Empathy In The Things They Carried By Tim O Brien

One character is obviously the comic relief, another the beloved hero. The rest, valiant men fighting for their country, their lives, their freedom. The scene ends and the curtain rises, all of the pseudo soldiers take a bow and go home to their normal lives, far from the hands of death that grasp at the men forgotten in Vietnam, the real soldiers. They, who saw the hardships of war as more than just a script, beyond the glamorized versions that are seen by the American eyes. They saw the death and the tragedy, slowly becoming worn down into less of a human and more of a desensitized killing machine because that 's what war does. It permanently scars the soldiers, tearing away the feeling of loss and inappropriately replacing it with comedy, showing that war is destructive, stealing away an ounce of humanity with each bullet. As seen in The Things They Carried, written by Tim O 'Brien, the Vietnam War destroyed the minds of soldiers, causing them to lose their human emotions in an unglamorous setting, devaluing death as they lose their ability to appropriately handle situations.

To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who

Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing

Tim O’Brien’s book “The Things They Carried” epitomizes the degradation of morals that war produces. This interpretation is personified in the characters who gradually blur the line dividing right and wrong as the motives for war itself become unclear. The morality of soldiers and the purpose of war are tied also to the truth the soldiers must tell themselves in order to participate in the gruesome and random killing which is falsely justified by the U.S government. The lack of purpose in the Vietnam War permanently altered the soldier’s perspective of how to react to situations and in most cases they turned to violence to express their frustration.

In Tim O’Brien’s “The Things They Carried”, O’Brien created several allusions that each character endured during the Vietnam War. Throughout the story were vast representations of the things soldiers carried both mentally and physically. The things they carried symbolized their individual roles internally and externally. In addition to symbolism, imagination was a focal theme that stood out amongst the characters. This particular theme played a role as the silent killer amongst Lt. Cross and the platoon both individually and collectively as a group. The theme of imagination created an in depth look of how the war was perceived through each character which helped emphasize their thoughts from an emotional stand point of being young men out at war.

Through The Things They Carried, Tim O’Brien moves beyond the horror of fighting in the Vietnam War to examine with sensitivity and insight the nature of courage and fear. Included, is a collection of interrelated stories. A few of the stories are brutal, while others are flawed, blurring the distinction between fact and fiction. All the stories, however, deal with one platoon. Some are about the wartime experiences of soldiers, and others are about a 43-year-old writer reminiscing about his platoon’s experiences. In the beginning chapter, O’Brien rambles about the items the soldiers carry into battle, ranging from can openers, pocketknives, and mosquito repellent o

At the same time, O’Brien struggles with destructiveness of the conflicting images of violence and peace in death through the juxtaposition of the imagery of the dead man. While “his one eye was shut, the other eye was a star-shaped hole.” The dead man has one shut eye that resembles a peaceful sleep, while the other side is obliterated by the grenade into a star-shaped hole. The image of the star-shaped hole in the dead soldier’s eye represents the hopes that he once had when he was alive: “He hoped the Americans would go away. Soon, he hoped. He kept hoping and hoping, always” (119). Furthermore, “his right cheek was smooth and hairless,” an image of untouched innocence that contrasts with his left cheek, which was “peeled back in three ragged strips,” destroyed by the violence O’Brien inflicts upon it. The juxtaposition of the butterfly that settles on his chin and the fatal wound on his neck, “open to the spinal cord…blood…thick and shiny” illustrate the complexity and ambiguity of the unnaturalness of war, depicted by the image of the dead man’s wrung neck, contrasted with the ironic peace and naturalism of death in the image of the fragile butterfly. These select images are also those that O’Brien chooses to fixate upon and develop throughout the chapter as he struggles to comprehend the moral implications of his actions. The innocence of the “slim, dead, almost dainty young man” is further reinforced when O’Brien describes his wrists as “wrists of a

In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to

In the novel The Things They Carried by Tim O'Brien the author tells about his experiences in the Vietnam war by telling various war stories. The quote, "It has been said of war that it is a world where the past has a strong grip on the present, where machines seemed sometimes to have more will power than me, where nice boys (girls) were attracted to them, where bodies ruptured and burned and stand, where the evil thing trying to kill you could look disconnecting human and where except in your imagination it was impossible to be heroic." relates to each of his stories.

Vietnam made a big portion of history also through its use of slang and war specified language.  This language came about through many means including its adaption to the Vietnamese language, coded words, phrases, profanity and initials that represent war objects, and other means, and to represent or even hide their emotional stand points.  On page 19, O'Brien describes the young soldiers as actors.  They were afraid of dying but they were even more afraid to show it.  On page 12, Lieutenant describes his feelings for Martha as dense, crushing love.  He then explains how he wants to sleep inside her lungs, breathe her blood, amd be smothered.  This sounds like extremely harsh description for love.  However, the soldier's environment became the most they could relate to.  For example, to describe the death of a soldier, they'd used phrases such as "Boom. Down. Like Cement," or "flat fuck fell."  O'Brien explains how the soldiers would make conscious efforts to joke about things and make comical references to have themselves laugh.  Page 19 describes that they used a hard vocabulary to contain the terrible softness.  At the end of page 18 and beginning of page 19, we find that the men would now and then panic and have the desire to cry out for the misery to stop.  They'd make unguaranteed promises to God and their parents in hope that that would be their source of survival.  On page 11 O'Brien tells that the Imagination was a

(Beah 23) He describes how intimidating and alarming each bullet was and how horrific each shot exploded throughout his being. But not only did Beah experience war as a child, he also lost his childhood and innocence. “My squad was my family, my gun was my provider and protector and my rule was to kill or be killed… I felt no pity for anyone. My childhood had gone by without my knowing, and it seemed as if my heart had frozen.”

In the event of American soldiers deployed to Vietnam, soldiers had to face hardship to fight for their country. Critics have different opinions about O’Brien’s “The Things They Carried” story about soldier’s dedication to serve the military and items by variation symbolizes the strength and emotions to the characters. Steven Kaplan analyzes and retold a little bit of the story while Alex Vernon described in spiritual way of the soldiers fighting on the battlefield. Kaplan best explains the story of “Things They Carried” to soldiers’ symbol based on physical and emotional toughness.

Time has passed since the battle, but the soldier is unable to get the image of his dying comrade out of his head, and worst of all, he knows there is nothing he can do to help the dying soldier. An experienced soldier like the speaker was naïve until he witnessed the horrific death of his comrade, and only then did he acknowledge the physical and mental agony war creates. The speaker questions how people can continue to call for war and urge young men to fight for personal glory and national honor. He realizes that they are innocent–they have not experienced the emotional trauma that he is going through now. This soldier was naïve as he took on the challenge of war, and like many other soldiers, it took a scarring experience and the inevitable death of a fellow soldier for the speaker to be stripped from his innocence, as he realizes that he cannot save the life of this man. He is no hero–no man fighting in war and killing other human beings is a hero. The speaker cannot control death or save lives, and this fact of war will continue to haunt his no longer innocent self.

Thus, it was unusual to see him sitting with his head bowed at his friend Kawa’s small wooden table, scratching lines into the surface, trying to think of something to say that wouldn’t hurt his beautiful brown friend who had given him the last ice-cream in their near-empty freezer. Jack had brought around his new backpack, still smelling of fresh plastic, to Kawa’s house, filled with toys, with the intention to spend all afternoon laughing and making the little soldiers wrestle. But the afternoon had instantly become undone, like a tight knot unravelling, into an afternoon not of laughter,

The pouring rain was falling hard and fast like a speeding steam train, accompanied by a thick mix of fog and smoke that blocked the sun more than 200 feet away. The path we were traveling on was blocked by fresh and rotting bodies, enormous puddles from the days of rain, hiding the massive amounts of shrapnel whizzing through the thick fog, smoke and the mud too. I turned and looked at how my fellow soldiers were holding up. On my left was Arthur, the youngest solider in our squad. He looked like he was on the verge of a mental breakdown, one most common after everything he’s been through, he was so terrified you could see the tears rolling down his mud covered face.