Elizabeth Bishop 's One Art Style Analysis

Elizabeth Gower is a Melbourne based collage artist. She uses printed packaging and other familiar household detritus as her source material to create works of intricate geometric patterns. Her small and delicate new work, Cycles and Matrix, invites closer inspection in the Sutton Gallery’s simple unpretentious space. One is mesmerized by the repetitions and multiplicity of the layering of discarded junk materials, transforming the chaotic waste material of the 21st Century into ordered beauty.

Elizabeth Bishop’s poem First Death in Nova Scotia follows a small girl who is introduced to the concept of death for the first time through her cousin, Arthur. Even though the narrator is just a child who is experiencing death for this first time, she is extremely perceptive of her surroundings. The details and language the girl uses to describe the situation illustrates the difficulty the girl is having coming to terms with the idea of death, while also confusing her throughout the poem. The important concepts of death, grief, and loss of innocence are conveyed by Bishop through the encounter the girl is having with death. Bishop’s theme in the poem seems to be that death can be extremely sorrowful yet hard to understand and as such, people deal with these feelings in different ways, even children. The narrator, being a small child, naturally uses distractions in her surroundings and her figurative language to start to understand death at the end of the poem.

One Art by Elizabeth Bishop is a poem that explores loss in comparison to an art; however, this art is not one to be envied or sought after to succeed at. Everyone has experienced loss as the art of losing is presented as inevitably simple to master. The speaker’s attitude toward loss becomes gradually more serious as the poem progresses.

The poetry of Cathy Song is a flowing collection of soft spoken and colorful imagery. She gently weaves her thoughts into an imaginative yet graceful story that has an overall sensual tone to it. Cathy invites the reader into her personal sanctuary of memories. She allows the reader to share in some of her most personal and critical moments in life. Some may think these things mundane but, when reading her poetry you can feel how utterly important they are to her. This can be evidenced in her poem The White Porch. Cathy uses this poem to allow the reader to participate in that moment of a woman’s life when she realizes that she is no longer a child.

Losing things is a part of life. It happens no matter how big or small you are. It happens and people accept it and move on, The poem, “One Art,” by Elizabeth Bishop is a very famous Villanelle poem that talks about all of that. It is about how losing things is simple, even if it seems to be a disaster. Villanelle is a very unique form of poetry that was created during the renaissance. Throughout the years it has developed into a more complicated form of poetry. Many poets use it to for rustic or pastoral themes, but bishop uses it for a whole different type of theme.

Elizabeth Bishop was born on February 9th, 1911 in Worcester, Massachusetts. When Bishop was an infant, her father died from kidney disease, which provoked her mother’s mental breakdown and removal to a Canadian asylum. After her mother’s admission, Bishop moved in with her maternal grandparents in Nova Scotia, which became the setting for some of her future poems. Bishop was then taken back to live in Worcester with her father’s parents so that she could attend school in the United States. Bishop’s final move was in 1918, with her aunt and uncle outside Boston, where she lived until 1930, when she enrolled in Vassar College (Lombardi 6).

What makes Bishop’s poem a valuable example of good poetry is the continuous flow of her poetry. All throughout her poem, there is never a lack of beautiful imagery and description of the fish, as she starts off describing its physical appearance to illustrating its internal organs. In the lines “I thought of the coarse white flesh / packed in like feathers… / of his shiny entrails / and the pink-swim bladder / like a big peony” (27-33), the use of diction is varied, from prevailing adjectives (shiny, battered, tarnished) to relatively vague words (entrails, islinglass). This is extremely effective in Bishop’s poem, as the powerful adjectives give a deeper understanding of her feelings towards the fish and the capture, while the relatively

Major events in a person’s life have a long lasting impact on them and help them to become the person they are today. These events help provide them with inspiration for their art. Artists and poets alike use their own lives as inspiration for their works. Sharon Olds is no exception to this statement. Sharon Olds is one of the nation’s finest contemporary poets, and in order to see why Sharon Olds’s poetry is so profound, it is necessary to understand the events that shaped Sharon Olds as a person herself. These events are all featured in the majority of her writings. Sharon Olds’s strong Calvinist upbringing, her divorce, and her alcoholic father are all mirrored in her poetry.

In conclusion, after reviewing and evaluating these three pieces of art, it is plain to see that Myranda Bair had a similiar perception in mind for each of her artwork. It was clear that in Mojave Yucca, All That Glitters (Roadrunner), Desert 1, 2, 3 Myranda desired to use fundamentals, media and processes, and themes. Although she used fundamentals, media and processes, and themes onto each of the three pieces, it made it clear that each contrasted from one another. Myranda hoped for the terrariums to develop intimacy between the beholders and jog someone's memory that these critters were what occupied Southern Nevada from the beginning. In spite of the fact that, painstaking detail is found on the front of the so called mixed-medium, the

The set of six words that Elizabeth Bishop has selected to repeat in her poem Sestina are ‘house’, ‘grandmother’, ‘child’, ‘stove’, ‘almanac’, and ‘tears’. These words are essential in order for the essence of the poem to be realized, which is about a seemingly ordinary interaction between an older woman and a child in the kitchen of a house on a rainy fall evening. Going through their routine activities of having tea and reading jokes from an almanac. Through the use and repetition of certain words and images, the poet communicates that although there is no overt exposition of an unfortunate event, there is an atmosphere of tragedy surrounding the two characters.

Liz Larner creates art that has a presence and that shows instability. Her art is influenced by poetics. This is shown through the overlap in some sculptures as well as breakage in others. The art that she produces gives a sense of flow and completeness. Using instability as part of her work is something that brings a sense of change to her work as well as almost never using the same techniques. Her relation of her art work to real life shows her beliefs in the balance of reality and illusion.

The contextual research of Shel Silverstein helped me to understand why Silverstein wrote such a book. His father was not a positive parental figure in his life, while his own daughter who he did not spend too much time with, died at the age of 11. His regrets and sadness for not being there for his child seem to shine through his sad ending of a child and parent relationship. The poem reminded me of the novel “Keep Holding On” as it also features a single mother who makes multiple sacrifices to keep her daughter healthy, but she is taken for granted by her daughter who is bullied due to her lack of clothing etc. The connection helps me to understand how society, who wishes Noelle to look a certain way, changed Noelle’s outlook on her mother.

Artwork that depicts the environment is fascinating. Artists that create artwork about environmentalism and ecology tend to focus on nature as a whole or one specific thing from nature. They like to create artwork that shows how things shape our understanding of the natural world, show the changing of landscapes of the American West, or even artwork that addresses some of the problems with animal rights. Mark Dion is an artist who observes how ideologies and public schools tend to mold our understanding of the natural world and history. Robert Adams is a photographer who documents the issues about the changing of the American West. His photography shows how nature is being destroyed because of the fast paced growth of human living and society. Marco Evaristti is an installation artist like Mark Dion but Evaristti’s art focuses on animal rights. He uses living animals in certain situations to where the audience could potentially cause harm to the animals. This kind of artwork focused around the environment and nature really appealed to me because I like the outdoors and seeing animals in the wild. These three artists appealed to me because I liked their reasoning behind their artwork. I do believe urban cities are growing at a really

“Without thinking at all/I was my foolish aunt.”(48-49) , In “One Art” Elizabeth compares herself to her aunt. When her aunt cried out from the dentist office she felt her as a fullish women, but because she is reacting In a similar way to the magazine, she compares her aunts foolishness to her own. It was an unexpected realization that her reactions connected her to her aunt in a way she never felt before in her six years. “Lose something everyday. Accept the fluster/of lost door keys, the hour badly spent.”(48-49), The speaker wants to show us that theres nothing you can do but to accept you will lose things and to not let it get to you. In the poem her losses begin as insignificant objects that can be replaced but then she escalates her poem by significant losses like people, places, and homes. Its as if shes telling you to accept it, but she implicitly is showing us that shes not over her losses. She wants everyone to believe shes fine but we as the readers are not buying it.

The most prominent quality of Elizabeth Bishop’s, “One Art,” remains the concise organization and rhyme scheme of the poem, which amazingly keeps the audience informed at all times what the theme. Her choice of a villanelle constantly reminds the audience that “the art of losing” always seem easy until one loses something so much more than an inanimate object and at the point, it does become a “disaster.” Written in 1976, the poem is very modern and uses an impeccable rhyme scheme, diction, and imagery to convey the hints of misery and frantic the speaker feels.