Elgin Marbles Research Papers

Another reason that I think Britain should keep the Marbles is that by moving them to Britain, the Marbles were saved from getting ruined. In my opinion, Lord Elgin had good intentions by sending the Marbles to Britain, because they were already extensively damaged and was entirely neglected, as the Parthenon was in the hands of the Ottomans. Which in conclusion, Greeks

As I mentioned, this is an extremely controversial topic that has raised a lot of difference in opinions. Furthermore, I must admit that those arguing for the sculptures to remain in Britain do make some interesting points that plenty of people have taken into consideration. One of their arguments is that the sculptures were already in a damaged and fragile condition, and leaving them in Greece would have destroyed them completely (‘The Parthenon Marbles: Refuting the Arguments”, par 6). In the YouTube video, “Parthenon Marbles Debate ", one of Tristam Hunt’s arguments is if the Greeks are able to acquire their historic artwork, this may cause other countries to demand their historic artifacts as well, not just from the British Museum, but from museums all over the world as well. I can see the counter arguments that this controversy issue involves. However, regardless of whether they were in a horrible condition, the Greeks were never consulted, nor did they have a say regarding the selling of this artwork to Elgin. Now, when it comes to everyone claiming and demanding they receive their ancient artwork, like historian Hunt said; this is true. It can happen, but I don't believe that any other artifacts have the amount of significance that these sculptures do. The Greeks worked their hearts

Pottery can not only tell us about the past, but it can also tell us about people’s beliefs and what people did in the past. Pottery was used for many purposes. It was made in many different shapes and sizes. Some pieces of pottery had unique pictures and designs on them. The pictures and designs expressed different types of things that went on in the daily lives of ancient Greeks. Music and entertainment, religious beliefs, death and burial traditions are a few aspects of Greek life that are pictured on many different types of ancient Greek pottery.

Founded in 1959, The El Paso Museum of Art has been a pillar of the community (reword). The museum mission is to preserve, interpret, and exhibit artwork that strengthens the Museum’s permanent collection. The museum also offers programs and training devoted to education the public in regards to the regions cultural diversity. The El Museum of Art also displays films, lectures, and concerts to the general public. The museum permanent collection includes more than 5,000 works of art. The museum is funded under the jurisdiction of the City of El Paso. More than 80,000 visitors a year travel to view the El Paso Museum of Art.

Those Marbles are Greek and belong to Greece, and not to who stole them. The Parthenon Marbles, known as the Elgin Marbles, name downgrade the practice rapture of the sculptures from the Parthenon by Lord Elgin, is a large collection of marble sculptures which had been stolen by Thomas Bruce, (Earl of Elgin). Ambassador to the Ottoman Empire from 1799 until 1803 and again in Britain in 1806. Taking advantage of the Ottoman hegemony in Greek territory, managed and acquired firman from the Ottoman Sultan for the disestablishment of the Parthenon to measure and fix their plans, and then proceeded to remove and smuggled them. These sculptures were stored in the British Museum in London 1816. To Ottoman firman, which owns the British Museum does not bear the signature and seal of the Sultan or the usual invocation to God. And without them, the Elgin and therefore the British Museum doesn't have any legal proof of ownership of the Parthenon Marbles, according to a report by experts (Newsletter, Nov. 2008). The 1936 report placed the Duveen created for this purpose. Since 1983, on the initiative of the then Minister of Culture Melina Mercouri, Greece has made efforts to bring back the Elgin Marbles to

“Who Owns the Elgin Marbles?” this question continues to linger in some minds today, and just so happens to be reviewed in the respectfully titled article written by John Henry Merryman in 1986. In this article, Merryman, in the most unbiased way possible, assesses both Britain’s and Greece’s side of the argument pertaining to the ownership of the Elgin Marbles and whether they should be returned to Greece after being removed from the Parthenon by Lord Elgin in the early 19th century. Within the article, the main points discussed regard the morality and legality of the removal of the marbles. Merryman goes on to discuss three more main concerns dealing with the marbles and where they belong:

The Elgin Marbles is a culturally important piece of history for Greece. Having said this, it is important that the British museum focuses on being fair and follows the steps taken by other countries to return the items taken from Acropolis. By returning the item, the British Museum will simply be showing a form of peace and will help in attaining a positive outcome.

The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of

I believe that Lord Elgin did the right thing. He helped preserve the statues because there would have been no statues left, if he did not. Athens had already pulverized about forty percent of the statues, for the limestone. They would have pulverized the rest if Lord Elgin had not stepped in. If every country got to keep their own artifacts, how would anyone ever get to visit all the different artifacts that one museum can offer? If the artifacts were donated or purchased, would that be fair to the purchaser? No, it is not. Lord Elgin did everything legally, including getting an export permit from Ottoman authorities, so that he could bring them to Britain

The Frieze was taken from the Parthenon between 1801 and 1812 by Thomas Bruce the Earl of Elgin after he was granted permission to take them by the Ottoman Empire. He later sold them to the British Government in 1816 where it was moved to the British Museum in 1832. The Frieze was shipped in two stages with the first set going in 1803 in 200 boxes with the second shipment in 1809. The transportation of the marbles took so long as Elgin was imprisoned on the Spanish border at Pau for three years. The entire removal process of the marbles taken from the Parthenon cost Elgin £74,000. (4)

This building still partly stands today, but pillaging of artifacts, as well as destruction from war has left the building in shambles. However, the frieze is still largely in tact and is now located in the Acropolis Museum and the British Museum. These friezes are still under ownership discrepancies, as Greece feels Lord Elgin illegally acquired them and Britain feels that he was allowed excavation from the Ottomans, whom reigned supreme over Greece at this time. This monument helps explains a broader context of world culture, it was highly pillaged, and tells its own story. The monument is also known as the Temple of Athena Parthenos, which was designed by Itkinos and Kallikrates. This building, which is part of a larger Acropolis, would have taken many years to build. The monument began its construction around 447 BC and has several key architectural features. First, the pediments contain chiseled works such as the birth of Athena. Secondly, the building is equipped with metopes, friezes, and artifacts like the Selene horse or artworks of a centaur which make this monument a cultural icon even today. The Parthenon is also the only temple from the era where real-life scenes are

One of the most well-known components of the Parthenon are the enormously beautiful and important marble sculptures that were placed in the pediment of the monument. These marbles are shrouded in controversy as to whom they belong: Greece or Britain. These marble sculptures were removed between 1801 and 1812 in order to protect them from possible destruction caused by the war between the Grecians and the Venetians, taken to Britain for refuge by the Earl of Elgin, and sold to the British Museum to be displayed. John Henry Merryman discusses his view on the issue of the ownership of marbles by presenting two main points and the validity of both sides. One aspect of his examination revolves around the legality of the removal of these sculptures.

The Parthenon is located on the Athenian Acropolis, Greece; is a former temple which was dedicated to Greek goddess Athena, whom the Athens considered their leader. According to the British Museum (2015), The Parthenon was built nearly 2500 years ago and has a long and complex history. After thousands of years it became a church of the Virgin Mary of the Athenians, then a mosque and then finally resulted in a archaeological ruin. After the result of a ruin, the buildings were reformed in which various sculptures were damaged. During the 1800’s after the Parthenon being damaged, the Elgin marbles (Elgin) a part of the remaining sculpture, was removed and given to a British museum. For hundreds of years there has been a question if the British museum should return the Elgin marbles back to the Athenians or not. I believe that that the safest and most beneficial place for the Elgin marbles is the British museum, therefore the British should not return the marble to the Athenians.

Lord Elgin was an ambassador to the Ottoman Empire from 1801 through 1805. Elgin Marbles are stone sculptures purchased by the British from Lord Elgin in 1816; they are on display in a British museum. There is controversy over the sculptures. Ottoman gave Lord Elgin permission to transfer the sculptures to Britain, but the Greek feel the sculptures belong to them.

The form of art has been around for thousands of years. There has been many different types of art form found from the ancient greece times. These time are the earliest times that are recorded and are placed in museums. These early art forms teaches us a little bit about the human race and how they were back in the roman times. There are some painting and sculptures that represents different people from their time lines. These art form can explain how they were back in their times and with the statues you can see how far they were allowed to do.