Elena Vanishing By Clara And Elena Dunkle

The realistic setting of the novel starts out in a small town down south called Little Bend in Colorado but progresses to up north in a well-known town called Dover in Vermont. The main character, Cody Laredo, has a perfect life. He’s a great quarterback on his high school football team, he might be able to get a full college scholarship, and he’s dating the prettiest and smartest girl in town, but all his luck changes. He hurt his leg preventing him from playing sports, and his girlfriend, Clea, moves away to a boarding school in Vermont. When he thinks all his bad luck is over, he finds out that Clea went missing in Dover. Cody’s life gets turned

Stephanie Coontz is a teacher, historian, author and a scholar activist. She has also very indulged in the world of public debate on families, this mostly due possible because of her extensive skills to study modern families as well as historical patterns. In her book The Way We Never Were, Coontz presents a historical look at the family and how it has changed over time. Her interest in the subject comes for her need to understand how families functioned in the past and present, and what lead to notion and definition of family nowadays.

Generally, when innocence is thought of, the first speculation recalled to one’s mind is the thought of pureness and the idea that the specific individual is free from moral wrong. On the other end of the spectrum is the term known as guilt. Guilt is the emotional notion in which one feels that they have compromised his or her own standards in a negative way. In the novel Sarah’s Key, Sarah frequently proves to struggle with both guilt and innocence. These specific themes are put on display when Sarah realizes she is not going back home, the scenario in which Sarah boards the cattle car to the camps, and the tragic event in which Sarah takes her own life.

In the book Girl, Interrupted by Susanna Kaysen, Susanna Kaysen was only 18 years old when she agreed to enter a medium security psychiatric facility in Boston, McLean hospital in April 1967, after a failed suicide attempt. She insisted that her over dose on aspirin was not a suicide attempt, but after a 20 minute interview the doctor decided she needed to be admitted to a hospital. During her prolonged two-year stay at the hospital Kaysen describes the issues that most of the patients in her ward have to deal with and how they all differently deal with the amount of time they must stay in the hospital for. While in the hospital Kaysen experienced a case of depersonalization where she tried to pull the skin of her hands to see if there were bones underneath, after a failed escape attempt. Soon, after going to therapy and analysis she was labeled as having recovered from borderline personality disorder. After her release she realizes that McLean Hospital provided patients with more freedom than the outside world, by being free responsibility of parental pressure, free from school and job responsibilities, and being free from the “social norms” that society comes up with. Ultimately, being in captivity gave the patients more freedom then in society and created a safe environment in which patients wanted to stay in.

Every story has a setting. Whether it is in this world or one that is completely imaginary, the setting of any story is necessary in order to understand the characters. The characters in the following three short stories are shaped by their setting and would not be the same if the setting was different. Over the course of each story it is easy to see how vital the setting is in order for the reader to fully understand the characters and their lives. Therefore, while the reader reads these stories they must analyze how the setting affects the characters, the obstacles that the setting creates, and what it tells us about the characters.

Unlike animals, humans are able to observe past the mere monochromatic vision of survival. We have an impeccable ability to desire more than just living to breed, and breeding only to someday perish. Thus, we gradually brush this canvas with the colours of ethics, control, and knowledge. Whether the colours fade or become prominent through time, this canvas becomes our perception of normality and we allow it to justify our actions; favorable or harmful. We, as well as the narrator in the short story The Hunt by Josephine Donovan represent this. However, because of the narrator’s difference in perception, self-indulgence, and greed for power, the story introduces a feeling of infuriation to the reader.

The story takes place in a neighborhood that i estimate is quite small considering Carolee knows her neighbors are gone. The setting revolves around Carolee’s home. Her doing her chores in her home and the suspect roaming around outside. The setting influences the story a lot because it influences Carolee’s reaction to what happened. She had never seen anything like that in person and it opened her eyes to how society really is.

Sanity is subjective. Every individual is insane to another; however it is the people who possess the greatest self-restraint that prosper in acting “normal”. This is achieved by thrusting the title of insanity onto others who may be unlike oneself, although in reality, are simply non-conforming, as opposed to insane. In Susanna Kaysen’s Girl, Interrupted, this fine line between sanity and insanity is explored to great lengths. Through the unveiling of Susanna’s past, the reasoning behind her commitment to McLean Hospital for the mentally ill, and varying definitions of the diagnosis that Susanna received, it is evident that social non-conformity is often confused with insanity.

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

“Silent Dancing” by Judith Ortiz and “Homeplace: A site of Resistance” by bell hooks are two stories about their experiences throughout their difficulties of adaptation while growing up and the battle to familiarize in a surrounding where they weren’t comfortable. They both share their story and their experiences during their childhood and as they grow. The difference between the two is their background and how they deal with it now.

In the “Invisible Child” written by Andrea Elliot, a lifestyle of a homeless girl named Dasani and her family is shown. Elliot displays Dasani’s culture, and some of the struggles that she and her family face daily because they are homeless. Dasani is very dedicated to her school work. She wants to be better than anyone in her family ever was so she doesn’t have to worry about being homeless for the rest of her life. In some ways I can relate to Dasani, I am very passionate about my school work as well. I want to excel so I can be my very best in the future. However, our reasoning’s for wanting to be the best we can be are a little different. She wants to excel so she no longer has to worry about being homeless whereas I’ve never been homeless so I cannot say the exact same. I grew up being a very privileged kid. Both of my parents worked full time good paying jobs. I’ve never had to want for much of anything. My parents have always spoiled me with nice things, they have always made sure my siblings and I had nice clothes and a decent meal to eat. They are even paying for me to attain a college education. Dasani and her family however are a lot different from mine. In the “Invisible Child” Elliot tells us how Dasani’s parents do not have legit jobs, instead they have side “hustles” that only bring in a few dollars. Elliot states (2013) that a lot of mornings Dasani was starving at school because she had no breakfast. Dasani and her siblings also had to wear clothes that were

The story takes place in Reno, Nevada in the present. The most important characters in the book are Kristina and Bree. The protagonist in the story is Kristina.

Claire Standish or “the princess” portrays the stereotypical popular teenage girl in The Breakfast Club. She is in detention with everyone else because she decided to skip class and go shopping, which also plays into the stereotypical teen girl image. It can also be assumed that she is spoiled and rich since her father tried to get her out of detention but failed, and she mentions to the group that her parents only use her to get back at the other one. She brings a fancy lunch of sushi while the other teens either have nothing or the standard lunch one’s parents might pack for them. There are a couple of times in the movie that she brings up her social standing and could even be considered as looking down on those who are not as popular as her. Even closer towards the end of the movie she informs the others that if they were to say hello to her in the hallway in front of her friends, she would have no choice but to ignore them. By the end of the movie, she has opened up to everyone else about her fears of letting her peers down and has formed a close relationship with Bender.

Holding Onto the Air an autobiography by Suzanne Farrell takes the reader backstage in the dramatic life of the world-renowned Balanchine ballerina. From her childhood in Cincinnati to her retirement from ballet in 1989, Farrell's story is truly a remarkable one. The book describes at length her time with the New York City Ballet as well as her complex relationship with the legendary Balanchine. Although Mrs. Farrell goes a bit too far into the ballet descriptions, her beautiful imagery allows reader to experience the joy of performing on stage.

“An Unknown Girl” by Moniza Alvi is a free verse poem about the author’s experience getting her hand hennaed in an Indian bazaar. Throughout the poem, Alvi makes use of structure techniques like end-stopped lines, occasional rhymes, language, imagery, and changes in tone to explore different aspects of the concept of identity.