Ernest Hemingway's A Clean, Well-Lighted Place

In “A Clean, Well-Lighted Place” the narrator describes the importance of the cafe compared to all the other places that are open to convey the idea of loneliness and despair. Through the use of imagery, symbolism, point of view and, allegory Ernest Hemingway establishes a connection between the older waiter and the deaf guy, as he illustrates the significance the well-lit cafe brings to their lonely night. As the waiters discuss their thoughts on being open so late, the older waiter claims to be one of those who enjoy the aura of the cafe being open so late compared to other places. “With all those who do not want to go to bed. With all those who need a light for the night.“ The role the cafe plays to diminish loneliness and despair does not go unrecognized by the older waiter and deaf guy who find their escape in that clean well-lit cafe. Loneliness screams louder at night for those who walk through it by themselves. They look to find comfort in a well-lit place with a calm and pleasant aura. The feeling displayed between the old deaf man and older waiter does not register with the younger waiter who does not understand the search of finding peace found in the cafe. The younger waiter has a wife to go home to as the older deaf man and older waiter have nothing and that is their escape from their dark loneliness, the cafe. Since it is clear that Ernest Hemingway has established that the old deaf man

Ernest Hemingway developed his own style of writing and follows it in “A Clean, Well-Lighted Place”. Hemingway’s elegance in writing is such that he indirectly gives all of the information to the reader without making any judgment; thus allowing one to create an opinion about every minute detail of the story. Hemingway illustrates his foundations of writing in “A Clean, Well-Lighted Place” by providing small clues that provide an indirect view of the larger meaning.

Benson, Jackson, J. The Short Stories of Ernest Hemingway Critical Essays. Durham: Duke University Press, 1975. Print.

The younger waiter believes he has “no regard for those who have to work.” On the contrary the older waiter also doesn’t belong to a family and attempts to explain “he stays up because he likes it” “it’s clean and well lighted” the light acting as a metaphorical parallel to the comfort the café offers in his otherwise dark life. Seeing as the older waiter understands him he does his best to make the customer feel he belongs and build a relationship with him. He realises that not everyone shares the same perspective realising “it’s not only a question of youth” but in this case a question of lack of relationships allowing sympathy and explaining his actions.

The young waiter has a harsh view of him as well because on occasion the old man has been so drunk he walks out on his bill. The younger waiter has a different respect for time, it’s precious to him and he values it. “I wish he would go home. I never get to bed before three o’clock. What kind of hour is that to go to bed?” “He stays up because he likes it.” “He’s lonely, I’m not lonely. I have a wife waiting in bed for me.” “He had a wife once too” (153). The older you get, the more time wears down on you, and you begin to now, greater than ever, feel your mortality. This theme is used to help the reader understand the older mans pain and that no matter how young and confident someone is, they will eventually grow old and die.

There are three main characters in this short story. A young waiter, an older waiter and a lonely old man. The younger waiter can describe himself as “not old and happy” (Hemingway). Unlike the other two main characters, he is not searching for the meaning of life. Life is good for him at the moment so, he cannot sympathize with the older men. Unlike the young waiter the older gentlemen are not as lucky. Hemingway demonstrates this in his short story.

In Hemingway’s writing, he is always searching for truth, although, he often looks at the world in a nihilistic way. When reading through the authors’ short-stories or novels, he often refers to nothingness and the meaninglessness of existence. However, he also uses a practical application to repair his existential nihilistic viewpoints. Hemingway’s work is often seen as a representation of himself, and I believe that he used pragmatism as a distraction from the meaninglessness of the world. With suicide being prevalent in his family, I firmly believe that Hemingway himself strived for meaning in life, but eventually opted out because life is chaotic and there are too many unknown answers in the world. Hemingway tried to establish values and morals through pragmatism, but in reality, values are constantly changing and everything is temporary. By looking through a philosophical lens, I will demonstrate how Hemingway uses absurdism, nihilism, and pragmatism as a way to understand and interpret the world. In order to do so, I will look through Hemingway’s short-stories and novels and analyze passages critically to showcase the theories that are present in his work. In order to undertake this grand idea, I will also incorporate biographical elements to display Hemingway’s family history of suicide and to showcase his personal struggle to find meaning in the world.

The older waiter is much more understanding of the old man’s situation. He knows what it feels like to be lonely. He knows the desire to stay in the light that staves off the darkness, a darkness that brings thoughts of how lonely you really are. There is an emptiness in him can only be filled with the cleanliness and light of the café. He feels that this is the same for the old man.

The two waiters exemplify the two ends of the spectrum of people. The oldest is the lonely and the younger is the happily married. This short story makes the differences of bars to cafés and the lonely to the happily married prominent. When people feel unwanted, alone, and in despair, they know they can find solace in the clean well-lighted

In Milton A. Cohen’s article on the story by Earnest Hemingway, “Soldier’s Home”, he critically analyzes the importance of the story and why, compared to Hemingway’s other stories, he has “vagueness and ambiguity.” Cohen commences by examining Hemingway’s use of the word “thing.” He labels it as vague and endeavors to unearth the possible significance of the word by using Hemingway’s draft of “Soldier’s Home” as a reference. He arrives to the conclusion that Hemingway was influenced by other authors such as Gertrude Stein and James Joyce and, with support from the original transcript, resolved that Hemingway referred to his courageous moments at war. He continues on to scrutinize the word “heroes” and grasps that Krebs in fact felt

Warren Bennett believes that the Older Waiter is a materialist. I agree that the Old Waiter is a materialist and his views of the world as having nothing. According to Bennett’s claim that the Old waiter is a Materialist, “the older waiter is unable to master such faith or confidence, and beyond material there is nothing” (Bennett 75). The definition reads “the emphasis on material objects, comforts, and considerations, with a disinterest in or rejection of spiritual, intellectual or cultural values” (dictionary.com). But, I think that the Old Waiter feels this ways because he has nothing in his life “I have never had confidence and I am not young.

  While Hemingway's short story "A Clean, Well-Lighted Place" is usually interpreted as an intensely poetic description of despair, it can with equal validity be seen instead as mankind's never ending yearning to find spiritual peace. Hemingway's short story displayed this emotional journey in many different ways. First, the title itself is a symbol for man's desire to find a state of tranquillity, safety, and comfort. Hemingway also showed this in the story's setting, which was used as a symbol for a sense of order, for it was late, the cafe was empty, and the men there were at ease. Finally, Hemingway showed this desire in the contrasting actions between the

How does Ernest Hemingway’s life reflect into his writing of “A Clean Well-Lighted Place” and “The Snows of Kilimanjaro”? Of the stories the two that stood out to me were “A Clean Well-Lighted Place” and “The Snows of Kilimanjaro”. These two stories demonstrate how Hemingway writes about very dark times for people and himself. Hemingway’s experiences were involved in the writing of all three of these stories. Hemingway's life because towards the end he had troubles with himself, hallucinations, and thought people were after him. In “The Snows of Kilimanjaro” and “A Clean Well-Lighted Place”, Hemingway demonstrates hope because he uses light as imagery for people to escape insomnia and death.

Ernest Hemingway has this uncanny, yet, clear and distinctive writing style, that has made him a successful author and a means of many criticisms. One critic in particular, David M. Wyatt, says that Hemingway has a way of making the beginning of his stories “raise the very specter of the end against which they are so concerned to defend.” (Wyatt). In his two short stories, “Hills Like White Elephants” and “A Clean-Well Lighted Place, Hemingway draws out this uncanny effect in anticipating the sense of an ending. He paints this very minimalistic style, “only centering on surface elements without giving explicit content of the underlying themes”(Wyatt) he creates. He wants readers to depict what’s below the surface, letting the crux emit through.

In the story “A Clean, Well- Lighted Place” by Earnest Hemingway begins with the main character and his co-worker in a café. The two are analyzing, and discussing a deaf, drunk Oldman, who is their last customer of the day. As the deaf old man insists on having more whiskey, the main character informs the young waiter as to why and how the old man tried to commit suicide. They began to converse about the Oldman’s depressed life. The younger waiter is in a rush to go home to his wife, while the older waiter is patient and he stands up for the Oldman, being able to relate to him. Hemingway’s sentence structure and writing style represents the comparison and contrast between setting, people, and objects, along with emphasizing how it is to have and be nothing.