Emily Bronte's Wuthering Heights

To begin, Heathcliff uses Isabella as a means of exacting revenge on Edgar Linton, whom he despises. When Heathcliff finds out Isabella is in love with him, he is delighted. His pleasure comes not from a mutual like for Isabella, but rather a vision for revenging Edgar. After Catherine lets slip that Isabella is in love with him, Heathcliff says to her, “...and if you fancy I’ll suffer unrevenged, I’ll convince you of the contrary, in a very little while! Meantime, thank you for telling me your sister-in-law’s secret: I swear I’ll make the most of it. And stand you aside!”(112). Heathcliff’s comment

Wuthering Heights is a novel whose main character is said to have a double significance. He is said to be both the dispossessed and the dispossessor, victim of class hatred and arch – exploiter, he simultaneously occupies the roles of working class outsider and brutal capitalist. Heathcliff has all these characteristics because of his experiences. He is a character moulded by his past.

When Heathcliff returns three years later, his love for Catherine motivates him to enact revenge upon all those who separated him from her. Since he last saw Catherine, he has “fought through a bitter life”; he “struggled only for [her]” (Brontë 71). Nelly observes a “half-civilized ferocity” in Heathcliff’s brows (Brontë 70); she views him as “an evil beast…waiting his time to spring and destroy” (Brontë 79). Heathcliff’s obsessive love for Catherine becomes a menacing threat. Heathcliff reproaches Catherine because she “treated [him]

Upon hindsight following the two novels, Wuthering Heights by Emily Bronte and Mary Shelly’s Frankenstein, one would label the monster and Heathcliff to be nothing short of villainous characters. Throughout each individual novel the two leads perform heinous actions that should leave readers feeling repulsed, and with no ounce of sympathy towards the principal characters; nonetheless, it is impossible not to. Heathcliff and the monster are not evil but rather characters to sympathize, both are the products of their environment and correspondingly, although for divergent reasons, are motivated by the supereminent emotions—love and hate.

One of the most dramatic scenes in the book is the death of Catherine. The first signs of her failing health physically and mentally come when she locks herself up in her room after Heathcliff and Edgar's fight. She fasts herself into a delirium, pulling out pillow stuffing and seeing faces in the mirror. Unlike ordinary death, which comes quick and painlessly, Catherine's slowly wastes her away into a ghost. About seven months later, she dies at childbirth, but returning to haunt Heathcliff. The main cause for Catherine's death is not childbirth, although it may have been the final contributor. Ironically, because of the spiritual link between Heathcliff and her, it is their separation that killed her. Brontë punishes the sinned by slow death, having the guilty put the wrath upon themselves. She also brings in the supernatural to prove that even at death, there is no peace. The precise description of the moments before Catherine's death emotionally charges and further involves the reader. Like Catherine, Heathcliff dies in a similar fashion, except his sufferings prior to death lasted eighteen years. He explains to Nelly, "What does not recall her [Catherine]? Those two [Catherine Linton and Linton Heathcliff] are the only objects which retain a distinct material appearance to me; and, that appearance causes me pain, amounting to agony." This is consistent because he has sinned the most of all

Her every need is taken care of. Later, when she is confronted by Heathcliff, she is reminded of Wuthering Heights and begins to miss the place she once was so eager to leave. Catherine begins to see the Grange as superficial and confining, and at first she is only annoyed by this, but eventually the suffocating enclosure causes Catherine to lash out at her husband and all the Grange represents. Catherine, aware of her incestuous attraction to Heathcliff, believes the Grange is destroying her, and because of her disgust of the Grange and her sense of guilt, it does. In the process, Edgar too must suffer Catherine's pain because of his love for her.

In addition, remaining persistent taking over everything that belongs to Edgar. Heathcliff throughout the novel exemplified that for him, revenge was an extensively more influential emotion than love. Ultimately, leads to why Heathcliff does not forgive Catherine for marrying Edgar. Although he does make it known that he loves Catherine and desires to be with her, he seems to show no remorse constantly attempting to ruin the life of her daughter; Cathy. Heathcliff is viewed a villainous figure as a result of his obsession with revenge, becoming more violent as the plot progresses. Frequently, Heathcliff comes across as a very violent character, uttering various threats and his violent acts. He illustrates that he lacks pity and sympathy when he hangs his wife and Isabella’s dog; thus, demonstrating one of his violent acts and validating the aspect of him as a villainous figure. Although Heathcliff basically engages in war among the two households, he would never harm Catherine as his love for her is immense. His love for Catherine reveals that he does truly have a sympathetic side in the mist of his villainous figure.

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

With such an infamous knack for the art of the scorn and slander, it’s not much of a surprise that Catherine enjoys her gossip. While telling Nelly about Edgar’s Marriage proposal, with Heathcliff eavesdropping close by, Nelly asks Cathy why she would not marry heathcliff instead. Her response, “It would degrade me to marry Heathcliff now” (Bronte 81), shows that she not only cares more about her social status and appearance, but that she disregards Heathcliff’s feelings almost entirely as she has, as if she were shopping, gone with the better deal. Once Heathcliff hears Cathy’s words, he becomes a changed man, and by no means for the

His demeanor when Catherine dies completely changes and the reader learns that he was madly, madly in love with her. His love for Catherine changed his mental state; he no longer thought rationally. Rationally, if Heathcliff loved Catherine, he would wish her to be at peace, because loving someone means wishing them to be happy; however, because he was so greedy with what little love he did receive that Heathcliff wished Catherine to be forever stuck on the earth haunting him and “driving him mad”. Nelly then describes Heathcliff as a “savage beast” who was physically hurting himself for Catherine. None of these traits mark Heathcliff as a level headed being; a trait that could be predicted when he married Isabella and made her life terrible for the sole purpose of upsetting Catherine and Edgar. This insanity only becomes more prevalent after Catherine dies, when he raises Haerton as a farmhand and imprisons young Catherine and Nelly at Wuthering Heights when her father was

Vengeance unleashes its utmost immoral behaviors in its perpetrators. And although its success brings temporary happiness, it ultimately rewards remorse. In the novel, Wuthering Heights, by Emily Bronte, the current tenant of Thrushcross Grange learns the history of the events that took place on the Yorkshire moors: the intense, dramatic romance between Heathcliff and Catherine Earnshaw, her betrayal of him, and Heathcliff’s resentful vengeance on the innocent heirs. In conversations of Bronte’s classic, Wuthering Heights, questions about the book’s meaning inevitably emerge. While many argue that the book focuses on love, others assert that the nature of redemption lies at the heart of the

This later Heathcliff is characterized by a coldness, by an incapacity to love and ultimately by consuming passion for revenge against those who have abused him. Just as he begins life, he ends life as an unloved, lonely outsider.

Emily Bronte’s, Wuthering Heights, includes the struggle for happiness, like marry like, and revenge. Heathcliff grew up neglected and abused. When he fell in love with his long time friend, Catherine Earnshaw, she betrayed him by choosing another man over him, causing Heathcliff to become bitter and rude to everyone who comes in contact with him. He goes out of his way to make everyone miserable and unhappy just like himself. Although the perspective of Heathcliff is seen as “a mad man,” he is actually suffering from Antisocial Personality Disorder, Conduct Disorder, and Depression.

While at Thrushcross Grange, she grows infatuated with Edgar, despite her love for Heathcliff. Edgar came from an upper class family as well and took care of her when she was in a dog accident. This leads to her acceptance of Edgar Linton’s marriage proposal despite her statements regarding her love for Heathcliff. Heathcliff overhears unfortunate passages of Catherine's discourse and disappears for a period during which he mysteriously makes his fortune and changes irrevocably from the person he was. Vengeance consumes him, and Heathcliff attempts to destroy the lives of those who wronged him, (as well as their children). Ultimately, Heathcliff’s bitterly executed vengeance is effaced by a love between Hareton and Cathy that mirrors Heathcliff’s own love for Catherine. Hareton is Catherine’s nephew and Cathy is Catherine’s daughter, which makes the two first cousins.

Catherine’s love for Heathcliff is deeply passionate, but ultimately all-consuming and destructive. Even as a child, Catherine is “much too fond of Heathcliff” (42). As she grows older, her affections for Heathcliff deepen and she eventually comes to believe her “great miseries in this world have been Heathcliff’s miseries” and that “he is more [her]self than” she is (80-81). Catherine’s ability to empathize with Heathcliff’s “miseries” reveals her deep emotional connection to him, as the events of the rest of the novel do not portray her as an especially empathetic character. Additionally, rather than saying Heathcliff is her “other half,” a more traditional statement, Catherine claims Heathcliff is more herself than she is, introducing the all-consuming nature of their love. After Catherine and Heathcliff are reunited following Heathcliff’s three year absence, Edgar and Heathcliff passionately argue; Catherine subsequently becomes violently ill. Her condition rapidly deteriorates and during her final moments with Heathcliff, Catherine proclaims he “[has] killed” her (157). Catherine herself acknowledges that her illness and impending death result from her love for