The reader's response to Emma is often a mixture of sympathy and impatience. Select two episodes and discuss them in regards to this statement. Continually throughout Emma the reader feels a mixture of sympathy and impatience for its main character Emma Woodhouse. The novel illustrates her vast change in maturity, which occurs in one year. Due to Emma's personality and disposition she will always get herself into difficult circumstances, but it is the way she reacts to the circumstances that broadens and matures her character. The first episode takes place when she is in the throws of naivety, and the other is when Emma has begun to mature and grow.
One of the classic episodes in Emma when the reader feels impatience
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She even dictates the answer, and here she is becoming too involved with Harriet's affairs. Even though Emma takes over the narration from
Jane Austen, the reader is able to see through Emma's faults and see that Robert Martin is a very amiable man who would make a very good husband for Harriet. Emma ends up writing Harriet's refusal and this sparks off further impatience because now Harriet, who is doting on
Emma's every word, is turning into a product of what Emma has told her rather than her true self.
Emma also refuses to heed Mr. Knightley's warnings when he states that, 'men of sense, whatever you may chuse to say, do not want silly wives,' obviously referring to Harriet. Emma is so wrapped up in her created fantasy world that she fails to recognise the fact that Mr.
Elton is unlikely to lower himself to be with Harriet. Emma thinks that she is right and her self-confidence and pride prevent her from listening to an objective source. Whenever Harriet seemed about to think or talk of Robert Martin, Emma made her think of Mr. Elton and so the infatuation grew. Without fully realising it, Emma may have destroyed the possible relationship between Harriet and Mr.
Marriage, a broad theme in this book, can be broken down throughout. Emma’s sister has gone off after getting married and left her alone. After her sister’s marriage, Emma proclaimed that she was not destined for love and made herself the town’s unofficial matchmaker. The entire novel is built around relationships and matchmaking, with Emma and Mr. Knightly, Harriet and Robert Martin/ Elton, and Jane Fairfax and Frank Churchill.
I asked Emma Nuzzi what she thought her biggest accomplishment was, she replied with “I would say becoming a very good tennis player.” Emma Nuzzi started playing tennis at age twelve, which she thinks was a late age. When Emma was in the seventh grade she told her gym teacher that she wanted to play tennis she then replied to Nuzzi with “Maybe.”, this did not encourage Emma at the time because her gym teacher was the varsity tennis coach. Emma did not let this get to her too much because she practiced and became the player that she is today.
Clueless is a 1995 film loosely based on the famous Jane Austen’s 1816 novel Emma. Set in Beverly Hills, Cher who is almost 16 is the most popular girl in school as well as rich and pretty. Her father is a lawyer and her mother died from a liposuction surgery when she was a baby. Cher plays matchmaker throughout the film and begins with two nerdy teachers. This starts by her just trying to boost her grades, but she then sees how much happiness she is bring people so she decides to adopt the new girl, Tai, and give her a makeover. She tries to get Tai and Elton who is the most popular guy in school together but that backfires when Elton tries to make moves with Cher.
Even though, Elizabeth is very smart she is too quick to let her opinions stop her from understanding the people around her. She also lets her emotions cloud her judgment, especially when her friend Charlotte Lucas decides to marry Mr. Collins. She states, “And to the pang of a friend disgracing herself and sunk in her esteem, was added the distressing conviction that it was impossible for that friend to be tolerably happy in the lot she had chosen”(87). About halfway through the book, Elizabeth realizes ‘“How despicably have I acted!” she cried. “I, who have prided myself on my discernment... Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance and driven reason away, where either were concerned. Till this moment, I never knew myself”’. She sees that her clouded judgment has misled her in seeing the true nature of Darcy and Wickham. Towards the end Elizabeth and Darcy are finally together and she reveals to him that she was being rude towards him at the beginning and he tells her that he was attracted to her because of her ‘liveliness ’, she tells him “You may as well call it impertinence at once. It was very little less”. In observing this evolution Austen shows us that we need to put our pride
“Emma could not resist. Ah! Ma’am but there may be a difficulty. Pardon me- but you will be limited as to number- only three at once”; Emma insults Miss Bates, who is a dear friend, in order to quench her desire for social credit. When Mr Martin’s proposal arrives for Harriet, Emma shakes her head with disdain. Emma has the highest social status, apart from Knightley, and uses this to diminish those of lower class. Chapone asks us to “Observe her manner to servants and inferiors” and whether she treats “them always with affability”, but we know, Emma does not. Emma thinks Mr Martin is a “very inferior creature” and when Harriet asks for advice Emma says “the letter had much better be all your own” but sneaks in “You need not to be prompted to write the appearance of sorrow for his disappointment”. Harriet refuses Martin, and Emma proclaims that Harriet, if she accepted, would have been “confined to the society of the illiterate and vulgar” and “could not have visited Mrs. Robert Martin” since she deems the lower class as unsophisticated primitives. Emma would have lost her latest amusement and her chance to prove her intelligence. Emma’s subtle manipulations illustrates the absence of inner morality, and is thus, an ill-qualified mentor.
Tai and Harriet are not allowed to see certain males in lower social status and should only find men that are suitable for them. In Emma, Harriet begins to fall in love with Mr. Martin a young farmer, however, Harriet allowed Emma to sway her not to entertain Mr. Martin any longer and she should only see Mr. Elton instead-- a man of acceptable social status. Emma wants to see Harriet to be permanently connected to higher status and can be said throughout Austen's narration:
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Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young woman whose self-delusion regarding her flaws is gradually erased through a series of comic and ironic events.
Through the writing, Austen makes each character unique and different. This technique is clearly shown in her novel, Pride and Prejudice. Therefore, Austen identifies the voices of characters, such as Elizabeth and Mr. Darcy, through the dialogue. Both characters use a complex structure in dialogue. For Mr. Darcy, this shows his intelligence and high class. Whereas for Elizabeth, this shows her insecurity within her social class. Elizabeth competes with Mr. Darcy by using the same structure to showcase her intelligence and wit. Elizabeth’s rejection of Mr. Darcy’s first proposal demonstrates this concept. She says, “From the very beginning, from the first moment I may almost say, of my acquaintance with you, your manners impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form that the groundwork of disapprobation, on which succeeding events have built so immovable a dislike” (Austen 131).
Goodheart compares seriousness to thoughts, and vanity to behavior. In the instance where Emma tries and fails to match Harriet with Mr. Elton, she is deeply touched by Harriet's forgiveness (seriousness), and yet has the delusional idea that she should match her with yet another person. Emma also has the inability to be melancholy. This is one of many sources that criticized and explained Emma’s personal flaws.
Emma, is the story of the education and growth process of Emma. Throughout majority of the novel, Emma involves herself in bad situations in which she misconstrues facts and blinds herself from the truth, at the expense of others. After Emma has discovered that she has been terribly wrong about Mr. Elton, and she was mistaken to encourage Harriet's affection of him, Emma says, "It was foolish, it was wrong to take so active a part in bringing two people together, it was adventuring too far, assuming too much, making light of what ought to be serious- a trick of what ought to be simple!." Emma
Though at first glance, Emma appears to be a generic romantic novel about virtue and ladyhood, Austen actually challenges what the meaning of “ladyhood” is to the reader. We view Emma’s follies, trials, and triumphs through the eyes of the omnipotent narrator who first describes Emma as a stereotypical, wealthy young lady who is “handsome, clever…with…a happy disposition” (1). Through the use of irony, Austen employs a series of situations in which Emma, a “lady” of high standing within her community, challenges conventional thinking of what it means to be a young woman in the early nineteenth century, particularly her ideas concerning marriage and
Jane Austen develops a strong illustration of how challenging emotional circumstances can initiate a change in character, using Elizabeth Bennet as an effective demonstration in Pride and Prejudice. Cases such as Mr. Darcy's proposal, Charlotte's marriage, and the discovery of Mr. Wickham's past are compelling support for Austen's idea that alterations to one's behaviour and actions can occur as a result of being placed in a strenuous emotional position. Each influences Elizabeth in a different way, some causing rapid change, while others cause a slower, more gradual one. Self-reflection and the reconsideration of a character's worldview allow Austen to highlight the importance of change in trying situations.
Austen reveals how self-transformation is necessary in maturing and establishing self-awareness. Emma Woodhouse possesses qualities that many would envy: beauty, intelligence, wealth, and youth. However, the positive aspects of Emma are equally contrasted by her personality. The novels begins with a description of the protagonist, "The real evils, indeed, of Emma 's situation were the power of having too much her own way, and a disposition to think a little too well of herself: these were the disadvantages which threatened alloy to her many enjoyments."
Emma Bovary allows herself to be destroyed by the people she encounters and her obsession with falling in love. Emma is not happy with herself and her relationship so she looks for other people to fill the void. Emma never really realizes that she is the root of all of the troubles in her life. If she were more in touch with reality, she would realize that she needs to work on herself before blaming her love interests for not being like the men that she has read about in the past. Emma has a very unrealistic perception of love. Emma is unable to fall in love with anyone because she will always be dissatisfied. She destroyed her own marriage before it even started because of her preconceived idea of love. Charles is absolutely in love with Emma and would do anything for her but she does not feel the same way about him due to her fairytale idea of love. It seems as if she is not capable of separating her real life romances from the romance novels that she read when during her time at the convent.