Emotional Pathos In The Film, Strength, By Inanna Sarkis

Gates highlights that For colored girls is a film that makes a strong message of empowerment to the humanity of women. No matter how bad things could get in life and no matter how many times you’ve been brought down, always know you are strong enough to get back up and not let darkness conquer your life. This essay will explore how a person can overcome any kind of tragedy, hardship or struggle whether or not they are affected emotionally,

The women in the movie are kidnapped drugged and rapped or trafficked and sold as sex slave or prostitute. This portrays women as weak and as victims however in this context of sex trafficking it’s not to far from the truth. Women and children do face a much higher likelihood of being kidnaped unfortunately. The representation Could be seen as demeaning but the daughter who gets kidnaped saves herself

Thirdly, the quarterly essay opened audience to verified truth. By applying evidences from around the world, from different situations, Goldsworthy made audience relies what women across the world have been going through along with their suffering. Goldsworthy likewise included conditions from careers that audiences don’t even focus on. For instance, Goldsworthy used many situation, but she revealed a female actress’s perspective for shooting a popular pornography. “88.2 percent contained physical aggression, principally spanking, gagging, and slapping, while 48.7 per cent of scenes contained verbal aggression, primarily name-calling. Perpetrators of aggression were usually male, whereas targets of aggression were overwhelmingly female…” (Goldsworthy, (2013))(4). The sentences

The film utilises emotional appeals, or pathos, to convince its audience more so than probably any other technique. Perhaps the

Nonetheless, the disclosure that surrounds the rape of the woman does not break away from the customary views on violence especially towards women. In the entire movie, women are depicted and viewed as extremely traditional and passive. They are supposed to follow whatever is required from them. Gender through the movie exists in the similar way through which race exists. The society in the movie is largely patriarchy, and gender is unconsciously used for the purpose of justifying oppression and patriarchal

The most obvious rhetorical device present in the video is pathos. Pathos is an appeal to the sadness or emotions of the audience. The video maintains a somber or morbid tone from start to finish. That along with being filmed in black and white pressures the audience into feeling depressed. Watching the gang destroy the main character’s house really makes the audience fell very sympathetic.

Women often appear with glamorous image on advertisements, movies. However, there are also a lot of pictures to make women soured and routine such as women in the party, velvet erotic games, etc. By taking advantage of beautiful pictures, sexy women in the media seems to make the value of women become simply. People have acknowledging that women typically only have to dep, sexy, attractive, and space for recreation. Indeed, they hardly enhance the value of women. I am really shocked to find that most of social media is making people less interested in the intelligence, curved bar, and a lot of good things that women had not simply outward beauty. The media just give people that the public wants to. The film really makes the viewer think about the true value of women in the media and society. In addition, the film effectively appeals to the audience’s emotions and empathy. Throughout the film, the writer mentions her unborn daughter and her fear of whether her daughter “could grow up to be emotionally healthy and fulfilled given our moder culture.” She mentions that becoming pregnant and discovering her child was a girl is the reason she started looking to make a change in the way society and media sees women. This is an appeal to anyone who has a daughter or wants to have a daughter. They hope that people will want to make changes, just like the narrator did, for the future of the

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenage girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug when he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White). As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected they can become from their children in a social media world.

The power and prestige of this film comes not from its controversial and serious subject matter, but from the unbiased way in which the story is

The emotional reaction that the filmmakers intended for anyone who watch this film is that no matter what skin, hair and eye color is no one deserves to be labeled. No race should be discriminated and criticize. We should all get along and just be proud of where our roots come from. This film also intended for everyone who watch this film, is that there should not have to be obstacles to be proud of your own race.

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenaged girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug while he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White) As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for the today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected parents become from their children in a social media world.

Another important aspect to a team is the known responsibility and commitment to each other. For example, when a team member gets hurt or can not go on with the task, it is another member’s responsibility to care for that person, even if it is at a disadvantage to themselves. This type of responsibility to one another is displayed in Powaqqatsi during the opening scene. The first part of the film shows hundreds of men and women covered in mud carrying bags of dirt up a steep mountain where they are paid by the bag. At one instance, a man gets hit by a rock and can no longer proceed up the mountain. A few men abandon their bags to help the hurt man and carry him up for care. They lost money they could have otherwise earned but instead took responsibility

Although this film is disadvantaging to many people, it is also very beneficial. I think people that come from the lower class or an abusive household can really benefit from this film. The main point of this film is to show people that you can achieve anything you want to do no matter what background you come from, and although it might be hard because of economical/ personal issues you are not less of a person than anyone and you can still be successful. I love the idea of success because it doesn’t really have a set definition. You don’t necessarily need money to be/feel successful. You can work at Subway and still be successful while a twelve time Oscar winning actor can be successful. You sort of carve out your own success and make your own definition for it. This movie will also teach people that they are not on their own. Although you might think nobody is there for you, when you enter a room you don’t know what everyone is thinking or how everyone feels; you might now even know everyone. It is kind of like when you’re putting together a puzzle, you put certain pieces together and you get closer to finishing and you just need to keep trying to solve the puzzle because if you give up you just wasted your money on a puzzle

Although a light read, her experience is heart-breaking as she is abused at home, institutionalized, and instead of being treated for her depression, doctor’s attempt to “feminize” her with eye shadow and lipstick. She is the type of advocate that makes noise in a silence because she tells a tale that would otherwise be unknown.

This movie is amazing and inspirational to other young black women, it shows that you many struggle but if you keep going your dreams and hard work will be recognize. This film touch on the gender norms and racial norms, which has strong connection to the four reading I choice to critical review this blog. This movie has strong connection to the Gaga Feminism theory, the concept is “a set of wholesale changes that may be most obvious in the realm of gender norms but that also stretch too many other realms of everyday experience and that call for improvisational feminism that keeps pace with the winds of political change.” Hidden-figures proved that Black women can do whatever they want if they put their mind to it. This is breaking down what society has deem as the normal way of doing this.