Eliot's Views of Sexuality as Revealed in the Behavior of Prufrock and

In his poem “The Love Song of J. Alfred Prufrock,” T.S. Eliot subtly conveys a wide variety of Prufrock’s emotions; he creates pathos for the speaker by employing the “objective correlative,” which Eliot defines as “a set of objects, a situation, a chain of events [that] shall be the formula of that particular emotion” (“Hamlet and His Problems”).

Examine Eliot’s treatment of women in Prufrock, Preludes, Portrait of a Lady and Rhapsody on a Windy Night In all four of the poems; ‘Prufrock’, ‘Preludes’, ‘Portrait of a Lady’ and ‘Rhapsody on a Windy Night’, Eliot makes references to women. Eliot seems to treat women almost as objects to either be looked at with wonder and, at times, fascination or as objects to be scorned upon. In all of the poems Eliot makes the voice of the poem slightly distanced from the women and this, to me, makes the women seem almost untouchable.

Victorian period was a distinct period in history that is marked for being an Age of Faith where the old traditions and cultures had renewed emphasis on everyday life. However, it was also a period of economic prosperity that resulted in the growth of industrialization and science. The scientific theories such as Evolution and “Higher Criticism”, which was a scientific study of the Bible, resulted in the Victorian period also being classified as “Age of Doubt” which brought gradual collapse of longstanding religious beliefs. This complex relationship of Victorian period being both the Age of Faith and Doubt

As a new and mysterious world awaits to be discovered, daring conquistadors leave their home country of Spain in a journey of exploration. Two men by the name of Narvaez and Cabeza de Vaca set sail to thwart the untrustworthy Cortez who, behind the backs of Narvaez and Cabeza de Vaca, sailed to the New World with half of Narvaez’s crew in search of treasures. However, the journey would prove to be treacherous as the conquistadors would have to encounter hostile Native Americans and strange terrain they have never seen before. Throughout the expedition, future encounters between the Native Americans and conquistadors were heavily influenced by the personalities of the individuals and past experiences the Native Americans faced.

LADY MACBETH: Oh my, you're imagining things. Stop having this fit of yours and you'll realize.

But then Lady Macbeth calls him, and persuades him to carry out the dire deed by first comparing Macbeth’s hesitation with a drunken person that has “...woken up to look sick at what he did when tipsy.” She then makes him feel bad by implying that this deed would prove his love for her – at his hesitation she says “From now on, I know what your love’s worth.” She challenges his manliness and courage, saying “...be a self-confessed coward – ‘I’d like to, but I daren’t’, like the poor cat in the proverb who wanted fish but wouldn’t get his feet wet?”

T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.

“The bloody idiots woke the maid” Lady Macbeth uttered as she paced throughout her room, “He must have found the weapon, only a fool would miss it. I should have gone, I wouldn't have messed up... If only the poor bastard didn't remind me of my father...”

Then there is knocking at the door and he freaks out. Lady Macbeth says several things to comfort him and make sure they don’t get caught. Some of these things include; “Consider it not so deeply,” “These deeds must not be thought after these ways. So it will make us mad,” “Go get some water and wash this filthy witness from your hand” (352-353). The then tells him to get his nightgown on to make it look like they are sleeping. Doing so makes Lady Macbeth smart and quick on her feet.

T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his

The Modern Poetry Era (1914-1945) was a time filled with many new and revolutionary poets. Of these poets was a man named T.S. Eliot, whom was considered by many to be the most significant poet of his time.

   “'What a wretch am I, to leave her on such an errand! [...] Methought, as she spoke, there was trouble in her face, as if a dream had warned her what work is to be done to-night. But no, no! 't would kill her to think it.'”

Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock

T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego.

Moreover, he adds on saying Mrs. Pearce, “… if she gives you any trouble, wallop her.” (Act II, 37). He also recommends Mrs. Pearce to; “put her in the dustbin” when she says that she has no room for