Emily Bronte’s Wuthering Heights: A Vengeful Agenda

Catherine tries to better her station both by wedding Edgar Linton and by her steady perusing. She snickers at Hareton on account of his absence of training. Heathcliff concedes that Hareton is

Edgar Linton, normally gentle, also uses physical violence when he fights with Heathcliff over Catherine Earnshaw, now his wife Catherine Linton. Like Hindley, Edgar does not realize that violence cannot produce love. His fight with Heathcliff results in Catherine’s insanity and her eventual death. Catherine, too, is not flawless. When Nelly, under Hindley’s orders, chaperones Edgar’s visit with Catherine Earnshaw, Catherine is furious and strikes Nelly. When her nephew Hareton weeps at this abusive display, Catherine seizes the child and shakes him. She then strikes Edgar when he tries to stop her. The root of Catherine’s violence is not the same as the one that plague Hindley and Edgar: she does not physically hurt her family because she wants to be loved. She feels that she is already loved by everyone, but she

His wife, Mrs. Earnshaw, is furious that Heathcliff has been brought into the house and the Earnshaws’ son, Hindley, is jealous of the apparent love his father

Catherine Earnshaw appears to be a woman who is free spirited. However, Catherine is also quite self-centered. She clearly states that her love for Edgar Linton does not match how much she loves Heathcliff. She is saying that she does love both, and she is unwilling to give one up for the other; she wants “Heathcliff for her friend”. Catherine admits that her love for Linton is “like the foliage in the woods”; however, her love for

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

During his early years Heathcliff didn’t deceive those as much, but towards his teenager years his adopted sister Catherine shows how deceitful she can be. Catherine is attacked by a dog and is required to stay at this family called the Lintons for five weeks. While she is there she meets a young man named Edgar and hides her “wild side” to impress Edgar. “Catherine

“In vapid listlessness I leant my head against the window, and continued spelling over Catherine Earnshaw – Heathcliff – Linton, till my eyes closed; but they had not rested five minutes when a glare of white letters started from the dark, as vivid as spectres – the air swarmed with Catherines; and rousing myself to dispel the obtrusive name, I discovered my candle wick reclining on one of the antique volumes, and perfuming the place with an odour of roasted calf-skin.”

Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.

Wuthering Heights by Emily Bronte was published in 1847 and received many contradictory judgements. One main judgement that criticized the novel was how multiple characters can have a change in characterization depending on the reader. Many of the novel's characters, such as Heathcliff, possess positive values, but readers tend to focus on their negative qualities which allows these characters to change. Growing up poor and homeless, Heathcliff’s character changes many times throughout the novel as he grows older and possess negative qualities towards other characters. Later residing as an old, lonely master, Heathcliff’s change in character at the end of Wuthering Heights signifies that he has gone mad and leads to intentions that Heathcliff has not committed suicide, but lost all will after all he has been through.

First of all, Hareton is one of the two last characters that remain alive until the end of the story and also one of the “winners” of the novel. Hareton’s kindness and goodness extricate all the wickedness of his family starting from Hindley and Heathcliff to Young Linton. Almost until the end of the story, nobody considers him because Heathcliff’s maleficence has never given him the possibility to express himself. At the end of the novel, the real Hareton appears; he starts to court Young Cathy and to rebel against Heathcliff’s bullying and arrogance. He is romantic and loving boy towards Cathy and he gets an education by learning how to read with her. “The task was done, not free from further blunders; but the pupil claimed a reward, and received at least five kisses, which however he generously returned” (Bronte 308). Hareton is the one in the story to reflect the most Mr. Earnshaw personality; he brings positivity to the novel. With Young Cathy almost the same situation occurs. She is raised in an opposite circumstance to where her mother was born, and so her purity and goodness “hide” all of her mother’s sins and errors. Not being aware of what her

As Heathcliff seeks his revenge, he becomes fiendish and is constantly associated with diabolical feelings, images and actions. The use of the imagery reinforces the inhuman aspect of Heathcliff. He regrets saving the infant Hareton. Nelly recalled that his face bore the greatest pain at he being the instrument that thwarted his own revenge. He takes perverse pleasure in the fact that Hareton was born with a sensitive nature, which Heathcliff has corrupted and degraded. Heathcliff's pleasure at this corruption is increased by the fact that-: "Hareton is damnably fond of me". Heathcliff's cruelty is also evident when he hangs Isabella's dog despite her protestations. His attitude is devoid of fatherly feeling. He sees him only as a pawn in his revenge and his main

The events in a child’s life mold who he or she will one day become; for Catherine this was the day she and Heathcliff snuck out to the Thurshcross Grange and she injured her ankle. During her early years, Catherine was free spirited and was unable to understand or relate to her father’s serious attitude. In attempt to provoke her father Catherine,

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)

Not being aware of what her mother did in the past, and living in another kind of situation, calmer and more tranquil, Young Cathy’s vision of reality, including wickedness and maleficence, was very limited. The two cousins are the last two characters in the novel and they are the only one to bring peace in the story. Nelly says:

While at Thrushcross Grange, she grows infatuated with Edgar, despite her love for Heathcliff. Edgar came from an upper class family as well and took care of her when she was in a dog accident. This leads to her acceptance of Edgar Linton’s marriage proposal despite her statements regarding her love for Heathcliff. Heathcliff overhears unfortunate passages of Catherine's discourse and disappears for a period during which he mysteriously makes his fortune and changes irrevocably from the person he was. Vengeance consumes him, and Heathcliff attempts to destroy the lives of those who wronged him, (as well as their children). Ultimately, Heathcliff’s bitterly executed vengeance is effaced by a love between Hareton and Cathy that mirrors Heathcliff’s own love for Catherine. Hareton is Catherine’s nephew and Cathy is Catherine’s daughter, which makes the two first cousins.