Elizabeth Augusta Chant Analysis

In the writing of, America’s Top Parent, Elizabeth Kolbert outlines the parenting strategies of different mothers. Most notably, she talks about the “Chinese Mother,” which does not technically mean this individual must be of Chinese descent. Throughout the essay, Kolbert talks about another essay, Battle Hymn of the Tiger Mother. The author of that essay, Amy Chua, believes in a binary world. Meaning that there are two kinds of mothers, “Chinese Mothers”, and “Western” mothers. Chinese mothers believe in extreme parenting, whereas Western mothers “think they are being strict when they insist that their children practice their instruments for half an hour a day” (Kolbert). On the other hand, Chinese mothers have much more specific rules

on a beautiful day of August 3rd,1964. She lived in her cozy home in Chicago, Illinois.

In my early years, I hadn't given much thought to the depth of this city, only knowing bits and pieces of the puzzle that I was trying to put together in my head. However, as the years went by, I grew accustomed to the city, its people, and its ways. This city influenced and shaped my persona into the individual I am today. This city taught me a great deal of what

Margaret Olley and Van Gogh are two of the most well-known impressionists of their time. With more than a century between their eras, they both played significant roles in the progressing development of art today. Similarly painting still life’s and portraits, they also used the same media types and painted what they were surrounded by. For example, rooms of the houses they lived in, flowers and places they travelled. This comparative essay will compare and outline these two famous artists and the similarities between two of their most

She was born April 4,1802 she was born in Massachusetts she was also the oldest of three kids. When she was twelve she went to live with her grandma because her dad was abusive. Here's the helping the sick part when she was a young adult she became a teacher and started her own school, she decided to quit being a teacher and become a nurses in the civil war.

The experience of visiting the Dyckman Farm House & Museum gave me the opportunity to have an understanding of how beautiful and soundless the city was. Similarly to what George J. Demko said on his essay “A Sense of Place”, “All places change. They change in themselves and they change relative to other places, and they may cause in other places. We may imagine there are certain places magically untouched by time or change.” This quotation indeed relates to the sense of magic surrounded to the Dyckman Farm House & Museum and how this old colonial-styled house is in the middle of subways, bus stations and buildings, yet it feels like time has not changed. The experience of visiting the Dyckman Farm House and Museum meant

She was born February 15,1820 in Adams,Massachusetts and raised in a Quaker household. They believed in equality for everyone regardless of color or gender. In 1826 she was sent to study at a Quaker school while her family moved to New York.

     Born in 1863 to a Presbyterian minister and his wife, she grew up in a very tight-knit family as the oldest of five children. In 1880, the family moved to Massachusetts where they

She lived in Pennsylvania and worked as an insurance office manager. She got married and gave birth to a daughter who was 97 when Sarah died.

One artists in particular whose work stood out to me was Claire Pentecost with her work Soil-erg. This distinct exposition was located in the hearth of

In 1964, at the Royal Academy, one of the paintings he sent in was Morning and Evening: Chelsea Reach (RA726), this was his last work shown there. Furthermore, Harry Parr, in the tradition of pottery figure making, had staked his claim by his superlative craftsmanship, and his work in the genre, was recognized by the knowledgeable figure-collector. However, he made even fewer thrown vessels than his meagre output of figurative work. It would appear that Parr and his work are under-researched or ignored by the modern commentator of studio pottery, and a greater effort than this author can provide is required to restore him to his position in the vanguard of the early twentieth century studio pottery movement, now is the time for further research into the life and work of this much neglected artist. In his final years, his youngest daughter Janet Parr cared for him at the family home, he had become increasingly frail, and after a brief illness, admitted to St Luke’s Hospital Chelsea, where he died aged eighty-four on 12th September

those natives and newcomers become characters in the story of the city — and in turn make up

She did not go into missions until about 1916 (ancestry.com). She left from New York City and arrived in Tsinan China in the Shantung province. She was accompanied by one of her sisters and many others were in the mission with her. Her main ministry there was an a nurse in the city of Tsinan.

Grant Wood was born and raised on a small farm in Anamosa, Iowa in the 1891s. Wood ‘s work was of regionalism because it reflected the time period and place in which the artist lived when he was younger. Some of Grant Wood’s other creation consist of “Appraisal and Victorian Survival”, “Woman with Plants, among other”, “Fall

We know that she grew up with a mother, father, and small brother and lived in Colorado Springs at the age of 8 (29) and now that she is older, her family resides in the Central Valley of California (164). She lived in other people’s apartments throughout New