Enter the Void Film Review

The film techniques used in this film changes the entire landscape and changes the mood during the scene. The colour reflects on a charters feelings and the camera angles and

Ah, The Sandlot. A movie full of fifth and sixth grade boys playing baseball in the Summer. If you think it sounds boring, you're wrong. This is an excellent movie. It starts with a boy, named Scotty (Tom Guiry) who needs friends. He needed friends so bad that his mom was even concerned about him being cooped up in the house for a quarter of the summer. One day, he wanders to a baseball field and his want to have friends and be a part of something comes true. He even got a nickname, "Smalls". The boys did everything together, even got into and out of trouble together. But the number one important thing all nine of the boys did, was meet at the baseball field every single day.

Film exists in layers of physical existence and reality. You have the layer the audience views of the film’s world - setting, characters, and plot - and then you have the layer the film production workers view of the film’s world - actors, the set, and the story. Like photography, film is able to establish a physical existence. However, unlike photography, film uses two very unique and different techniques in order to establish its physical existence. According to Siegfried Kracauer, film establishes its physical existence through representation of reality as it evolves through time and with the help of techniques and devices exclusive to cinema cameras (Kracauer 187). All the world is a stage for film, however Kracauer lists specific techniques of film he refers to as cinematic due to how these techniques are read on the cinematic medium. Although Kracauer wrote his theory on Establishment of Physical Existence in 1960, the 2015 movie Tangerine contains a fair amount of content that can be serviced as examples in order to support Kracauer’s theory. Using the 2010’s movie Tangerine directed by Sean S. Baker, modern cinema examples from various scenes of the film can be provided for examples on Siegfried Kracauer’s theory of Establishment of Physical Existence through cinema’s recording functions of nascent motion, cinema’s revealing function of transients, and cinema’s revealing function of blind spots of the

Designing a film is something not everyone can do. It takes a lot of patience and attention to detail to ensure the creators of films make the best possible scenes with zero to minimal mistakes. Every scene needs to be spot on with elements such as setting, lighting, costuming, and temporal elements. When watching a movie for the first time, people don’t normally pay much attention to the small details but when a film is a considered a favorite, people tend to spot small mistakes within films. Let’s take a look on how these artists focuses on making films a detailed and enjoyable.

Another technique Lee uses throughout the film is treating cinema as a visual experience through the eye and also through the gaze. He sets up the film in such a way the objects seen in the movie were really present, while these objects are also used for symbolic construction, building a relationship between the spectator and the screen (Elsaesser 100). Lee also uses the strategies of alienation and identification throughout the entire film which further helps engage the audience’s emotions and makes them think throughout the film about what is the right

We had to use the back door to get in. They called it the “black door”, which was basically just the name for the only door that the black people could use to get into the place. They made us come in through the back, about an hour before the front doors opened, and set up our stuff onstage. We were given a little under ten minutes to set up everything and then they sent us offstage, where we were told to stay out of sight until they called us onstage. Most places gave us our own dressing room, to hang out and smoke in, unless of course there was also a white man performing, in which case he’d get the room, and we’d sit on the floor backstage. Tonight, we had a dressing room. It was nights like this that I loved; when we could book a speakeasy to perform at, and the man who ran the club treated us like we were real stars; when we got our own dressing room, the same one that all the white men used. Those nights when we had to give up the room to those men, by contrast, were the worst; it was like being reduced from the star of the show, to the opening act. They called us Richie and the Gang. Eli played a really slick four-stringed Dobro Tenor, Lyon performed with a 22 fret plectrum banjo, Denny and Rod had the hippest bass saxophones around, Louis played the Buescher trumpet, and Ray and Eugene used whatever piano and drum set the speakeasies we played at had to offer. The girls and I sang back up for Richie, the real show-stealer. He was everything you’d expect from a 1940’s

How did you respond to THE GRADUATE? Did the storyline and characters hold your interest?

Nolan creates an atmosphere where one scene will move steadily to the next, building anticipation until all hell breaks loose. Nolan has really done his research with this film as he explores a deeper meaning in good vs. evil. It makes the film seem so real life unlike most fantasy superhero movie. For some reason, the viewer can actually imagine this happening in real life. The lights and effects are very promising.

An individual detailed analysis on the style, editing techniques Mise-en-scene and cinematography in the film "Eternal sunshine of the spotless mind".

Chris Columbus is a well-known American director who won many awards and nominations for his films. Columbus typically directs films centering how average Columbus’s perception on the goal of movies is to “leave people with a sense of hope”. In Columbus’s films, he attempts to exemplify this idea. Home Alone, I Love You, Beth Cooper, and Percy Jackson & the Olympians: The Lightning Thief all share the same element that make the film captivating: the use of mise-en-scene. Mise-en-scene uses setting, music, costumes, lighting, props, and sounds to create the overall appearance and impression of the movie.

In the science fiction film, 2001: A Space Odyssey. The director, Stanley Kubrick, portray his masterpiece in an ambiguous understanding where he examines topics such as extraterrestrial life, the dealings with technology and the human evolution. Throughout the movie, Kubrick depicts the facade, monolith as an instrument in awakening intelligence. Moreover, the protagonists go through a drastic change of struggle to explore on the idea of technology and extraterrestrial life.

The opening scene of the film utilises multiple aspects in order to display the hopeless that looms over the dystopian world that the audience is presented with. The film uses a mix of both visual imagery to show this along with verbal features in order to convey this to the audience.

Let yourself be transported to the future where drought, famine and disasters run rampant on Earth. The only way to ensure that the people of Earth survive is a journey into the depths of space. A story of survival, hardships, and triumph this is Interstellar. This film was directed by Christopher Nolan in 2014. To fully understand how this film uses the fundamentals of moviemaking to make a complete and complex film I will be discussing the elements of narrative, mise en scene, cinematography, acting, editing and sound.

‘Touching The Void’ is a documentary based on a true story about two men called Joe Simpson and Simon Yates who climbed on the west face of Siula Grande (6,344m) in the Cordillera Huayhuash in the PeruvianAndes. The first five minutes of the documentary is very effective because it draws you in and makes you want to watch the rest of the documentary, the director does this by using a lot of effective techniques. The techniques used are Photography, Camera angles, Music and sound effects, Narrative, Language, Tone and Structure.

This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful