Emotion And Devotion : The Meaning Of Mary Medieval Religious Cultures Essay

The significance of religious leaders during this era is evident by the fact that the writer of this poem places the bishop at the beginning of the table. Due to the fact that the “medieval society was a religious society” and that these religious leaders held a special relationship with God, it is no surprise that these individuals held the second highest social class position in the medieval time period (Feudalism and the Three Orders (Overview) 2).

Additionally, Davis’s monograph explores detailed information regarding the shift of many people at the time from Catholicism to Protestantism, which is extremely important to the

Holly Brubach’s article, “Immaculate Perception,” is, in fact, an exploration of the Virgin Mary cult. Only, not a cult in the inflammatory sense of which people are accustomed. Rather, a cult in terms of an abstracted, deep-seated idolatry. Being the “cornerstone of ideal womanhood,” men and women of Catholic faith sanctify the Virgin Mary (Brubach, 130). However, doing so, does not come without consequence. Women of Catholic faith expected to meet the impossible standards of the Virgin Mary. How can anyone top giving birth to Jesus Christ? Nonetheless, women are expected to be the perfect wife and mother, along with submissive and asexual. Essentially, maintain “gender roles, behaviors, attitudes, and experiences [that] are defined as normal

In the early stages of Catherine's life the surfacing modern age was bringing with it social turmoil which spread throughout Europe (Giordani 3). During Catherine's lifetime, according to Mary Ann Sullivan in her essay “St. Catherine of Siena,” the center of Catholic rule

Elisabeth Lesuer was a very faithful, and intelligent woman in the late 19th century early 20th century. Being brought up in the upper-middle class, she was able to be educated privately in languages, arts, and literature. She has also studied much of the Catholic Faith. She meets the love of her life Felix Lesuer in 1886 while he was attending the University of Paris. The two married in 1889. While going to the university, Felix quits Catholicism, but the two had an agreement that Elisabeth can remain faithful, but Felix did not practice in the faith at all. Later in time, though, Felix started giving Elisabeth readings against Christianity weakening her participation in Christianity; One day this backfired on him when handing her Earnest Renan’s History of the Origins of Christianity, the first volume of which, The Life of Jesus, denies Christ’s Divinity. After reading this, Elisabeth does research on this matter, and experiences deep adult conversion, and returns passionately practicing the Faith,which she saw as the truth. Begins writing her spiritual journal in 1899 called Journal et pensées de chaque jour. The journal just showed how committed she was to that faith, even though her social society was against it, and how she would get by being faithful, without making Felix mad, and anyone else against the Faith she knew in her life. Elisabeth’s journal explained why she was so faithful, and how she would study, and pray the Faith in ways that didn’t upset those

Towards the end of the Middle Ages and into the duration of the Renaissance, the Medieval Church’s social and political power dwindled. Centuries prior the Catholic Church gained a surplus of control, largely due to the stability it maintained during the chaotic breakdown of the Western Roman Empire . Yet toward the end of the Middle Ages the Church set in motion factors that would ultimately lead to its downfall as the definitive figure of authority. However, despite political and social controversy surrounding the church, the institutions it established cleared a path for a new way of thinking, shaping society in an enduring way.

Holy Feast and Holy Fast emerged as a pivotal work during the mid-1980s in response to a prevalent trend among scholars which placed apostolic poverty and chastity at the very core of the Western European vita religiosa at the expense of attention toward the forms of austerity, some of which were more common to women. Bynum builds up her narrative by exploring how, although the renunciation of money and sex had a shared significance to both genders, the chief metaphor governing the spiritual life of women specifically concerned food. Bynum weaves her monograph together through a careful analysis of both food symbolism and food-related religious practices as described in the works of female mystics themselves and in the hagiographical

Christ Blessing, Surrounded by a Donor Family (1573-1582) offers valuable insight into a changing European landscape during the sixteenth century. The Protestant Reformation, which reached its climax during this era, rejected many aspects of Catholicism. Among other things, Protestants believed that each individual should read the Bible and develop a meaningful connection to G-d rather than limiting the Bible to the clergy’s interpretation.1 This Protestant belief and other tenets of the Reformers are evident in the Reformation’s art. Christ Blessing, Surrounded by a Donor Family demonstrates the manner in which the cultural shift from Catholicism to Protestantism in Northern Europe during the Reformation was reflected in that era’s art.

Mary composed the details of twenty separate removes (migration between places) that she spent among the Indian’s during her captivity. It is not until the Twentieth Remove that Mary reveals her final opinion of her captures and her faith. Previously,

As indicated by the sarcastic title of her book “Those Terrible Middle Ages!” French historian Régine Pernoud addresses this commonly held misconception. She argues this time in history spanning approximately a thousand years as well as the image of the Church, have been irresponsibly represented. Her examination of this time period reveals that it is not the Church, but modernism that generates a return to the classical ideology of antiquity. These ancient pagan beliefs of the distant past are not as distant as we may think. They have resurfaced and are present in our own age.

Throughout history, people have used paintings and art as a tool to express their religious beliefs and values. Illustrations depicting the Virgin Mary and child, often referred to as Madonna and Child, are one of the most recurring images in Christian and European Art through the ages. Though these paintings and sculptures may have similarities in their iconography and style each work of art varies based on the different artists’ and time periods. Two paintings that portray these features currently reside in the Museum of Fine Arts Houston. The first, Virgin and Child by Rogier van der Wyden, was originally painted after 1454. In the painting, the Virgin Mary is holding Christ against her shoulder as he twists around to face toward the viewers. The second painting is Virgin and Child with a Donor, painted by Antoniazzo Romano and originally painted c. 1480. In this painting, Virgin Mary is supporting Christ who seems to be standing and includes a figure of a man with his hands crossed in prayer. While both paintings depict the mother and child, there are both similarities and differences in style and portrayal. In this paper, I will thoroughly examine these traits, as well as address the similarities and differences associated with the two paintings. This analysis will be done by using information gained from reading Gardner’s Art Through the Ages, in class lectures from ARTH 1381 Art and Society Renaissance to Modern and ARTH 1300 Ways of Seeing Art, and close visual

Henry VIII was the King that would change England’s religious system and make it his legacy. The religious system would carry on after his reign and become the predominant religion of England. The question is: How did events connected to key historical figures during Henry VIII’s reign cause for a permanent shift in the religious system of England? This question will be answered by analyzing events related to key historical figures during Henry VIII’s reign. These events will not be a biographical representation of any one historical figure, but relayed in connection to the topic of this paper in order to provide an answer for the essay question. This method is being utilized because it provides an analytical perspective, while also providing a personal appeal by tying the facts in with historical figures. History is not just facts, it is a story, and like any good story it should pull a reader in and make them interested. The historical figures utilized will be Katherine of Aragon, Anne Boleyn, Thomas Wolsey, Thomas Cromwell, and Thomas Cranmer due to their direct correlation to the change in the religious system of England. The sources utilized were chosen and implemented in relation to how they encompassed concepts related to historical

“She was a king’s daughter, she was a king’s sister, she was a king’s wife, she was a queen, and by the same title a king also” # Mary Tudor was an influential women of her time period. Many in modern society know her for her particularly bad reputation as Bloody Mary, however they do not realize the contributions she made, or her influence on history . The story behind Mary’s reputation gives insight as to her true accomplishments as England’s first queen.

“Women as Vessel” quote was used in the Bible to describe the role of early women in the Christian era. That period tells that tells women that God set them under the power of men for their security because they are weaker than the men. In any case, a more careful examination of this statement will uncover that it is not alluding to more fragile edge or constitution of the woman, yet to more uncertain status in the Christian era. It is in this way alluding to a common shortcoming wherein the woman is minimized and not given the chances to completely express her blessings and capacities.

Religion in the Middle Ages takes on a character all of its own as it is lived out differently in the lives of medieval men and women spanning from ordinary laity to vehement devotees. Though it is difficult to identify what the average faith consists of in the Middle Ages, the life told of a radical devotee in The Book of Margery Kempe provides insight to the highly intense version of medieval paths of approaching Christ. Another medieval religious text, The Cloud of Unknowing, provides a record of approaching the same Christ. I will explore the consistencies and inconsistencies of both ways to approach Christ and religious fulfillment during the Middle Ages combined with the motivations to do so on the basis of both texts.