What Is The Difference Between The American Arts And Crafts Movement

The bungalow design was influenced by a variety of social and economic trends that expanded the middle class and became a powerful means of transformation in American society. Arts and Crafts promoters associated the bungalow design with creative manual work, independence, and a way to return to manhood of common work practices. The bungalow

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

To understand most period and movements in modern art, one must first understand the context in which they occurred. When one looks at the various artistic styles, one will realize how artists react to historical and cultural changes and how artists perceive their relation to society.

The United States was dramatically changing; starting from 1820 to 1848. It was changing in two very distinct ways; economically and politically. The changes will go on to impact American ideals and policies. Furthermore, with industrial innovation, the core concept of the American artisan will mature to an american worker. In other words, during the time period of 1820 to 1848, politics and industry will start to transform American society into systems and practices that will affect the future of the United States.

Art is the expression of creative skills and imagination, through a visual medium such as painting or sculptures. Architectural is the art of designing and constriction of an object or a building. During Gilded Age the newly wealth citizens of America traced their ancestry and cultural heritage to the greater civilization and aristocracies of Europe. People spend months collecting and moving art and architecture from Europe to United States. During the Gilded Age, American architects created a different blending of style to their great houses which were initially influenced by European design. As a result of revolution, Ashcan school was introduced by a group of artists who were inspired by Robert henry. The artists believed in worthiness of immigrants and the working class life as artistic subject matter in art.

During the late 1800's, America grew to become one of the nation’s leading industrial nations. The first industrial revolution had changed its pace from working on factories to the advanced transportation in the west

-In the 1700’s a new middle class emerged. Mass print became a thing as well. Every day people started to purchase art works to display in their homes. It was a way for them to express their status and national patriotism. The diversity in patrons had a great impact on the arts of the 15th – 18th centuries. With new patrons and the demand for art work, artists were able to capture more than just religious scenes. They were able to create landscapes and everyday life in their work. Artists were commissioned by the new middle class to create art work that they were able to hang in their houses. For instance, artist Joseph Wright of Derby’s painting “A Philosopher Giving a Lecture at the Orrey (1765).”

The consumer society of the 1950s was presented with machines such as fruit juicers, coffee makers, vacuum cleaners and toasters that eliminated the burden of manual tasks and increased leisure options. Designers and manufacturers continued to appeal to the consumer’s aspirations, by producing streamlined forward-looking products, targeting the “American dream”. In the USA the majority of people aspired for such things as a secure job in a large corporation, a house in a nice suburb, a large family, a large car, and an array of labour saving devices. Designers and Manufacturers targeted this new generation of “homemakers” and consumers.8 Hence, design became undoubtedly linked with mass production and mass consumption. The affluence of the decade famously summed up by British Prime Minister Harold Macmillan as having “never had it so good.” 9

Before Revolutionary America, there were a large majority of people who made a living as farm owners, tenants, or hired hands, in which unskilled labored supported such the agricultural workers. (Carrell & Heavrin, 2013). Also, the craftspeople were carpenters, shipwrights, sailmakers, weavers, masons, barrel makers, glass makers, tailors, and shoemakers. It has further been mentioned that prior to trade unions, these workers joined together to maintain monopolies. The first craftspeople were known to be free laborers, which were immigrants who paid their way to the New world, in which they learned certain trades and passed them along to their children (Carrell & Hearvin, 2013). It has also been stated how indentured servants and slaves who

The article "Why in America" by Nathan Rosenberg, we learn how manufacturing was important impact on America during the nineteenth century. America was primarily borrowed the European technology and the rate of technical change increased. There were three major reasons why american manufacturing has increased rapidly. The three reasons of rapid increase of American industries were the increase of population growth, larger amount of natural resources, and specialized machines.

The industrialization of America between 1865 and 1920 brought effects in political, economic and social systems. This progress had a significant impact on the lives of the American people.

The Arts and Craft movement was a social and artistic movement, which began in Britain in the second half of the nineteenth century and continued into the twentieth spreading to continental Europe and the USA. Its adherents-artists, architects, designers and Craftsmen sought to reassert the importance of and craftsmanship in all arts in the face of increasing industrialization, which they felt was sacrificing quality in the pursuit of quantity. Its supporters and practioners were united not so much by a style rather than the common goal- a desire to break down the hierarchy of the arts and to revive traditional handicrafts and make art that could be affordable to all.

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

“Design is for living”. The adage fashioned a widespread shift in design during the 1940s and 1950s. It revolutionized the form by creating an electrifying visual language that signaled a new age and a fresh start- two of the powerhouses were Charles and Ray Eames. The Eameses were a husband and wife team whose unique synergy led to a whole new expression in furniture and architecture. The couple advocated the principles of Modernism through the adaptation of innova¬tion from wartime technology .Their design style can be branded as “California Modernism,” a term that is often used interchangeably with “Mid-Century Modernism.” This distinct style embodied an approach to design that opposed the “social conscience” of the Bauhaus in order to embrace looser, warmer design which was both more expressive of local character and in touch with the realities of commerce and salesmanship. With the west-coast coming-of-age, economy shift from making goods to producing information and the global expansion of American culture; their lives and work embodied some of America’s defining movements. They contributed to architecture, film, industrial and graphic design. They were known as pioneers of affordable mass production and residential constructions. The evolution from furniture designers to cultural ambassadors validated their bents and overlaps with country’s interest and projected how design can enhance the lives and practical needs of ordinary people and not just the elite.

The Bauhaus school was founded in 1919 in Weimar by German architect Walter Gropius (1883 - 1969). In 1923, Walter Gropius introduced the agreement between “creative artists and the industrial world”. The Bauhaus is most famous for the idea of combining forms and functions. They combined both fine arts and design elements to create a curriculum that trained artists and designers to be capable of producing both functional and aesthetic work. One of the main goals was to bring design and technology together. During the Bauhaus period, Fine art and craft were combined together and aimed toward problem solving for an innovative, modern and industrial society. Nowadays, the Bauhaus legacy continues in modern designs, such as minimalism, or design brands like IKEA. In this essay, I will analyze Bauhaus’s influence on modern design, including architecture and furniture design by exploring different examples from different periods of time.