Emotion In Kate Chopin's The Story Of An Hour

Mallard’s heart trouble, after she goes to her room, “we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself’.”(Hicks) With the news of her husband’s death Mrs. Mallard has now been reborn. She is now free, free from the shadow of her husband. Although the author gave little details about the marriage between Mr. and Mrs. Mallard, the story suggests it had not been unhappy but Mrs. Mallard had felt repressed. “She knew she would cry when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead.”(Chopin) She knew her husband loved her and she said she loved him sometimes. However, after his death, “there would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers..."(Chopin) Mrs. Mallard felt it was a crime to impose one person's will on another person. The thoughts of her freedom brought out a joy from within her. This she describes as a "monstrous joy" because it comes from her husband's death but allows her complete happiness to be free. As Berkove says,” The monstrous surge of joy she experiences is both the cause and first sign of a fatal overload to her feeble heart. Physically, her heart is weak, and emotionally, it had no room for anyone else.

Irony is a useful device for giving stories many unexpected twists and turns. In Kate Chopin's "The Story of an Hour," irony is used as an effective literary device. Situational irony is used to show the reader that what is expected to happen sometimes doesn't. Dramatic irony is used to clue the reader in on something that is happening that the characters in the story do not know about. Irony is used throughout Chopin's "The Story of an Hour" through the use of situational irony and the use of dramatic irony.

The reader might question as to why Mrs. Mallard’s feelings towards her husband’s death change so quickly. Was she previously unaware of the “subtle and elusive” (227) thoughts that made her believe that this death might be a blessing in disguise? Mrs. Mallard, before her husband’s death, had a romanticized view of her marriage. While she believed she loved Brently and was happy, after his death she became aware of the freedom she would now experience without a controlling husband. The “powerful will bending hers in that blind persistence” (228) would no longer be present. Mrs. Mallard was aware of her yearnings of independence and joy, but would never voice them while locked into her marriage with Brantley. While at first, it may seem as Mrs. Mallard was unaware of these feelings, the death of her husband was just the catalyst that allowed her deepest feelings to be revealed and her dreams of independence to finally

Mallard’s sad reaction, after she ponders on her initial emotions by herself, she learns that the relationship with her husband becomes irrelevant to the wonderful feelings of individual freedom. Initially, Mrs. Mallard grieves upon hearing her husband’s death. As the story progresses, Mrs. Mallard begins to develop her true emotions towards the death of her husband after reflecting in her room alone. Finally, Mrs. Mallard’s initial feelings of sadness are overpowered by her discovery of the feelings of freedom. In conclusion, although individuals may react dramatically when facing a sad situation, their emotions may change as a result of the discovery of a previously unknown feeling of

Mallard being a bad husband, the author makes no implications to such a thing. In fact, we are told that he “had never looked save with love upon her,” (CITE) which would imply she had no real ill feelings toward Mr. Mallard. That is, she had no real grounds for her negativity towards him. She even tried to appeal to her own emotions by pointing this reasoning out to herself, but in the end, she put up a poor defense of how she deserved to feel elated over her husband’s death. “What could love, the unsolved mystery, count for in the face of this possession of self-assertion…” (CITE) Mrs. Mallard allowed her selfish emotions to take over, “her fancy was running riot along those days ahead of her.” (CITE) This possibly even ruined a good thing between her and her husband. Then again, the love in the relationship seemed very one sided as Mrs. Mallard admitted that her love for her husband was not complete. The way she tosses aside a relationship like she did makes it challenging for one to sympathize with Mrs. Mallard's character.

Richard was too late. “…She had died of heart disease- of joy that kills.” (Chopin, 58) In the short story “The Story of an Hour”, Kate Chopin tells a story of women confined in a repressive marriage and uses a literary element called foreshadowing to add suspense or tension in the story and hints about things that will occur later in the story. Literary devices include imagery, foreshadowing, plot, setting, and point of view. The combination of these literary devices allows authors to effectively convey what message will be in the story. The literary device called Foreshadowing plays a significant role in the short story as well as other literary devices such as imagery and symbolism which combine and create a unique way of how the story unfolds.

The story continues to reveal a conflict Mrs. Mallard may have had in the relationship with her husband. Though she speaks about him lovingly and knows that he loved her, there is something deeper that is brought to the surface in

Upon hearing the news, Mrs. Mallard is overwhelmed with grief, which swiftly turned into hope. Mrs. Mallard’s reaction upon receiving the news of her husband 's death is considered to be unusually by society’s standards. In the beginning of the story it is revealed that Mrs, Mallard suffers heart problems; however, when it is revealed that her husband is dead her heart is relieved. She was thrilled that she was able to be her own person again. It was revealed through her reflection on her marriage that she “had loved him - sometimes” (16). Mrs. Mallard overcame is quick to overcome her grief after the realization that she has been set free of her horrible marriage. As a married woman, Mrs. Mallard is miserable, but as a widow she feels a sense of relief that she is free of her marital vows. At the end of the story Mrs. Mallard dies of a failing heart which it ironic because typically a woman would be filled with joy to find out

In the psychological lens, the brain is separated into three different parts. The three parts are the superego, the ego, and the id. The superego is the way society expects you to react to different problems and situations. The ego is the conscious decisions that you make. The id is your unconscious desires.

Mrs. Mallard never explains in details on why she feels as though she is trapped in her marriage. After she finds out about her husband’s death she is heartbroken realizing she would never see him again in this life. Though she had loved him, she felt as though he oppressed her either by meaning to or not out of care for

Mallard was feeling she was now a stronger person or character. She was aware that when the time of seeing her motionless husband's body she would cry once again but that wasn’t going to stop her from feeling alive once more. Mrs. Mallard was thinking of the future that was coming for her, after her husband's burial, after he’s officially gone. She was looking at the years that would come and would belong to her and only her with no one to tell her what to do. Chopin tells us that Mrs. Mallard in her thoughts was thinking that “There would be no one to live for during those coming years; she would live for herself.” She has finally realized the social restrictions that she was unaware were placed on her but now she looks at life in a new way, she was no longer a “prisoner” of her husband. Having to undergo these restrictions we can see how Mrs. Mallard was able to become a stronger character as the story advances.

Mrs. Mallard is described as weak and “Afflicted with a heart trouble.” The statement: “…great care was taken to break to her as gently as possible the news of her husband’s death,” show how the narrator has a tone of tenderness, talking about Mrs. Mallard as if she were a fragile child, even later saying, “[she shook], as a child who had cried itself to sleep continues to sob in its dreams.” Throughout this whole scene, the language is riddled with foreboding adjectives and phrases, perhaps foreshadowing her later demise. When she learns of her husband’s death, she weeps “with sudden, wild abandonment,” only going to her room when “the storm of grief had passed.” Then once in her room she sat in an armchair “pressed down by physical exhaustion that haunted her body and seemed to reach into her soul.” This statement gives the physical exhaustion the same qualities one would normally give to a ghost, furthering the foreboding nature of the piece.

Mrs. Mallard is not a emotionally disturbed women, she did in fact mourn her husband's death, in The Story of an Hour (paragraph 2), "She wept at once, with sudden, wild abandonment." She obviously did not feel happy and overwhelmed with a "monstrous joy" because her husband died . When Mrs. Mallard finished mourning the death of her husband she starts to feel a break through

While Mrs. Mallard remembers Mr. Mallard as a kind and tender man who loved her, she also viewed him as the oppression that marriage put upon women and men. While Mr. Mallard was kind and loving to his wife, he was also controlling and overbearing. Josephine, Mrs. Mallard’s sister and Richards, Mr. Mallard’s friend is there to break the news of Mr. Mallard’s death. Richards has learned of Mr. Mallard’s death at the newspaper office, not wanting to believe the information that was received, Richards waited for the new to be delivered for a second time before enlisting the help of Josephine. They are both there to support Mrs. Mallard and their support shows that they care for Mr. and Mrs. Mallard.

(654) It is quite apparent that Mrs. Mallard was struggling to fight back certain feelings about her husband?s supposed death. Although she is at first sad, she slowly begins to realize that the death of her husband can mean a number of great things for her. As the story progresses Mrs. Mallard eventually solves her internal conflict by accepting her husband?s death as a gift.