Enkidu And Gilgamesh Relationship Essay

Many stories address the importance of companionship in one’s life and how a closeness with another person can lead to a mutual improvement on both sides of the relationship. The ancient Sumerian epic Gilgamesh explores the relationship between two soul mates, Gilgamesh and Enkidu, whose story was immortalized because of their dependence and trust in each other. Gilgamesh would not have been able to reach his full potential as a king, warrior, or person if it was not for the influence of Enkidu.

end, Enkidu 's death also forces Gilgamesh to continue living the life he still has left. He was so

Gilgamesh's friend Enkidu runs wild until he sleeps with a harlot, after which the wild beasts which were once his friends reject him, suggesting that femininity is also a source of male disempowerment. Although Aruru is the source of both the life of Gilgamesh and his beloved companion Enkidu, the two friends create a society between themselves that is essentially masculine. This masculine relationship is the most positive force in the epic. Gilgamesh is known for his sexual prowess amongst women, but his feelings for Enkidu run much deeper and are more profound. He is said to be drawn to Enkidu "as though to a woman" but no relationship Gilgamesh has with women parallels the one he has with Enkidu (2).

Because of his pride, he does not listen, which is one of his biggest flaws in the story. Furthermore, you can see Gilgamesh’s perseverance when he finds out that the outcome of his journey is not favorable, but he still continues to go after praying to Shamash (26). This shows that he would always continue with what he started and that he was not one to give up on what he says he is going to do. His loyalty to his friend, Enkidu, is also very obvious, especially after Enkidu passed away, when Gilgamesh “Slaughtered fatted [cattle] and sheep, heaped them high for his friend” (62). This shows that Gilgamesh really enjoyed and appreciated Enkidu as a friend, and even after his death, he did everything possible to make sure that he was recognized and respected. But, after his death, Gilgamesh still showed his flaw of being self-righteous because he felt that he deserved eternal life because he was part god. For instance, he stated, “Enkidu, my friend whom I loved, is turned into clay! Shall I too not lie down like him, and never get up forever and ever?” (78). The idea of death really hit him after Enkidu because he realized that death is inevitable, no matter how prideful you are or how much you achieve, it is still going to happen. Gilgamesh definitely had too many heroic qualities that were

In the Epic of Gilgamesh, Enkidu helps act as a catalyst for the transformation of Gilgamesh’s character from an undefeatable god-like brute into a complex thinker. In the eyes of Gilgamesh, he is unstoppable and is willing to challenge death itself so long as he is remembered as a hero by his subjects. With Enkidu’s help, Gilgamesh learns to become a better person as a ruler, not as a better warrior. Although not blood related, Enkidu was like a brother to Gilgamesh and the duo shared an inseparable bond. Throughout the epic, Enkidu teaches Gilgamesh that he is not unstoppable, being stubborn will not stop him from dying, and that there are no easy solutions to life.

Ninsun was right, and the friendship between Gilgamesh and Enkidu was one of great loyalty and trust. The formation of the friendship between Gilgamesh and Enkidu was very abrupt. Upon meeting, they fought fiercely, stopped, and embraced. This pithiness gives an air of ingenuity to the relationship, but that is later shattered by their loyalty to one another in following scenes.

In the “Epic of Gilgamesh” translated by N.K. Sanders, Gilgamesh completes a series of many challenges and obstacles, fulfilling the conditions of an archetypal quest story. In order to fulfill an archetypal quest story, the hero or protagonist must complete a series of hurdles, on their way toward achieving their goal. In the “Epic of Gilgamesh”, Gilgamesh hunts for his main obsession, immortality, while he battles off monsters, with the help of some friends. Sensing Gilgamesh embraces too much power, the gods create a friend for Gilgamesh named Enkidu in the hopes of lessening Gilgamesh’s power. Enkidu and Gilgamesh turn out to be best friends after Enkidu loses a wrestling match

These actions define the king as despotic by Babylonian standards. Further, his entrapment of Enkidu shows Gilgamesh using sex to corrupt. Enkidu lived a life of ignorance and bliss in the wilderness. He did not know fear, age, and many human constructs that make life arduous. Gilgamesh weaponizes sex by sending a prostitute to Enkidu, in aims of domesticating him. This sex removes Enkidu from the natural world and forces him to adopt attributes of humanity (alcohol, clothing, shaving). The Mitchell translation of the scene shows Enkidu’s sudden loss of power and separation from his natural life, explaining “He set off towards his beasts. When they saw him, Enkidu, the gazelles shied off . . . he could not run as before” (Mitchell 13). Therefore the act of sex marks his irrevocable entrance into civil society; through sex, Enkidu desecrates his innocence and is barred from his pure life. In this sense, Gilgamesh begins with one man the abuser of sex, and the other the abused. As both men build their relationship, Gilgamesh begins to incorporate Enkidu’s mature understanding of compassion into his character and diverges from his initial status as a cruel tyrant.

However, Gilgamesh befriends Enkidu and the two of them form a bond surpassing that which Gilgamesh has felt for women. Through his physical overcoming of Enkidu and his civilization of the other man, Gilgamesh begins to show more of an inner life than he did

he knows will come some day: “I shall die, and shall I not then be as

The Epic of Gilgamesh is a historic story of the king of Uruk, Gilgamesh. The story depicts the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the harlot seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried “vainly to dissuade” (18) Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their voyage to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.

(Gilgamesh 71)” Gilgamesh's grief for his friend was natural, but he shouldn't have abandoned his people and his royal duties. As ruler, his people have to follow his decree, and need his support to thrive. By forcing them to grief, and abandoning his position, he left them in a very vulnerable position. His last and final abandonment of his people began with Gilgamesh's quest for immortality. He was so upset and shocked by what occurred to Enkidu's body after death, that he vowed he would never die. His selfishness has grown so far, that when he finds his cure for mortality, he chooses to let an old man test the plant in case it brings death instead. “I will bring it to Uruk-Haven, and have an old man eat the plant to test it. The plant's name is “The Old Man Becomes a Young Man.” Then I will eat it and return to the condition of my youth. (Gilgamesh 106)” Gilgamesh was a powerful man with a lot of ambition, and potential. It was just ruined by his selfish nature. He was, all-in-all, a famous and great ruler... but not a just one.

Two understand how the gods influenced our hero, Gilgamesh, one must first look at the various ways the gods meddled into his life. The Epic of Gilgamesh is a tale of a half-mortal man whose quest to break his own boredom turns into a tale of friendship, immortality, and kingship. However, his tale would not have been able to happen if it was not for the influence of the various Sumerian deities. After the people of Uruk complained to the gods about Gilgamesh’s child-like behavior, the goddess Aruru creates the man that will become Gilgamesh’s closest friend, Enkidu. Enkidu was created as an equal to the king so that Gilgamesh would have a way to occupy his time. Unfortunately, after the two friends defeated the giant Humbaba, a terrible demon creature, the god Enlil becomes enraged, but despite Enlil’s best effort, he is unable to punish the two.

In the Epic of Gilgamesh, friendship is a strong theme that drives the story. The bond that Gilgamesh and Enkidu develop throughout the myth is a bond similar to that of brothers. Gilgamesh was fearless, but arrogant and Enkidu was created by the gods specifically to keep the legacy crazed Gilgamesh in check and to teach him humility; Enkidu becomes his conscience of sorts. Gilgamesh was oppressing the people of Uruk and Enkidu and needed to put a stop to it by confronting and fighting him. From what initially started as a violent encounter, their relationship bloomed into something that neither of them could have expected. Their connection really takes off after their encounter with the giant Hambaba and seals the deal on their friendship. They become basically inseparable and after Enkidu passed it completely rocked Gilgamesh because he had lost a huge part of his life. Gilgamesh and Enkidu’s eventual bond is the perfect example of checks and balances within life making this oldest hero’s tale still very relevant today.

A little background history: in Sumerian civilization, there is no morality linked with sexuality; it is practically an honor to be a prostitute. This is because the literary works were pre-Biblically written. All in all, sexuality is just sexuality and everyone has the same amount of freedom, sexually. Greeks could be married and have relations with other women and men because there were no such things as heterosexuality or homosexuality. The literary work, “When Heroes Love: The Ambiguity of Eros in the Stories of Gilgamesh and David” by Susan Ackerman details all the possible erotic allusions to Enkidu and Gilgamesh’s relationship through the wordplays in the meteor and axe dream accounts; the frequent designation of Gilgamesh and Enkidu as “brothers”; the sexual nature of the wrestling account; Gilgamesh’s odd rejection of Ishtar’s advances; the deathbed scene in which Enkidu is compared to a bride; and, finally, Gilgamesh’s lament over his dead friend. For Ackerman, based on these events, “the presence of homoerotic overtones in some of the Epic’s descriptions ... seems indisputable” (Nissinen 307). In “The Epic of Gilgamesh”, what starts as a rivalry ends in friendship, companionship, and love. The reader remembers that Enkidu and Gilgamesh first meet as enemies and they “wrestle” with each other, sexually. It is during this battle that Gilgamesh encounters his first life changing events and comes to understand that his thoughts about women and life in general could be wrong. He learns from Enkidu and Enkidu learns from him and becomes more acclimated to being civilized through his relationship with Gilgamesh. With that sexual connection comes the unbreakable soul tie between Enkidu and Gilgamesh. They go through life and show loyalty through the ups and downs of their journey. When the gods decide to punish Enkidu with death because