Eros Turnannos Ethos

As evident by the title of this poem, imagery is a strong technique used in this poem as the author describes with great detail his journey through a sawmill town. This technique is used most in the following phrases: “...down a tilting road, into a distant valley.” And “The sawmill towns, bare hamlets built of boards with perhaps a store”. This has the effect of creating an image in the reader’s mind and making the poem even more real.

"The Faithful Wife" by Barbara L. Greenberg is a fascinating, satirical account of what the speaker would do if she were unfaithful to her husband. Upon the first reading of this poem, I thought the woman in this poem was saying that her husband was irreplaceable and because of that she would never be unfaithful. Also I thought that if she did betray him, she would choose someone totally different from him, which somehow wouldn't dishonor this great man. However, with repeated reading, my opinion changed. Greenberg did an incredible job of revealing the truth of the situation. She used verbal irony to explain how the wife in the poem is actually revealing the relationship

The poem’s structure as a sonnet allows the speaker’s feelings of distrust and heartache to gradually manifest themselves as the poem’s plot progresses. Each quatrain develops and intensifies the speaker’s misery, giving the reader a deeper insight into his convoluted emotions. In the first quatrain, the speaker advises his former partner to not be surprised when she “see[s] him holding [his] louring head so low” (2). His refusal to look at her not only highlights his unhappiness but also establishes the gloomy tone of the poem. The speaker then uses the second and third quatrains to justify his remoteness; he explains how he feels betrayed by her and reveals how his distrust has led him

She also mixes her religious and classical influences into the piece. In line 6, she states that the “sun slumbers in the ocean’s arm” (Wheatley Line 6), as if the sun is a baby in its mothers arms. This symbolizes the sun as being dependent, but as we continue to read, the sun becomes independent from its mother. “Ador’d the God that whirls surrounding spheres/which first ordain’d that mighty Sol should reign” (Wheatley line 14-15). This states the sun being mighty and reigning over the land being God’s prince which can be inferred as Jesus. Upon reaching this point, one can see that the sun is no longer an infant and can conclude that the “ocean” is none other than the Virgin Mary. Wheatly being well versed in many religious studies and other languages, she embeds other religious influences in the piece as well. The “goddesses” like “Phoebus” is mentioned in the poem. Phoebus was another name for Apollo and the god Apollo was known to be very powerful. Apollo was not only the son of Zeus, but he was also an oracular God; meaning that he was prophetic of the future. On the other hand, Christian religion says God is the only one who knows what the future holds. Very interesting how Greek mythology and Christianity overlap and contradict each other. In line 2-3, for example it says, “To praise the monarch of the earth and skies, whose goodness and

In stanza four the pronoun “you” is introduce. We assume its Collin prior relationship, as its only stanza that doesn’t contains Collin pet analogy and first evidence contributing to the theme. The metaphor shift to abstract when Collin deny her worthiness and what she meant to his life. But, as he subtracted himself to the “combination”, he was able to discover her value rather measuring his spouse love and intimacy. Repetitions occur, such as “awkward and bewildering” to represent the time when his spouse was companion to him, but he couldn’t reciprocate those same nurturing feelings back to her. In addition, his spouse “held” him more than he ever did. He regrets it now when he is holding his dog but the dog is incapable to measure that same actions and words because of law of nature. The last stanza line, “..now we are both lost in strange and distant neighborhood.”, is another metaphor reference the way a lost dog might feel to his lost love that can’t ever be the same

The poet addresses issues of the child observing an unhealthy and abusive relationship between his/her father and mother in the third stanza. The eighth line states, “Do we forgive our Fathers for marrying or not marrying our Mothers?” These words insinuate that the father treated the child’s mother badly or was abusive to her and that she deserved better. This is so considering the only reason to forgive someone for marrying another implies they treated that person improperly. Likewise, having to forgive someone for not marrying another simply displays how the other person never received what he or she

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

In stanza 12, she tells us that he has “bit her pretty red heart in two.” Next, she states that he died when she was ten, and when she was twenty years old, she attempted suicide - “…I tried to die, to get back back back to you.” In stanza 13 is where she starts talking about her husband. She says that instead of dying, her friends “stuck her together with glue,” and since she could not die to get back to her father, she would marry someone who was similar.

In the next stanza, the line "Their frail deeds might have danced in a green bay", the poet is now using imagery with the waters, however it can also be a metaphorical representation of life due to

The narrator is insecure about his wife’s relationship with Robert, and the deep connection between them is a completely understandable part. He is isolated from his wife, and even her name is not mentioned in the story. Without support of her husband this woman has developed a strong bond with Robert.

“how poor a part he, her husband, had played in her life. He watched her while she (wife) slept as though he and she had never lived together as man and wife” (Joyce,

The imagery shows that since the character is young and responsible, he works to support him and his family. We are first introduced to the image of the young boy working as a young adult. Then, in the first 9 lines, the author describes the setting of the poem using imagery such as, “sweet-scented stuff when the breeze drew across it,” “Five mountain ranges one behind the other,” “under the sunset far into

The third stanza goes on to define the pain, only now in more emotional terms, such as "It hurts to thwart the reflexes / of grab, of clutch" (14-15), as well as the pain of continuously having to say good bye, each perhaps as if for the last time: "to love and let / go again and again" (15-16). These lines reinforce the impression that the first stanza's definition of "to love differently" is in fact an anti-freedom or state of emotional anarchy, now using words like "pester" to describe any separation; the poet is compelled "to remember / the lover who is not in the bed" (16), hinting at obsessive tendencies as being possible components of the relationship. We also learn that she believes love requires work, which she cannot do without her partner's assistance, and that this lack of cooperation frustrates her. She believes this neglected effort is the other party's fault by his failure to do his fair share, thereby leaving her own efforts ineffective, the whole of it characterized as an effort "that gutters like a candle in a cave / without air" (19-20). Her demands of this work are quite broad, encompassing being "conscious, conscientious and concrete" in her efforts and optimistically calling this work "constructive" (20-21) before ending the stanza.

It’s just not clear what happened that changed her heart towards her spouse, but something surely did, as she uses some pretty depressing similes throughout the poem as well. The “two headed calf” (Minty 5), and Siamese twins, “Chang and Eng” (Minty 7) both bring negative images to mind as the calf and twins are both freak acts of nature. They are hopelessly bound

The second stanza addresses the helplessness of Reuben in his personal life and the inevitability of his wife’s passing.