Emotions In The Blood Of Olympus

Every character in a story is motivated by a feeling or action. In Homer’s Iliad, the themes of aidos (shame) and kleos (honor) are used to propel the story forward and to keep the reader’s attention. The actions of the characters are heavily influenced by shame and honor. Homer does a stupendous job of portraying the feelings of shame and honor to develop specific characters in the story.

The Hero’s Journey, as defined by Joseph Campbell, is a set of stages a protagonist must undergo to reinter into his known and normal world after facing many challenges. One specific challenge the hero must face is described as the Supreme Ordeal, which is the moment the greatest fear is confronted. In The Odyssey, Odysseus must kill the suitors who took over his household to reach the next stage of his journey. As Odysseus slaughters the suitors in the hall of his home in Book 22, not only does he enter the Supreme Ordeal stage of the Hero’s Journey to face his greatest fear, but also is one phase closer to reintegrating with society.

Throughout the play we find that Oedipus, the protagonist of this Greek tragedy, is tested by life in a number of ways. To those in Athens who watched the performance of Oedipus the King, Oedipus appeared to be the embodiment of a perfect Athenian. He is self-confident, intelligent, and strong-willed. Ironically, these are the very traits which bring about his tragic discovery. He is portrayed as a character of

People experience different emotions that can drastically change within seconds and, cannot remain controlled. During the course of “The Most Dangerous Game”, “Scarlet Ibis” and “The Use of Force”, the author demonstrates how a person can change from calm and collected to an assailant. Sickness comes in many forms, both physical and mental. Together both can affect emotions, actions which those two then lead into flaws and faults being revealed. All humans have flaws and the authors are attempting to aid the reader in understanding flaws and that can be embraced or overpower a person. The narrators and characters of these stories have many flaws these faults which are both extremely subtle and obvious.

Everyone is going to die. This is no secret to the audience of the Greek play Agamemnon. Rather than surprising us with the murders that befall at the hands of vengeance, the Greek playwright uses this common story to display the underlying theme that one must first suffer before they can reach the truth. To understand the significance behind the story of Agamemnon, one must understand the passions and how they relate to the human person, Zeus’s law of suffering into truth, and Aeschylus’s motives for writing Agamemnon and how he reflects Catholic teaching.

In "The Odyssey" by homer and "An Ancient Gesture" by Edna St.Vincent Millay,the dipiction of grief is developed as a universal theme ,according to both of these texts,the characters experience feeling grief. They both use the same theme which is grief. Grief,survival,and hope are all themes the characters in both texts experience. In the odyssey,book eight,the character Odysseus is sad and determined to get home to his wife and Athena is also determined to help out.(from my notes)."Athena tells the princess in her dream to wash the clothes".

Lust is defined as an intense longing or a sexual desire. It is a common theme in literature; particularly in classic Greek literature. The reason it is so prevalent in literature is that is prevalent in our daily lives. Everyone lusts after something or someone. It is an interesting topic to examine closely, and classic literature is an excellent medium for such an investigation. Two works I have studied, in which lust is a theme, are an epic, Homer's The Odyssey, and a play, Aristophanes’ Lysistrata. In both The Odyssey and Lysistrata, lust is a theme that plays a major role in the course of the story, making the stories similar, but very different.

In any great work of literature, each action and thought should contribute to the underlying meaning of the entire work. No action should exist for its own sake; it must instead advance the plot and reinforce the symbolism of both the characters’ actions as well as the truth of what the composer or author is trying to convey. This is especially true of acts of violence; great literature must carefully articulate the violence into a logical meaning. Most importantly, violence and acts of extreme passion work best when communicating a character’s inner-struggles as they relate to the motive and effect of each scene and action.

On the contrary, the Heissan returned a malevolent spirit while Jason never really died in the beginning. While the Heissan has one personality, not the same can be said about Jason: " Jason developed a second personality. While Jason was a scared, lonely little boy, this other self, which I will call The Mask for simplicity’s sake, was a more assertive, aggressive individual, fearless in the face of any hardship or opponent. When Jason put The Mask on, he wasn’t a little boy any more. He was someone strong, someone powerful, not only capable of surviving, but thriving in the wilderness surrounding Camp Crystal Lake." (Bloodsprayer – psychology behind Jason) When he goes into his innocent personality, Jason becomes a lot more clumsy and not as well formed as his other half. In conclusion, the Headless Horseman can be compared to many movie and book villains, mostly the killers of the pop

“Oh my children, the new blood of ancient Thebes, why are you here?” said Oedipus when addressing his people during his first appearance (1-2). Flamboyant, yes, well in Oedipus the King, the main character Oedipus is a boastful and pompous character faced with troublesome pasts and future predicaments. In actuality, he is king of Thebes and the rightful ruler, but when a plague strikes he is quickly led into a misfortune of events that ultimately leads him to dig his eyes out in attempt to relieve him from the truth he discovers. It then becomes a revelation to distinguish the characteristic fault which leads Oedipus through such tragedy. Only to become apparent, Oedipus’s excessive pride is the main culprit behind his tragic ending. In

For centuries in literature, philosophers studied the idea of virtue to demonstrate the uphold of moral excellence and righteousness within characters. Eventually becoming a staple in Western literature, virtue can be described as the balance and imbalance of qualities specified by the philosopher Plato. He thought much of virtue, and eventually defined it according to the four criteria: courage, prudence, temperance, and justice. Plato portrayed courage as the showing of bravery in the midst of danger, prudence is one’s ability to show good judgment and to put other’s needs before their own; temperance is a person’s knowledge of when to show restraint and justice is when one gives to others what is owed to them. These characteristics not

Jason’s innate desire for self-fulfillment included leaving his wife and children to marry the princess so he could be ranked higher. After the father realized his doings and how it affected his life from there on out he tried to fix it. Time was no longer on his side medea already plotted the revenge plan. Depression and madness struck jason.

His peripeteia occurs when Medea curses the royal family of Corinth in a rage of passion, reversing his upward rise to power. To further Jason’s suffering, Medea poisons Glauce and Creon and kills Jason’s children. This incident leaves Jason with nothing: he has no power, no bloodline, and the citizens of Corinth, his would-be subjects, sympathize with Medea and hate Jason. Jason loses all traces to any sort of home or family, he suffers because there is no “greater grief than the loss of one’s native land.” Medea leaves Jason with a final blow to his happiness – the knowledge of his own death. “For thee, behold, death draweth on, / Evil and lonely, like thine heart:, the hands / Of thine old Argo, rotting where she stands, / Shall smite thine head in twain.” (77 – 78) With this revelation, Jason is left with nothing but hopelessness and misery.

Oedipus' pride is an essential characteristic throughout the play. Even before Oedipus came into power as the King of Thebes he allowed his arrogance to control his judgment and reign over his actions. Oblivious to his knowledge, Oedipus fulfills Apollo's oracle when he

In reading texts that describe the mythical story of the Trojan War, it would be difficult to ignore the tragedy that the story emanates in its character’s actions and their consequences. Homer’s Iliad explores the tragedy of Achilles, whose preoccupation with glory has its tragic consequences of death and grief. It also shows the War’s resounding effect on those outside of the battlefield and the families of the warriors, as does Euripides’ Women of Troy, reflecting on family as the unforeseen victims of war. Furthermore, the play Rhesus is shown to give a more elaborated perspective of tragedy for individual characters. An examination of the Trojan War from the Trojan and Roman perspective further reveals tragedy on both sides. The gods’