Erin Proctor Fun Home Analysis

“The relationship between John proctor and his wife is not an easy one” Through close analysis of three scenes discuss Miller’s dramatic presentation of the relationship and how the audience respond to it. Draft

Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual. I feel that the most influencing panel in Fun Home is where Alison and her father are in the car alone together. Not only does this panel explain the entirety of the novel in a few short speech bubbles, but it is the defining scene that connects

The play was very well done and was not dull even though it was catered to a large audience. The musical numbers are very entertaining, and the spectacle, both visual and emotional, is well accomplished. I would recommend this to most children and adults, due to the Christmas themes and general lightheartedness of the play.

This combination of disgust and pleasure, though hard to execute properly, can create a piece of writing that excels beyond others. This is exactly what a critic was

Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the big themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life, Alison Bechdel eventually comes to the realization that she is a lesbian. Ultimately, Alison Bechdel uses this novel to recount her experience of events that helped to shape her personal identity, which resulted in a transformation of the way she sees herself. In the end, Fun Home: A Family Tragicomic is a wonderful narrative that shows its readers the complexity of personal identity, and how things like love, the values of

Gerald Early, the author of the essay Life with Daughters, describes the hardships of being African American especially when trying to raise two daughters who don’t believe they are beautiful . Early’s purpose is to inform the reader of all the difficulties that black girls face growing up in a society who has defined beauty with the image of a white, skinny blonde. He adopts a bitter tone in order to point out all of the difficulties these girls face in order to appeal to similar feelings and experiences of other African American girls their parents.

For this paper I have choose Lottie from By The Way, Meet Vera Stark setting in Los Angeles 1930s, she is the friend/roommate of Vera Stark. Lottie is a heavy set women sassy lady also former Broadway performer, she move to Los Angeles, California to better her acting career but doesn’t really work out as she planned. Before she moved Lottie was a big star for herself playing the big roles in plays in the north east playing roles like Julie from Shakespeare getting paid lots of money, but after not getting any roles she just drops her acting career. Lottie doesn’t believe in running back to the business if it doesn’t hand you anything in return. Lottie wants somebody to just find her without her putting in the work ”take no more on your heels than you can kick them off with your toes” she says (pg 20) she is taking no more time in looking for acting job she just hopes they will come to her in the future.

In Alison Bechdel’s Fun Home, the author enlightens us with her struggles in determining her gender identity and sexuality. She does this in a very unique fashion. Alison, throughout the novel, uses specific pieces of literature and writing in order for the reader to decipher her true emotions and feelings toward her sexuality. On top of that, Bechdel writes her story in order to show how these objects play a much deeper role between not only comprehending her sexuality, but her understanding of her choppy relationship with her father. The end result is a series of connections that bring the two closer together than they ever were.

Fun Home and Sex Criminals both explore sexuality and identity in different ways throughout the books. With Sex Criminals, the use of colour to represent different means and the passing of time in the book was very key to the story. In both books there was a struggle with their sexual identity where the main characters are trying to figure out who they really are. Both books do this differently. In fun Home it is a struggle for a father and daughter, while in Sex Criminals it is two individuals that share the same power but have to figure it out by themselves in the beginning.

Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship

In the prologue, Audre describes her “home” as being a place that could only be from a fairy tale (enchanted even). This home is somewhere Lorde never visited or never observed. She only knows this extraordinary place through her mother’s stories. As Audre grows older, “home” is something she does not have in life. She even expresses that the extraordinary place (Carriacou) from her mother’s stories in no longer the home, she longed for it to be (Zami 256). Even though her home was in Harlem, New York, Stamford, and Cuernavaca, they never felt like home. Throughout the novel, it appears that Carriacou helped Audre deal with the racist society. She finally accepts her character in society as a black lesbian. She in time grows to admit that

The structure of the novel, Homegoing, is very distinct and unique. I believe the way Yaa Gyasi decided to structure her book made the novel and each individual story within the novel more profound. Most books we read today usually follow the main character or possibly a few characters. I cannot remember the last time I read a book where each individual chapter contained a new story from a new character. Homegoing is set apart from other novels due to the dramatic effect the generational stories have on the readers. Not only does the structure of the novel grab readers attention, it makes a distinction between the two lines of families, it also shows us what is similar between the two families, and it connects the past to the present.

Fun Home is a retelling of Alison Bechdel’s life through the lens of her relationship with her father. However, because of what she considers to have been his suicide, Alison is left with an incomplete picture of who he was in life. By calling Fun Home an autobiography, Bechdel enters an autobiographical pact with the reader that ensures that what Bechdel is telling us is the truth. However, elements out of her control leave Bechdel unable to provide certain objective facts necessary to her narrative. As an attempt to remedy these absences and in turn maintain the validity of her story, Bechdel uses intertextuality to fill in the gaps of in her retelling. By overlaying masterplots of fictional narratives over her own, the reader is able to get at an understanding of the kind of person Alison’s father was. In this way Bechdel is able to reveal things about her father that she can 't prove to be true, but are reflective enough of his life to become true.

Is Rachel’s assessment of the musical performances on Glee correct? Discuss the interplay of melodrama, irony and intertextuality in Glee. Your essay should contain detailed analysis of at least two scenes from Glee’s 1st season. Your essay should also make reference to your core course readings on television and postmodernism.

The book “Fun Home: A FAMILY TRAGICOMIC” is a captivating autobiography that entertains readers as well as engages audiences. The content provided in the book challenges views on normative stereotypes while offering a unique perspective. The book impresses upon readers a stir of emotions while conveying messages effortlessly. The memoir focuses upon uncomfortable subjects such as death, homosexuality, and coming of age offering a candid look into aspects of the Bechdel’s life. The book is an interesting read, the subject matter produced is relatable to readers and unique in its format. Additionally, the content produced in the book relies on her relationship with her father, which aids in entertaining audiences because of their strange kinship.