How Is Emma A Dynamic Character

“Emma could not resist. Ah! Ma’am but there may be a difficulty. Pardon me- but you will be limited as to number- only three at once”; Emma insults Miss Bates, who is a dear friend, in order to quench her desire for social credit. When Mr Martin’s proposal arrives for Harriet, Emma shakes her head with disdain. Emma has the highest social status, apart from Knightley, and uses this to diminish those of lower class. Chapone asks us to “Observe her manner to servants and inferiors” and whether she treats “them always with affability”, but we know, Emma does not. Emma thinks Mr Martin is a “very inferior creature” and when Harriet asks for advice Emma says “the letter had much better be all your own” but sneaks in “You need not to be prompted to write the appearance of sorrow for his disappointment”. Harriet refuses Martin, and Emma proclaims that Harriet, if she accepted, would have been “confined to the society of the illiterate and vulgar” and “could not have visited Mrs. Robert Martin” since she deems the lower class as unsophisticated primitives. Emma would have lost her latest amusement and her chance to prove her intelligence. Emma’s subtle manipulations illustrates the absence of inner morality, and is thus, an ill-qualified mentor.

Cher is one of the most popular girls at her school with a father that is a litigation lawyer, a prestigious occupation in one of the most wealthiest cities in the world. Cher has everything a young lady dreamed off: money and a huge wardrobe (Clueless 1:00-1:30). However, both Emma and Cher shares the same situation where both mothers passed away. Emma and Cher's lack of maternal figure resulted from them to think highly of themselves. Emma's arrogance can be seen when she brags about being successful in matching couples. Emma believes that she has control over fate and must play matchmaker in order for couples to discover true love. Austen states that "The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little well too of herself" (Austen 5). Emma and Cher seemed to have endless power and wealth, in which they acquire the idea that they are the perfect model for everyone in the

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In a novel overflowing with misconstrued romance, “Emma” by Jane Austen succeeds in misleading the readers, as well as the actual characters on the matter of who is really in love with whom. Although it is teeming with romantic dialogue, the characters have a tendency to misunderstand confessions of love, as well as comments made in passing concerning the secret feelings of others. Through forms of narration and dialogue, Jane Austen forces the reader to interpret these subtexts and draw conclusions concerning the actual romantic intensions of her complex characters, while also deceiving readers on an adventure of romantic deception.

Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young woman whose self-delusion regarding her flaws is gradually erased through a series of comic and ironic events.

The ensuing disconnect between Emma’s perception and the reality of her surroundings forms the crux of Austen’s novel. Just as Cher convinces herself that Elton loves Tai and Christian loves her, everything that Emma imagines is occurring in her small village turns out to be wrong, and she manipulates people and events with disastrous results. Emma suffers little limitation as she goes to the Cole’s party, to the ball at the Crown, and to the excursion at Box Hill, "provided all was safe at Hartfield." The fact that this represents Emma 's change of response to her father rather than being a change in Mr. Woodhouse himself is made clear by details which would have felt inconceivable in book three, for instance, we casually hear that Emma had replaced the small uncomfortable table at Hartfield with a modern round table sometime in the unspecified past.

Author and journalist, Italo Calvino once stated that, “a classic is a book that has never finished saying what it has to say”, the perennial feature of a classic novel is able to provide a sense of relatability to the modern reader regardless of societal contexts. The significance of reinterpretation of classical texts lays in its disclosure of the modifications in society; the transformation of attitudes and values is juxtaposed in various milieus making it applicable to a vast audience. The novel "Emma" by Jane Austen scrutinizes the numerous complications of dating, ranging from social hierarchy, family and friendship to love and matrimony. The loosely based adaptation "Clueless" utilizes Jane Austen's ability to decipher human emotion and refashioning it to a much more appealing and marketable American High School setting.

Both Emma and Cher’s characters are portrayed as snobby, self centered and selfish people. They do what they want, without really caring about the effect their actions will have on the people around them.

In Austen’s times, social hierarchy was based primarily on one's name, wealth, and family connections. It was highly rigid, and the only way to improve one's situation was to marry up. This was reflected by the fact that while Harriet is deemed to be good company, she is never considered by anyone to be on the same social standing. So by manipulating her to refuse Mr. Martin’s proposal, Emma is doing her friend a huge disservice, for as “the natural daughter of somebody”, Harriet had no better option. Austen critiques the superficiality of the class system by contrasting the views of Mr. Knightley with those of Emma. Knightley deems Mr. Martin an “intelligent, respectable gentleman-farmer”, making an evaluation of his character. Emma, however, always sees a person’s status first and makes a judgment of character around that – and so she is immediately disapproving of Mr

Satire is a literary work that ridicules its subjects through the use of techniques such as exaggeration, reversal, incongruity. Irony is the expression of one's meaning by using language that normally means the opposite, typically for humorous effect. There’s two types of irony which are: verbal and dramatic irony. Verbal irony is when something that is said is supposed to mean the opposite. On the other hand, dramatic irony is when the reader or audience understands more the events of the story than the character in the story.

Emma's personality is largely shaped by the nature of her upbringing. Emma had no motherly figure guiding her as she grew up, due to the fact that her

In the novel Emma, the author, Jane Austen, uses many different techniques to characterize Miss Bates as a woman with no intellect, but a very kind heart. Miss Bates in a humorous character who is loved and loving.

Though at first glance, Emma appears to be a generic romantic novel about virtue and ladyhood, Austen actually challenges what the meaning of “ladyhood” is to the reader. We view Emma’s follies, trials, and triumphs through the eyes of the omnipotent narrator who first describes Emma as a stereotypical, wealthy young lady who is “handsome, clever…with…a happy disposition” (1). Through the use of irony, Austen employs a series of situations in which Emma, a “lady” of high standing within her community, challenges conventional thinking of what it means to be a young woman in the early nineteenth century, particularly her ideas concerning marriage and

(Austen 1). Having a conceited nature, she only tolerates following her own advice, as well as frequently acting upon her instincts regardless of the consequences, especially when it comes to match-making. Emma believes that she is able to match any two people whom she deems compatible. Even though Emma is self centered, she ironically refuses to tend to her own feelings. Speaking to her father Emma states, “I promise you to make none for myself, papa; but I must, indeed, for other people.

Emma Bovary allows herself to be destroyed by the people she encounters and her obsession with falling in love. Emma is not happy with herself and her relationship so she looks for other people to fill the void. Emma never really realizes that she is the root of all of the troubles in her life. If she were more in touch with reality, she would realize that she needs to work on herself before blaming her love interests for not being like the men that she has read about in the past. Emma has a very unrealistic perception of love. Emma is unable to fall in love with anyone because she will always be dissatisfied. She destroyed her own marriage before it even started because of her preconceived idea of love. Charles is absolutely in love with Emma and would do anything for her but she does not feel the same way about him due to her fairytale idea of love. It seems as if she is not capable of separating her real life romances from the romance novels that she read when during her time at the convent.