Wuthering Heights: An Ever Lasting Love Emily Bronte takes romance to a darker side in her gothic novel Wuthering Heights. She develops a relationship between the characters and the setting which further reveal her central themes and conveys her idea. Bronte’s work of art makes an attempt to argue that social class has the power to be a deciding factor in who one chooses to love. This is seen and conveyed through her characterization, the setting, and revealed through central themes. In Wuthering Heights complex characters are created to further emphasize how fatal attraction can lead to major conflicts. Bronte’s gothic spin begins with Heathcliff’s character who arrives to Wuthering Heights when Mr. Earnshaw returns from Liverpool. …show more content…
It is instantly recognized what the difference between the two settings is. Wuthering Heights is viewed in a darker light whereas Thrushcross Grange is bright and more inviting. After the incident Catherine is then ordered to stay at the Grange with the Linton’s for a couple weeks. During this time, she transforms from “a wild savage girl” (Baba) into a lady. Heathcliff recalls Catherine’s superb treatment at the Lintons, “Afterwards, they dried and combed her beautiful hair, and gave her a pair of enormous slippers, and wheeled her to the fire; as merry as she could be” (Bronte) Catherine’s treatment contrasts the way Mr. Lockwood was greeted at Wuthering Heights. It is evident that the two manors are as different as the people in them. A transformation is made in Catherine’s appearance and character when she marries Edgar and moves over to Grange where she experiences life being spoiled and pampered as she pleases. When she is welcomed back to the Heights Heathcliff greets her and in return is insulted when she laughs to find him “dirty” (55) Evidently, this supports that her transformation is not only physical but also spiritual for her comparison between them two. Also adding to the fact that the two manors are better understood as two different worlds. Even though Catherine grew up in Heathcliff’s world, her move has caused her to change making their love impossible to pursue. Since then, she comes to spend more time with Edgar while cutting time to be with Heathcliff. She explains to Nelly her reasons for taking Edgars hand in marriage “the ground under his feet, and the air over his head, and every- thing he touches, and every word he says—I love all his looks, and all his actions, and him entirely, and altogether” (Bronte) It is undeniable that her love for Edgar is based off his prestige and not entirely for who he is. “She is seduced by his wealth and civilized life at the
"My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff" (81)" These words, uttered by Catherine, in the novel Wuthering Heights are for me the starting point in my investigation into the themes of love and obsession in the novel. Catherine has just told her housekeeper that she has made up her mind to marry Edgar Linton, although she is well aware that her love for him is bound to change as time passes. That she is obsessed by her love for Heathcliff she confirms in the above quotation and by saying that she will never, ever be separated from him. Why does she not marry him then? Well, she has
Emily Bronte really does do good job bringing in love, passion, longing, and death and also the afterlife, which has a way of linking them all rolled up into one, and creates the excellent novel that we all refer to in this current time as Wuthering Heights. Even though Catherine and Heathcliff's desire for each other did appear to be the attraction of Wuthering Heights, provided that it is greater and more lasting than any other sentiment that had really put on display throughout the entire novel, Bronte also does a great job with showing the provocative theme of demise and the afterlife in her novel, conferring to the disapproval of Robert M. Polhemus. Polhemus composes a criticism that goes all the way back to the early 1990s era and it was titled, "Love and Death in Wuthering Heights", and in this he makes a huge discussion of death, love, and the afterlife, and then clarifies how all three are connected.
Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are
In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.
The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and
Catherine Earnshaw appears to be a woman who is free spirited. However, Catherine is also quite self-centered. She clearly states that her love for Edgar Linton does not match how much she loves Heathcliff. She is saying that she does love both, and she is unwilling to give one up for the other; she wants “Heathcliff for her friend”. Catherine admits that her love for Linton is “like the foliage in the woods”; however, her love for
Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.
The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.
Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).
Her every need is taken care of. Later, when she is confronted by Heathcliff, she is reminded of Wuthering Heights and begins to miss the place she once was so eager to leave. Catherine begins to see the Grange as superficial and confining, and at first she is only annoyed by this, but eventually the suffocating enclosure causes Catherine to lash out at her husband and all the Grange represents. Catherine, aware of her incestuous attraction to Heathcliff, believes the Grange is destroying her, and because of her disgust of the Grange and her sense of guilt, it does. In the process, Edgar too must suffer Catherine's pain because of his love for her.
Catherine was bitten and Heathcliff was sent back to Wuthering Heights. According to the Linton’s he was uncivilized and his bad behavior was not accepted in their household. Catherine was accepted into their house and welcomed even though she was not respectful. Luckily for her she knew when to turn it off and not let them see that side of her, but are polite. Thrushcross Grange is actually a house where its members of the Linton family are civilized. The Linton’s are rich and have many luxuries that Catherine is not using to but she wants to become a esteemed lady. Thrushcross is an elegant house that the Linton’s own and love to hang out in the parlor. Later on when Catherine returned home to Wuthering Heights the Linton’s came over but Edgar had spoken to Heathcliff, which was not part of the agreement. Hindley had sent Heathcliff away for his actions with Edgar. Edgar saw how Hindley treated Heathcliff and he was fearful of him. Edgar was fond of Catherine but he was not willing to visit Wuthering Heights because of Mr. Earnshaw. Edgar was eager to marry Catherine and move her to the ThrushCross Grange, which is more lavish then the callous, dreary, and desolate Wuthering
Heathcliff overhears this conversation between Nelly and Catherine and leaves Wuthering Heights after hearing Catherine say that it would degrade her to marry him. Heathcliff tries to make himself more presentable to Catherine by moving up the social system. However, he does this by cheating and taking advantage of people. Heathcliff takes advantage of Hindley's state of alcoholism and takes over Wuthering Heights. Heathcliff also takes advantage of Edgar Linton's will my making young Catherine (the daughter of Catherine Earnshaw and Edgar Linton) marry Linton (the son of Heathcliff and Isabella Linton)
Someone having their true lover marry another person whom they do not truly love would be a difficult and undesirable situation. How a person in a similar situation reacts to it, especially in the long term, can reveal a lot about their character. Such is the case with Heathcliff, the main character of Wuthering Heights, a novel written by Emily Brontë. Wuthering Heights takes place from the late eighteenth century through the early 1800s (decade) within the two houses of Wuthering Heights and Thrushcross Grange and on the land surrounding them (1, 58). The two houses are located in England and are near the village of Gimmerton (1, 102).
Bronte, The author of the Wuthering Heights, expresses many themes and morals in her book. The one most important in the Wuthering Heights is the theme of love and cruelty. The main characters, Catherine and Heathcliff, show these actions time and time again. They occur because of the other, much like the yin and the yang. Love leads to cruelty and cruelty leads to love. In Wuthering Heights, there are two different types of love shown: platonic and passionate. Both of these types of love lead to cruelty to other characters. As Heathcliff states boldly within the first few chapters of the novel, love’s cruelty survives even beyond death. “Cathy, do come. Oh do – once more! Oh! My heart’s darling; hear me this time, Catherine, at last!”
Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly