Entrapment Of Household: Analysis Of “A Doll’S House”.

Henrik Ibsen one of his most famous literature works “A doll’s house” and Kate Chopin’s short story “The story of an hour” portrays to the Victorian era, when women didn’t have rights at all. Both authors were born in an era where they saw or lived a women’s life, and many women faced many aspects in life, such as being submissive to their husband’s, they were viewed as possessions than as people, and they lived a life that they weren’t satisfied with during the Victorian age. Even though Ibsen did not live the life of a woman, he still saw how woman were being mistreated, in spite of being a male he knew that woman’s were taken for granted. Ibsen’s play corresponds to his point of view of how women were seen as manipulated as “dolls”, and Chopin’s story “The story of an hour” was based on how women values were not tolerated. Both literature works consist of two women that were easily maneuvered by their husband’s that have little concern for their beliefs or feelings. Both characters, Nora and Louise lived a life where their words are meaningless to men, their reputations were not important in a society where men were seen as superior than women. Both works of literature, “ A Doll’s house” and “ The story of an hour” uses similarities and differences aspects to portray to the Victorian era that resemble in their writings.

In today’s society, we generally view upon everyone as equal; however this view did not exist for decades. Throughout history, there were many instances showing that men dominated women and women were often seen as left with less important or treated as an inferior being. Women were often expected to be good mothers to their children as well as caretakers to their husband. After reading the play “Trifles” by Susan Glaspell, I was able to grasp the important facts about social views of women and their domestic roles. Glaspell’s play depicts the gender inequality which exists in the society, drawing significant attention to the societal values of women at that time. Although women’s roles are treated as unimportant, she depicts women’s

During this period, women were subjected in their gender roles and were restricted over what the patriarchal system enforced on them. Everyone was brought up believing that women had neither self-control nor self-government but that they must capitulate to the control of dominate gender. The ideology that “God created men and women different - … [and they should] remain each in their own position.” (eHow, Ibsen's Influences on Women's Rights) is present in A Doll’s House with Nora’s character, as she is seen as the ideal women during the Victorian Era, who is first dutiful as wife and mother before to her own self. Whenever Torvald gives Nora money, she spends it on her children so that they are not “shabbily dressed” (Act 1). Though she loves her children it is all the more shocking when she leaves them.

The plays, Trifles and A Dollhouse use the literary tool of symbolism to portray the way women were treated throughout the nineteenth century. Susan Glaspell uses the bird cage and the dead bird to signify the role and life of women in marriage and society, whereas Henrik Ibsen uses the dollhouse. These symbols allow the reader to recognize the plays main similarities in the treatment of women, such as men dismissing women as trivial and treating them like property; however, the plays portray the women’s lifestyles as different which seal their fates.

Susan Glaspell’s one-act play, Trifles, weaves a tale of an intriguing murder investigation to determine who did it. Mrs. Wright is suspected of strangling her husband to death. During the investigation the sheriff and squad of detectives are clueless and unable to find any evidence or motive to directly tie Mrs. Wright to the murder. They are baffled as to how he was strangled by a rope while they were supposedly asleep side by side. Glaspell artfully explores gender differences between men and women and the roles they each fulfill in society by focusing on their physicality, their methods of communication and vital to the plot of the play, their powers of observation. In simple terms, the play suggests that men tend to be assertive,

Additionally, gender roles affect Mrs. Wright’s (also known as Minnie) reaction to oppressive marriage. Before marriage, Minnie was a carefree independent woman who was active in her community. She always dressed in pretty clothes and was one of the town girls singing in the choir (Glaspell 1111). After marriage, Minnie’s life became sad and lonely due to the lack of children and the lack of empathy and warmth from her husband. Glaspell provides the reader glimpse of Mr. Wright’s character through Mrs. Hale’s description of him being honest and upright, but he was a “hard man” and not very amiable (1114). The Wright’s marriage is a perfect example of the effects of traditional gender roles. Mr. Wright represents the traditional role of male dominance in marriage by controlling Minnie’s life through isolation and removing anything that would bring her happiness. Although Minnie became submissive in order to conform to the demands of her husband, she took back control when she murdered her husband in the same fashion as he did to her pet canary (1116).

In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men

In the late ninetieth and early twentieth centuries women were thought of as dolls, puppets, or property. In many cases, they weren’t allowed to make decisions for themselves. Women were only good at worrying about frivolous housework and lighthearted pleasantries. In the two plays “A Doll House” by Heinrich Ibsen, and “Trifles” by Susan Glaspell, there are several exploitations of this way of thinking.

The plot of both Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll House” provides scope for a few scenes that lack the presence of all or any men. These scenes, consisting of communication between the female characters, assist in developing the theme of women openly defying the fact that the society they live in is primarily run by men. All the power and authority in their society, no matter the situation, belongs to the men while the women are simply excluded. The women in these plays defy the norms set by society and manage to evade the expectations of their patriarchal societies.

A Doll's House by Henrik Ibsen and Trifles by Susan Glaspell are two plays that depict sexist attitudes towards women as both take place in societies where men are deemed as strong and smart and women as vulnerable and even silly. In A Doll's House, women are depicted as beings whom are there to sacrifice for their men. Women are not to be taken seriously. Men, by and large, take women for granted because they are blind to the sacrifices that women do make for them; instead men see themselves as more important because they are the heads of households who make money and decisions for the family. In A Doll's House Nora's ultimate sacrifice is finally walking away from her family. In Trifles, women are once again rather ignored in society. This is reflected in the story that takes place in the home of Mr. and Mrs. Wright. Mr. Wright has just been murdered and some important men come to investigate the crime. The men believe that Mrs. Wright murdered her husband, but are confused as to why she would do it. As two of the men's wives wait downstairs while the men do their important work, they end up solving the crime. The name "Trifles" comes from the men in the story who scoff at the women for paying attention to "trifles" though, what they do not know is that it is these very trifles that help the women in solving the crime. In A Doll's House, Nora goes behind her husband's back and takes out a loan to help him. The lengths that Nora goes to in getting this loan must be kept in

Throughout history women have been handed a subservient role to her male counterpoint. Females in the late 19th and early 20th century were treated like a second-class citizen, and were thought of as being the weaker sex. It was the women’s job to stay home to cook and raise the children. While these are still prevalent issues, it is also true that things has gotten better for some women in recent years. Works like “The Doll House” by Henrik Ibsen and “Trifles” by Susan Glaspell have helped advance the idea of what roles women should play in society. In each play there are strong, female protagonists who, despite being oppressed by the societal rules against women, learn to rebel and fight for what they believe is right. While there are

It has been experienced from time immemorial that there has always lain a very big and noticeable gap in the roles that both women and men play in the everyday societal developments. The issue according to most of the renowned researches is more elusive to the women as they are the ones that are mostly faced by the double standards in the society and this could include very harsh challenges as far as economic and financial status is concerned. Some of the roles of women in the society and more typically, in the house-hold, were very much considered inferior as compared to that of the men who in addition, were given an upper hand

“Trifles” a play by Susan Glaspell, emphasizes the thought that women were kept in their homes and their contributions to the home and family went unappreciated and unnoticed. The play gives readers a view of how women were view and treated during the 1900’s. As a female analyzing the play, Mrs. Wright’s motive for killing Mr. Wright was quite clear. Susan Glaspell gives her readers a feminist approach, to demonstrate how Mrs. Wright’s murdering of her husband is justified.

In “A Doll’s House”, Torvald and Nora each have a unique role in their marriage. Torvald treats Nora as his little doll, or plaything, while Nora treats him as the man of the house who has the authority to do anything he wants. These ideas form because the society within the play does not allow much freedom for women. According to this society and culture, a women’s role is depicted by the man she is with, the female character’s all exemplify Nora’s assertion that women have to sacrifice a lot more than men. In this play, Nora, Mrs. Linde, and the maid all hold sacrificial roles depicted by the society they

Torvald’s relationship with Nora was greatly affected by the views society had of women’s roles both in marriage and as a stereotypical stay-at-home mother. The destructive affect by society on the relationship of Torvald and Nora is shown in the play by symbolism. Torvald’s use of childlike and slightly condescending nicknames towards Nora shows how men viewed women as inferior. Torvald’s “pet” nicknames, as one would use these names to call a pet or a child, represents the submissive representation Torvald gives to both Nora and women in general by Torvald saying “Is it my little squirrel bustling about?” (Ibsen, 2) and “Is that my little lark twittering out there?” (2). These quotes show that Torvald uses submissive and child-like nicknames to show his superiority to Nora and the unequal marriage between Torvald and Nora. With one spouse as inferior, this shows how marriages are strained, as women in relationships want an equal relationship. Torvald’s nicknames to Nora symbolize the time period and the Victorian time, how men were the providers