Elpahaba Wicked Dance Essay

The costumes were also quite beautiful and wonderfully tailored to each character. The many different

A character’s costume is much more than the clothes they wear to play a part. These clothes help us venture into the author’s world and help us connect with this new place and believe in its reality. They help us capture so much more than what the character looks like. We are able to see, feel, and experience the characters personality and purpose in the story. In a play or movie, we immediately make our fist connection with a character based on what they are wearing, this is the first step in drawing us in and making us believe in this new world. This first impression gives us the first glimpse at the characters style, background, and social class. All of these things are meant to immediately draw us in.

Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements, technique and emotion. Ms. Donna Wood uses tragic face, a mask of sorrow. It is a face born to cry, but when she smiles it is with an innocent radiance, joyfulness that simple and lovely. She never tries consciously to please an audience. He was not only concentrating in movements and physical performance, but also using flowing white gown

She breaks all the images of American standard of beauty such as being physically pretty. She

As the robe simultaneously conceals and reveals, it blends nicely into the lower part of her torso. Her body is proportioned smoothly, with no areas of obvious fault or imperfection. I think having those sensual characteristics adds to her overall beauty.

The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until

The set and costumes weave a visual masterpiece, emulating a natural, yet lively and beautiful theme through the use of brightly patterned fabrics. People in elaborate, intricate costumes acted out each plant and animal, communicating the key theme that all living creatures in the wilderness are connected. Timon, Pumbaa, and Zazu’s costumes were more comic than the rest of the more natural costumes. This was likely done to keep younger audiences interested but ended up disrupting the uniformity of the production’s overall appearance.

Even though the lack of an elaborate set design focused the audience’s attention solely on the performers, it also detracted from the performance as it created no connection of the audience with the setting or, at least, with the important themes. The set designers could have created some sort of background that resembled the emotions expressed throughout the various individual acts or could have even contributed with better props that enhanced the audience’s connection to the performances. Despite the dynamic colorful projections, there was little relationship between the lighting design with the entire performance. It attempted to evoke complementing emotions to the dancer’s movements and the music by using a variety of colors and shapes and it was also used to mark the beginning and ending of each act. Nonetheless, the message remained very abstract and hard to grasp, which did not help to enhance the vicarious experience. Given that this was more of a dance performance rather than a theatrical one, there was not a lot of room for character transitions on and off the stage, yet the lighting would have contributed effectively to the performance if it had been more integrated with the characters’ movements and not just projected on a screen as a separate act. Finally, the costume design attempted to create the same effect as the lighting and stage design by using colors and patterns that reflected the emotions of the performance on-stage. The costumes of some performances showed more elaboration, such as in the ones in “Belinha,” while others were less sophisticated and around plain clothes. Nonetheless, as was the case in “9:35, 11:10, 12:45, 2:20, 4:10,” using plain clothes did not necessarily detract from the performance as it created a connection with the setting and important

For example, the scene designer, Pamela Hodges, accommodated the creative concept. He uses a square proscenium theatrical setting with a back-right stage staircase made of wood and paper. In addition, The costume design did not completely follow the concept. Spike and Masha's costumes that were worn for the costume party, as part of the costumes design each had capes attached to the back this is not natural, for usually costumes do not have capes. Masha's costume was a Snow White costume, and Spike’s costume was a Prince Charming costume. The costumes that each wore for the costume party had bright colors. Masha's costume blouse for the party is colored bright yellow. Nina's Dopey costume for the costume party colors bright green. Everyday costumes that did not surprise the audience were used. When Spike and Masha was cuddling in the first scene where both were present each one wore casual clothing Spike wore a black t-shirt while Masha wore a light and dark orange dress. Spike, and each female actor reveals skin. For Spike's skin revealing costume, Spike just wore black underwear. Masha's skin revealing costume is the

The varieties of jazz dance reflect the diversity of American culture. Jazz dance mirrors the social history of the American people, reflecting ethnic influences, historic events, and cultural changes. Jazz dance has been greatly influenced by social dance and popular music. But, like so much that is “from America”, the history of jazz dance begins somewhere else.

The people who lived during the Elizabethan Era were not allowed to wear whatever they like or desired. Their Fashion choices had to be followed by a strict law! The English people chose to establish social classes by the colors they wore and this had an affect on costumes used in theatre. Queen Elizabeth I followed the sumptuary laws, which was only certain classes were consent to wear specific fabric and colors. Therefore in plays the actors could only wear certain colors for their costumes that displayed what role and class their character was in. The clothes worn during this era was a result of Queen Elizabeth’s sumptuary laws, which had an affect on costumes used in plays, and each color a person wore had a significant meaning.

A community is a group of people that share a common or similar characteristic with each other. Some communities can also consist of people living together or practice worship. My essay will include the communities that I am part of which are my dance, school and church communities.

A series of set of movements to music, either alone or with a partner. That is the definition of dancing. Dancing is a way to express one's feeling and to get active.

For most elementary age students around the country the core subjects such as science, math, and reading are separated from the arts. However, schools across the country are slowly combining the arts with the other subjects and are finding success. Dance is one form of art that would have multiple benefits for students. Dance and physical movement should be incorporated into elementary education because it improves students’ attention and interest in learning, improves learning in core subjects, and promotes a healthy lifestyle in students.

I attended DancePlus show On Friday December 2, 2011 at 7:30pm at night. It was performed in the Victoria K. Mastrobounno Theater in New Brunswick, New Jersey. There were four different parts that I saw that day. All of the dances were very interesting and very different from each other. All of the dances had its own unique key factor that separated it from each other. I enjoyed the entire show very well. Out of all the dances I had strong reaction to “Lapa’s Lament”. I believe this specific dance stood out to me compared to the other dances from the show. This show had many different factors that stood out from other shows in the entire performance.