Esperanza's Maturity In The House On Mango Street

“The House on Mango Street is ours, and we don't have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise, and there isn't a landlord banging on the ceiling with a broom. But even so, it's not the house we'd thought we'd get… The water pipes broke and the landlord wouldn't fix them because the house was too old. We had to leave fast. We were using the washroom next door and carrying water over in empty milk gallons.” ( chapter 1, page 4.) For Esperanza, the idea of having a house of her own becomes sort of an obsession. The image of the house becomes a symbol for various ideas. Esperanza is so ashamed of where she lives. She also, denies that she lived in Mango Street. Esperanza also stated that is she had the chance she would erase the years that she lived in it. Cathy who was Esperanza's friends until Tuesday was so ashamed of where Esperanza lived. Cathy felt bad for the house that Esperanza called her home. “Where do you live? She asked. There, I said pointing up to the third floor. You live there?” ( chapter 1, page 5.)

“He who falls today may rise tomorrow. ” When you are forced out of your home and have to live somewhere totally different with totally different people, that is called immigration. Lots of people, including Esperanza, have to do this. Esperanza Ortega was a 13 year old girl forced out of her rich, Mexican life to go to the United States and work tough jobs, discrimination, and lots of challenges.

Have you ever heard of a poor child who has lived in a very uncomfortable home and didn’t have great wealth? In The House On Mango Street by Sandra Cisneros, this is the problem. In The House On Mango Street by Sandra Cisneros Esperanza Cordero is the main character. Esperanza lived in the house on mango street during her developmental years, from the ages six to her becoming a young adult. The three biggest problems Esperanza's faces are poverty, confidence, and relationships.

Esperanza’s insecurity about where she lives and how she lives is the conflict of the story. A tradition her father, Nenny, and herself has is going to the houses on the hills, she believes she looks like the hungry asking for food so she no longer goes. Esperanza is so ashamed of her house that when someone ask which house she lives in she denies living in those flats. She becomes aware of how poor her family is when she must go to work to help pay for private school, this encourages her to get out of the flats. Esperanza sets out to be able to support herself on her own and buy the house she has been dreaming of since she was little.

Mexican immigrants were faced with bad housing, low wages, and discrimination once in the U.S., but they never gave up. In the book Esperanza Rising by Pam Munoz Ryan, Esperanza faced many hardships during her life like her papa dying and moving to California. After Esperanza learned that her father had been killed by bandits, she faced many challenges as an immigrant. Even though Esperanza had many challenges during her life, her hardest ones were when Esperanza had to go work in the fields and take care of her mama, when the dust storm caused her mama to get sick with valley fever, and when Esperanza and other Mexicans faced discrimination in the U.S. Most importantly, Esperanza faced the challenge of having to work in the sheds and take care of her mama. Esperanza had to work very hard to try and keep her mama from getting worse.

In Mango Street, Esperanza changes from a young girl who desires a relationship, but by the end of the book, she becomes an independent and strong woman. In the story "Sire," Esperanza sees Sire and his girlfriend Lois riding a bike together, holding each other's hands which left a lasting impression on Esperanza, as she later dreams of a boy embracing and holding her close. This evidence clearly demonstrates that Esperanza longs for love and affection from the opposite sex. In the story "A House of My Own," Esperanza shares her vision of her dream house, which includes a porch, a spot where she can keep her books, and most importantly, a house that doesn’t belong to a man. This shows how Esperanza shaped her own identity; her house is a representation

Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.

The House on Mango Street Esperanza’s transition from a child into a young teen becomes evident when she begins to take an interest in boys. As a child Esperanza thought that, “The boys and the girls live in separate worlds. The boys in their universe and we in ours” (pg. 9). We can see that this comes from a child who believes that boys and girl are very different and have no relationship with each other. As Esperanza continues to grow, she begins to take an interest in boys.

The House on Mango Street is a collection of vignettes written by Sandra Cisneros that is about a young Mexican-American girl named Esperanza, and the struggles of her life as she transitions from childhood into adulthood. Esperanza wants to find her true identity, but the conflicts and struggles that she faces throughout the story. Her town is a part of her adventure to find her self identity. She picks herself up, learning and figuring herself out throughout the novel. The author uses symbolism throughout the vignettes to convey the deeper meaning of conflicts developed in the novel, to show the difficulties of growing into adulthood.

In Sandra Cisnero’s novella, The House on Mango Street, Esperanza sees the importance of learning about her sexuality as she is growing up from her childhood to adolescence. In the first vignette, “The Family of Little Feet,” Esperanza and her two other friends receive three pairs of “dancing shoes” which they all are excited about. They get the idea to put them on and walk around town showing off how beautiful the shoes are. They feel good and special in front of everyone up until Mr. Benny at the grocery store notices the girls and asks, “Your mother know you got shoes like that? Them are dangerous. You girls too young to be wearing shoes like that. Take them shoes off before I call the cops” he threatens (41). At first, Esperanza and her friends don’t pay attention to what Mr. Benny

The House on Mango Street uses three vignettes to state that innocence shelters children from the extreme truth of the adult world. To begin, in “The First Job”, an older man unexpectedly forces himself on Esperanza: “I thought I would because he was so old and just as I was about to put my lips on his cheek, he grabs my face with both hands and kisses me hard on the mouth and doesn’t let go” (Cisneros 55). Esperanza’s innocence allowed her to kiss an old man on the cheek for his birthday because she could not imagine anything inappropriate occurring. However, the man “grabs [her] face with both hands” and “doesn’t let go”. This violent action shatters the innocence that has hidden Esperanza from the adult truth. Next, Esperanza witnesses how Tito and the boys treat Sally in “The Monkey Garden”: “One of Tito’s friends said you can’t get the keys back unless you kiss us and Sally pretended to be mad at first but she said yes” (Cisneros 96). The adult game played angers Esperanza as the boys use Sally to their advantage and Sally “[pretends] to be mad” but still willingly complies. Esperanza, unlike Sally, sees the situation as wrong because of her innocence, but when she attempts to save Sally, the boys laugh at her. Embarrassed, Esperanza is exposed to an adult type of game and now feels confused from this break in her innocence. Finally, Esperanza completely loses her innocence after being sexually assaulted at the carnival: “You’re a liar. They all lied. All the books and

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced

The author wrote this text to show how this character grew to become mature. Esperanza came in as a selfish person. All she thought about was leaving Mango Street and not coming back, but Mango Street is her home. Many people say they're leaving home and never coming back. At the end, they do because there is something that is memorable and valuable at home. Home is where family and friends are. They can't just leave and forget about it.

Lindsey Rietzsch once said “A negative attitude drains, a positive attitude energizes.” This quote means that having a negative attitude lowers your self versus having a positive attitude where is actually increases attitude and it energizes you by inspiring you. “The House on Mango Street” sets up in Chicago, where the narrator(Esperanza) lives on Mango Street. The House on Mango Street that Esperanza lives in is really bad condition and old. It is so small that the narrator has to share beds in the same room with her family. Esperanza begins to lower her self esteem because she does not like where she lives and every time when some asks, “Where do you live?” She wants a real house that she could point to and she thinks the House On Mango street is not. But later, along the times, Esperanza’s negativity of herself begins to slowly change by looking at nature and take a closer look at the environment she lives in. Cisnero shows that knowing and being able to accept where our background is from is an important part of growing in life also as determining the real you.