Elements Of Criticism In The Metamorphosis By Franz Kafka

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

The story, “The Metamorphosis”, by Franz Kafka, is a piece of literature that introduces the idea of being an outsider, and falling out of the social order you have spent so long trying to prosper in. As a reference for some background, the story features the main character, named Gregor, waking up one morning as a beetle. This is the source of many problems to come, such as not being able to go to work, leave his room, eat normal food, or succeed in a public setting. One could easily understand how Gregor would become an outsider. This proposed this question to the reader- Are outsiders merely those who are misjudged or misunderstood? The simple answer to this is no. Outsiders are not born into their life of loneliness and solitude. They either consciously or unconsciously stray from people that love and care for them, such as friends, family, and peers. They could effortlessly re-include themselves into any social group, but instead they wallow in self pity, yearning for sympathy. Of course, there are exceptions, but they amount to few.

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.

The Metamorphosis is a novella written by German author Franz Kafka which was first published in 1915. The novella tells the story of Gregor Samsa, a traveling salesman who one day awoke to discover he had transformed into an insect like monstrosity. Throughout the story, Gregor struggles with the horrible prospect of coming to terms with his situation, as well as coping with the effects of his transformation, such as the fact that his family is repelled by his new form, and that he is no longer able to provide financially for them. Through Gregor’s reaction to the effects of his transformation on his life, Kafka critiques the situation of the common man in a modern world.

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

Writing and literature is seen as a way for the author to freely express his or her ideas to the public. In writing, the author has control of every aspect of their work and allows for the writer, no matter the world state, a sense of freedom inside their work. The 20th century, battered by economic depression and two world wars, saw these writers take their creative control to emphasize the current state of the freedom and control of the individual. Kafka’s The Metamorphosis, various World War I poems, and Brecht’s Fear and Misery of the Third Reich show the lack of individual freedom and control that people had over their lives during the destruction that occurred in the 20th century.

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

Making the ultimate sacrifice for sin, “[Jesus] made himself nothing by taking the very nature of a servant, being made in human likeness. And being found in appearance as a man, he humbled himself by becoming obedient to death” (New International Version, Philippians 2.7-8). In a scenario closely related to Jesus’s legacy, Gregor Samsa awakes to discover that he too has transformed into an inferior form, a beetle-like creature. While he maintains certain aspects of his humanity, such as his compassion and empathy for loved ones, he is considered nothing more than a repulsive bug. The flaws in Gregor’s family quickly become evident through their negative reactions to the transformation. Gregor quickly discerns that he has become a burden,

There are several aspects about the writing of Franz Kafka that make it enticing to the reader and tantalizing enough to keep the reader intrigued. The narrative that I find most intriguing by Kafka is "The Metamorphosis." The Metamorphosis is a tale wherein Kafka essentially gives his perception of the story of his life through the use of storytelling devices, which without the use of them would have made it a less interesting tale.

In the opening lines of German author Franz Kafkas’ short story narrative “The Metamorphosis”, the protagonist Gregor Samsa a disgruntled traveling salesman who lives with and supports his parents and little sister, awakens from a night of unpleasant dreams to find that he has been metamorphosed into a cockroach he calls a “monstrous vermin” (Kafka, page 89). This particularly strange opening sets the stage for in my opinion, a very strange and very vague play. I say this because throughout the whole story we never find out much less are given any clue of how or why he managed to be metamorphosed into this insect. Not to mention what the moral of the story is or the fact that this whole book reads like one big