A Sorrowful Woman, the leading female character is concentrated in her efforts in distancing from her structured lifestyle. A feminist would critic Godwins story by as the female character is in pursuit of peace and happiness and wants to escape from the role she has been implanted. The critic would concentrate on the experience woman

The last sentence of the poem, ““There is still murder in your heart” (14), is a powerful claim that suggests that a routine consisting of prayer, communion, or hymn singing will not dissolve the sin of the heart. However, seeing this claim from a different standpoint, this can also suggest that this dull routine is convenient when it comes to preserving an appearance of purity and grace. There is an image in the middle of the poem, “light swords” (7), that possibly represents sharp members of the congregation trying to deceive the church authorities and God. Their comfort to the routine is remarkable because it does not really make a difference at the end; the only thing that truly matters is the masked life they are trying to keep hidden. Readers may consider the arguments presented in this poem as the truth reaching out to the contemporary church and its followers to improve their relationship with

“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage

“The Death of the Ball Turret Gunner” by Randall Jarrell is able to accomplish so many thing with so little lines-mainly through the use of metaphor and diction. It explains the terrors of wars in gruesome detail and explains the ways in which wars, in a sense “breed” and “birth” death. To some, this poem is seen as the ultimate poem of war, and rightly

With the language being written in a colloquial style, it illustrates a more true and realistic approach while underlining the speaker’s statement to the Pope in a much stronger way. The choice of using words that solely relate to the native culture such as “isistawina” (27) and “matotsan” (42) demonstrate the effort the speaker is publicly displaying to maintain and uphold her customs. The use of no capitalization can relate to the idea that the poem is written in a vernacular language, but also provides evidence that the speaker does not believe the she or her culture, is better than another. It is not her objective to prove her culture should become more dominant, but to provide awareness of the past history and the impact caused from it. Communicating and expressing the poem with the heavy dialect not only signifies the importance of the speaker’s culture, as well adds humour and a sense of satire as a result of the improper diction.

In the first part of the poem the writer shows the difficulty he is having with taking a human life. In the second stanza he says “Making night work for us the starlight scope bringing men into killing range. This dark tone helps to emphasize the struggle the author is feeling as a soldier in war. Also he shows his emotions directly. In stanza 3 he says “The river under Vi Bridge takes the heart away”. This quote shows the feeling that the author gets

As I first examined this work, I could not focus on just one portion of it. Although each part tells its story, there it one overall explanation. As usual, I am drawn to the center of this piece which would be a man sitting in an oval like throne. With a closer look, I look at this man and see a cross behind him, with angelic figures in the background. I conclude this important

Since the emergence of written history, many fables regarding war have encompassed a significant portion of prosodic literature. Two of the foremost war poets of the 19th and 20th century—Emily Dickinson and Rupert Brooke—have both written about profound implications of war on society and also upon the human spirit albeit in two very different styles. The book, Catcher in the Rye by J.D Salinger, theorizes through Allie, that Emily Dickinson was indubitably the superior war poet. Furthermore, when we analyze their works as well, we realize the invariable fact that Dickinson’s work delves into war with a much more holistic approach as well. She not only honours the soldiers for their valiant efforts, but also deftly weaves notions of liberty and civilian duty in regards to war as well as compared to Rupert Brooke who carried a romanticized imagery of martyrs within his poetry. In summation, Emily Dickinson is a superior war poet for her incisive analysis of death, and human nature in correspondence to war as compared to the patriotic salvos of Rupert Brooke’s poetry.

This sentence makes the war seem less violent, gruesome and horrible than it actually is. This sentence might also remind the readers of a school sport, and maybe they would have got a couple of injuries every now and then however nobody really cared and in a month or so you probably be perfectly healthy. One of the most effective sentences Pope has used in this poem is:

Conversely, Pope adopts a colloquial, sing-song-like tone in an effort to inaccurately characterize war as simple and effortless. Her application of the word “laddie” throughout her poem The Call communicates the informal and conversational presentation of the topic, for the word is often used in everyday, casual settings. Such a careful choice of language demonstrates her subtle downplay of the seriousness of war, for choosing to converse in such an informal manner when discussing a subject of this magnitude highlights her intention to equate war to the everyday connotation of her word choice. In addition, it allows her to appeal to her audience on a personal level. Rather than merely posing questions to her audience every other line, Pope chooses to address them personally with the inclusion of “my laddie”. Perhaps this intimate acknowledgment contributed to her poem’s success in persuading men to enlist. Likewise, the entirety of The Call exhibits her deliberate illustration of war as a sport or game, specifically in lines such as, “Who longs to charge and shoot” and “Who’s keen on getting fit” (Pope 11,13). These understated comparisons accentuate her sing-song-like tone, for they are consistently followed by rhetorical questions that challenge a reader’s loyalty and commitment. This rhythm Pope develops in The Call results in a forced steady read, much like that of nursery rhymes. Although indistinct, the rhythmic similarities between nursery rhymes and The Call

Dante structures the Commedia in such a way as to enable the pilgrim to function as a progressively more sophisticated reader of confessional texts throughout his journey, and as such he becomes a reflection of our own possibilities as interpreters of these canti. Our initial attempts at interpreting the equivocal texts provided by the sinners are fitful, inadequate, and constantly in need of later correction and reassessment, thus reflecting the pilgrim's own progress. In the reading and re-reading, these confessional passages and canti define themselves as exercises in humility: as understanding becomes the product of a series of misreadings and revisions of the text. In the case of Francesca we have a confession that is more a literary rationale for her offense than an admission of individual culpability, for Francesca seeks to use the language of dolce stil novo poetry as a kind of cloaking device to hide herself as the historical agent or subject who bears responsibility for her

Pope as "my friend" and tells her that of she had seen what he saw;

The Christ depicted in this passage willingly accepts his battle on the cross and because of this act the poet then goes on to describe Christ as a "warrior", "strong," and "stouthearted." Christ is not portrayed as a meek and humble man resigned to his task as savior and lord. Within this portion of the text, he becomes a bold warrior climbing the cross as if going into battle. At the end of the poem, the narrator looks to Christ and the cross for protection.

Wilfred Owen’s poetry acts as a medium for people to deepen their understanding of the terrors of war, such as death, suffering, pain and hopelessness. He speaks for those who have been to war, they can truly understand war as they lived and experience these horrors. While those back at home are ignorant to these facts due to the jingoistic propaganda by the government, Owen attempts to open their eyes to this atrocity. These narratives of war are made terrifyingly apparent in “Dulce et Decorum Est” where the responders breathe the air of death. While in “Futility”, Owen uses an extended metaphor of the sun to reinforce how there is no hope of life for the personas.

Poems using strong poetic technique and devices are able to create a wide range of emotions from the readers. Wilfred Owen’s poetry effectively uses these poetic techniques and devices to not only create unsettling images about war but to provide his opinion about war itself with the use of themes within his poem. The use of these themes explored Owen’s ideas on the futility of war and can be seen in the poems: Anthem for Doomed Youth, Futility and The Next War. The poems provide unsettling images and belief of war through the treatment of death, barbaric nature of war and the futility of war.