Emily Dickinson's In We Grow Accustomed To The Dark

Darkness is a recurring image in literature that evokes a universal unknown, yet is often entrenched in many meanings. A master poet, Emily Dickinson employs darkness as a metaphor many times throughout her poetry. In “We grow accustomed to the dark” (#428) she talks of the “newness” that awaits when we “fit our Vision to the Dark.” As enigmatic and shrouded in mystery as the dark she explores, Dickinson's poetry seems our only door to understanding the recluse. As she wrote to her friend T.W. Higginson on April 15, 1862, “the Mind is so near itself – it cannot see, distinctly”(Letters 253). In this musing, she acquiesces to a notion that man remains locked in an internal struggle with himself. This inner

The poem “We Grow Accustomed to the Dark “ to me is about us ,humans , overcoming setbacks.There is always going to be people or things that will try to get in the way of us being successful . The negative energy which the poet symbolized with “ darkness” will try to stop your success . Success is symbolized with “ light “ or “eyesight” which will overcome the darkness in this poem . Us becoming accustomed and or use to the darkness is us becoming use to the negative energy that tries to stop us from becoming great at our talent or whatever activity you are pursuing . In Emily Dickinson poem “ We grow accustomed to the Dark” ,she talks about how we get use to the darkness meaning we get use the people that want you to fail or the major setbacks that are coincidentally thrown in your direction while we are working our way to the stop.

Emily Dickinson is one of the most important American poets of the 1800s. Dickinson, who was known to be quite the recluse, lived and died in the town of Amherst, Massachusetts, spending the majority of her days alone in her room writing poetry. What few friends she did have would testify that Dickinson was a rather introverted and melancholy person, which shows in a number of her poems where regular themes include death and mortality. One such poem that exemplifies her “dark side” is, “Because I Could Not Stop for Death”. In this piece, Dickinson tells the story of a soul’s transition into the afterlife showing that time and death have outright power over our lives and can make what was once significant become meaningless.

Dickinson writes, “We grow accustomed to the Dark / When Light is put away / As when the Neighbor holds the Lamp / To witness her Goodbye” (Dickinson 1-4). The reader is given a situation where one must perceive his/her fears as an obstacle to overcome in order to adapt to the situation. Dickinson explains how the mind influences how people see things. Although the mind gets used to the “darkness”, the mind also changes its way of interpreting other problems. Emily Dickinson also writes, “The Bravest - grope a little / And sometimes hit a Tree Directly in the Forehead / But as they learn to see” (Dickinson 13-16). This stanza is explaining how the bravest people perceive their fears as an obstacle to overcome in order to continue forward with their lives, like adaptation. The “bravest” are those who choose to conquer their fears instead of letting their fears consume them. Overall, the poem, “We Grow Accustomed to the Dark”, elaborates on how people must adapt to change sufficiently both mentally and physically in order to overcome their

Dickinson’s “After great pain, a formal feeling comes” is a short poem about the struggles and hard transition of getting over the heartbreaking feelings that come after a great tragedy in one’s life such as losing someone; a friend, a lover etcetera. In a sense, this poem is very general, yet it cannot be applied to just any situation. It is general in the sense that those who have gone through such feelings of pain and lose know exactly what kind of “numbness” and hollow that Dickinson writes about; the feeling of not wanting or caring about what life has to offer anymore for a time once the “great pain” has first occurred and how hard it becomes to continue daily tasks, activities and routines. This poem is specifically about confronting the pain and making sense of it, and understanding that a great pain is a very

The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.

For Dickinson, sight is the most valuable sense that allowed her to see the world and act based upon whatever situations were thrown at her. In her poems, it seems that “darkness” would be a metaphor for the uncertainty, subsequently allowing “sight” to be a metaphor for how we tend to react to this uncertainty. Her two poems, “We grow accustomed to the Dark” and “Before I got my eye put out” seem to share the same representation and message that sight isn’t only a physical sense, but more importantly it’s the way our minds can adjust to see problematic situations with a different outlook.

Emily Dickinson , a private American poet , whose poems made a lot of metaphorical references had her poems exposed by her younger sister right after she died. As a child Dickinson lived most of her life in isolation which gave her time to write a lot of things like letters and poems like “Before I Got My Eye Put Out” and “We Grow Accustomed to the Dark”. Most of her poems aren't literal. They are written in metaphorical ways to make you think. Like her poem “Before I Got My Eye Put Out” , I think this poem is referring to how she wanted to explore the world , but later realized that she would be safer inside where there was shelter and protection. In her poem “We Grow Accustomed to the Dark” I think she refers to how she lost somebody that she was close to , and the problem she encountered along the way as they were gone. Both of these poems are alike in a way that they both talk about losing or giving up on something. In “Before I Got My Eye Put Put Out” the speaker reacts to the loss by giving up and not trying anymore. I think speaker in “We Grow Accustomed to the Dark” would react differently and actually try to explore the world and go on an adventure.

Emily Dickinson’s poem, “After great pain, a formal feeling comes-“is a profound portrayal of the debilitating process of grief human beings undergo when confronted with a horrific tragedy. The response to that ultimate pain is the predominance of numbness, “After great pain, a formal feeling comes-/The Nerves sit ceremonious, like Tombs-“(1-2). This is a poem that must be read slowly to become saturated in the melancholy, the dehumanization of suffering as it affects each aspect of the body without reference to the chaotic emotionality of it. The abundance of metaphors within Dickinson’s poem provides the means to empathize the necessity of numbness. It is also through the use of punctuation and capitalization, depicting the presence of a

Emily Dickinson’s reclusive life was arguably a result of her proposed bi-polar disorder. This life and disorder unduly influenced the themes of her poetry. She chose not to associate herself with society and volumes of her poems, published posthumously, examine this idea as well as the themes of nature and death. The clearest examples of these themes are presented in the following analysis of just of few of her

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense

Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.

major theme of the poem which is death. Dickinson persistently gives deeper meaning to little

This is symbolic of her looking at death as a new beginning as opposed to a sad ending. There is a feeling of disappointment as she thinks that she is going towards eternity but she just ends up viewing the “House that Seemed a Swelling of the Ground” and then centuries later, reflects upon her journey towards and eternity she didn’t witness. To Dickinson death was not something to be afraid of but to rather embrace and accept because it was inevitable, yet as in her life ends up disappointed because death leads to nothingness.

In Emily Dickinson’s lyrical poem “There’s a certain slant of light” she describes a revelation that is experienced on cold “winter afternoons.” Further she goes to say that this revelation of self “oppresses, like the Heft of Cathedral Tunes” and causes “Heavenly Hurt”, yet does not scare for it is neither exterior nor permanent. This only leaves it to be an internal feeling, and according to Dickinson that is where all the “Meanings” lie. There’s no way for this feeling to be explained, all that is known is that it is the “Seal Despair”, and an “imperial affliction”. These descriptions have a rather powerful connotation in showing the oppressive nature of his sentiment. There is an official mark of despair and an imperial affliction