Erzebet Bathony Essay

In the trilogy Oresteia, the issues concerned are the transformation from vengeance to law, from chaos to peace, from dependence to independence, and from old to new. These four significant changes all take place throughout the play and are somewhat parallel to the transformations that were going on in Ancient Greece.

Often at times people can feel disconnected from themselves, from the world, or even friends and families; Therefore, causing tension in relationships. Which was displayed in “The Wife of Bath’s Tale” when the knight searches all over the world to find out what women most desire in a man. Also in “One Amazing Thing” there are various stories from different characters that have had trouble with personal stories and how one gender or religious belief can be more dominate than the other.

Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.

The women described in the Lais of Marie de France often commit traditionally sinful deeds, such as adultery, murder, and betrayal. However, with a few exceptions, the protagonists often end up living happily with their beloved for the rest of their lives. The Lais advocate for situational judgement rather than general condemnation of specific acts, which can be seen through Marie de France’s treatment of sinful heroines.

Throughout the nineteenth century, women were often supposed to be seen rather than heard. The new emerging woman who was outspoken, overly sexual and educated was often looked down upon and seen as a lower class of society. Stoker uses Dracula’s three sisters to associate lust and sex with the vile and evil of the new woman.

The Wife of Bath begins the prologue to her tale by boasting of her experience in marriage. She has married five men already, and ignores the idea that this is a reproach to Christian principles. She is merely adhering to the Christian principle of "be fruitful and multiply." She cites the case of King Solomon, who had multiple wives, and tells the group that she welcomes the opportunity for her sixth husband. She also points out that Jesus never lays down a law about virginity, and essentially states that we have the parts for sex and should use them as such. The Pardoner objects to the Wife of Bath's musings on marriage, but she decides to tell

Almost every sin imaginable is included in this text if one were to interpret Bram Stoker’s writing to be as such. The glaring Christianity, coded sexual innuendo, and the vampire stereotype still attracts many to this novel. Despite the Victorian era’s social expectations of a woman, gluttony and lust are the two most abundant and greatly detailed sins alive in this text and usually descriptively, if not symbolically intertwined. The female characters of this novel lavishly display their sexual and physical appetites throughout the novel thus tempting the male figures. Mina and Lucy are portrayed in opposition to both each other and societal norms, in the nineteenth century and these traits are still displayed today in the twenty-first century. Voraciousness and Lust as portrayed through vampirism in Dracula details the dichotomy of Bram Stoker and of all men; which wife would a man want to have, the smart maternal plump woman or the fanciful beautiful thin woman.

Countries can usually count on there being peace between the neighboring cities, the people of a country think they can be safe no matter what city they are in as long as it 's in their country. However, in many countries, civil wars can occur, having adverse effects on a country and its people. Cities can be major rivals, These rivalries can turn into worse problems, and these problems can turn into a civil war. In the fifth century, This was the issue in Greece, between the cities of Athens and Sparta. Athens was the capital of Ancient Greece, and Sparta was a military-based city. The war between Athens and Sparta was a tale of betrayal,

These women have strong sexual powers, to which they use to their advantage in dangering men with their reasoning. Nearing the end of Dracula the three brides are brought back into focus. When even Van Helsing, the strong doctor and picturesque example of what a Victorian male was expected to be, hesitates because “She was so fair to look on, so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in me, which calls some of my sex to love and to protect one of hers, made my head whirl with new emotion.” This heightens the danger over the women’s control and influence over men as even the knowledgeable and powerful

Bram Stoker’s “Dracula” is a story about a Vampire named Count Dracula and his journey to satisfy his lust for blood. The story is told through a series of individuals’ journal entries and a letters sent back and forth between characters. Bram Stoker shows the roll in which a certain gender plays in the Victorian era through the works of Dracula. This discussion not only consists of the roll a certain gender takes, but will be discussing how a certain gender fits into the culture of that time period as well as how males and females interact among each other. The Victorian era was extremely conservative when it came to the female, however there are signs of the changing into the New Woman inside of Dracula. Essentially the woman was to be assistance to a man and stay pure inside of their ways.

In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.

Dracula is a novel that indulges its male reader’s imagination, predominantly on the topic of female sexuality. When Dracula was first published, Victorian women’s sexual behaviour was extremely restricted by social expectations. To be classed as respectable, a women was either a virgin or a wife. If she was not either, she was considered a whore. We begin to understand once Dracula arrives in Whitby, that the novel has an underlying battle between good and evil, which will hinge on female sexuality. Both Lucy Westenra and Wilhelmina “Mina” Murray embody two-dimensional virtues that have been associated with female. They are both virgins, whom are innocent from the evils of the world and that are devoted to their men. Dracula’s arrival threatens those virtues, threatening to turn Lucy and Mina into the opposites, noted for their voluptuousness, which could lead to an open sexual desire.

In The Canterbury tales, Chaucer uses The Wife of Bath as a representation of what it was like for Women in the Middle Ages to be striped of equality and bow to the otherwise male dominated society. For the representation of women Chaucer uses the Tales of “The Scholar”, “The Second Nun “The Reeve’s”, and “The Franklin” and many others in a very dry, pretentious manner to steer readers into the view of how a women of the Middle Ages should be as a so called “virtuous” wife or woman. The concept of marriage plays a major part in manifesting the idea of the issues of inferiority of women. The perception rendered as women having to be obedient and inferior figure to their husbands or male counter parts. Chaucer

We have heard the story of David and Bathsheba many, many times before; but have you ever thought of King David (man after God’s own heart) as being a sinful and wicked

4) a. Pozdnischeff takes so long to get married because ever since he was a child, he was raised on the ideal of the "perfect woman" and it took him thirty years to find her. He is drawn to her by her beauty, her "slender body" and her "curling hair." He later explains that it was only what she was wearing that was so "becoming to her" and that after a day spent with her, he desired to sleep with her. Pozdnischeff's parents lived happilly and always stayed true to one another giving him the ideal that domestic life is like that in all situations. He believed marriage would be happy forever. Pozdnischeff's honeymoon was "a period of uneasiness, of shame, of pity, and, above all, of