Individuals strive to be a part of the dominant culture in their society by being a member of the governing group who is in the majority or has more power than other groups. No one wants to be an outcast from their society because they do not fit into the mainstream social customs. Being that the dominant culture is accepted without any opposition, when members of groups that are not a part of this already established culture are presented the possibility of conflicts or tensions might arise. Either the individual themselves will feel a developed sense of anxiety over what others will think or the rest of society will decide that they must do something to deal with this individual’s status. The characters of Homer in William Faulkner’s “A Rose for Emily” and Prufrock in T.S. Eliot’s “The Love Song of J. Alfred Prufrock” are both portrayed as cultural outsiders. Although the reason that they are seen as cultural outsiders is different, neither one of the characters is truly accepted by the rest of the societies that they live in. Therefore, both characters represent an individual who stands outside what is accepted by the majority of the population, which results in varying tensions that are dealt with in their corresponding works. Following the social norm is equivalent to partaking in the dominant culture. Those who do not conform to this are a part of the counterculture which is a subgroup that opposes the lifestyle that is dominant in society. However, the dominant
The use of allusions bring a sense of intimacy between reader and author. Prufrock wishes to be comforted.
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these
These are countercultures which are smaller groups within a certain culture group that are in opposition to all the behaviors and norms of the larger group. (Newman, 124) These countercultures contribute to the violation of norms and values of the dominate group.
A counterculture is a way of life and set of attitudes opposed to or at variance with the prevailing social norm. The counterculture formed by the Master builders are opposed to Lord Business’ intent to eliminate creativity from being practiced and using his power to control
Counterculture (Pg. 48)- a group whose values, beliefs, norms, and related behaviors place its members in opposition to the broader culture
T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his
muster the courage to ask the question, he may at last find value in his life:
What is counterculture? Counterculture is the culture and lifestyle of those people, especially among the young, who reject or oppose the dominant values and behavior of society. (Dictionary.com) Counterculture was present throughout history and has affected the present world drastically. It was prevalent through the “Roaring Twenties”, the “Swingin’ Sixties” and the “Grunge Era”. Though each decade was unique in its own way, each counterculture seemed to hold on to a similar pattern. The youth’s need to be different than everyone else.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
The lady in the cape meets Sweeney at a tavern and undertakes to get him
Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock
I decided to break a social norm in my house by asking my parents for their permission before doing anything in my own house, for example I would ask to use the restroom or if it was okay for me to get a drink. I only asked for permission to preform those two tasks. After a day it was very obvious to everyone in my home that something was going on with me, but when confronted about what I was doing by my family I refused to conform to their group pressure and inform them. Everyone in my household urged me to conform and stop asking such ridiculous questions; conformity is behavior in accordance with socially accepted conventions or standards. Examples of conformity can be found everyday in life from the way we dress to the way we talk, a specific example is when one persons’ clapping
T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.
Prufrock begins his “Love” song with a peculiar quote from Dante’s Divine Comedy. It reads: “If I believed that my answer were to a person who could ever return to the world, this flame would no longer quiver. But because no one ever returned from this depth, if what I hear is true, without fear of infamy, I answer you.” In the Divine Comedy these lines are spoken by a damned soul who had sought absolution before committing a crime. I think that Eliot chose this quote to show that Prufrock is also looking for absolution, but for what he is unsure.