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Witch Of Edmonton

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The Witch of Edmonton, written in 1621 by John Ford, Thomas Dekker and William Rowley, depicts an old and lonely woman, Elizabeth Sawyer, whose false reputation as a ‘witch’ drives her to utilize the devil’s power and take her revenge on those who made her do so. The story is based on the real historical figure of Elizabeth Sawyer, a woman who was put to death for witchcraft in 1621. The case of Sawyer, as portrayed in both the play and her true interrogation, proves, in multiple ways, how the underlying cause of ‘witchcraft’ is the selfish desire for power. Not only does Elizabeth Sawyer herself emit this desire for power through her prideful need for revenge, but the villagers of Edmonton also emit this desire for power through their use …show more content…

Sawyer, as Katherine Woods explains, ‘is an old and poor villager, who is persecuted and bullied as a witch on account of her hag-like appearance.’ Presumably, from the fact that our first sighting of her in the play is whilst she is ‘gathering sticks’, Sawyer is also poor. Because of her loneliness, poverty, and age, Old Banks, a fellow villager, takes advantage of her weakness, and he is the one that we witness beating her. At this point in the play, Sawyer is not a witch and we might rightly assume that she has never even dabbled in witchcraft. After such treatment, however, we see Mother Sawyer …show more content…

This is not to say that villagers simply created the myth of witchcraft on the spot as a means of obtaining a scapegoat, but, rather, that they latched onto rumours, morphed from old folklore and spread about the village, of witches that would cause misfortune to their neighbours. This is exactly the kind of behaviour we see in the play, as the villagers of Edmonton use the accusation of ‘witchcraft’ in order to wield power, not only over Sawyer herself, but over the events in their village which they wish to prevent. The villagers appear to have known that Sawyer is a witch for some time, but it is not until a villager blames her for their misfortunes, that others speak out and claim that she has wronged them, too. For example, towards the end of the play, Old Banks claims that his horse has become suddenly ill, and says ‘and this, I’ll take my death upon’t, is long of this jadish witch Mother Sawyer.’ A countryman then speaks out, and claims that he found his wife and a serving man ‘thrashing in [his] barn together such corn as country wenches carry to market’, which he reasons must also be the work of

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