Essay Comparing Louise of Story of an Hour and Nora of A Doll's House

Kate Chopin's “The Story of an Hour” and Gail Godwin’s “A Sorrowful Woman” are similar pieces of literary work. Both stories offer a revealing glimpse of extremely unhappy marriages due to being forced into stereotypical roles. Both stories portray women, who are trapped in their marriages and trapped in their socially expected matriarchal characters. They are identified by their role as a wife and mother.

Henrik Ibsen one of his most famous literature works “A doll’s house” and Kate Chopin’s short story “The story of an hour” portrays to the Victorian era, when women didn’t have rights at all. Both authors were born in an era where they saw or lived a women’s life, and many women faced many aspects in life, such as being submissive to their husband’s, they were viewed as possessions than as people, and they lived a life that they weren’t satisfied with during the Victorian age. Even though Ibsen did not live the life of a woman, he still saw how woman were being mistreated, in spite of being a male he knew that woman’s were taken for granted. Ibsen’s play corresponds to his point of view of how women were seen as manipulated as “dolls”, and Chopin’s story “The story of an hour” was based on how women values were not tolerated. Both literature works consist of two women that were easily maneuvered by their husband’s that have little concern for their beliefs or feelings. Both characters, Nora and Louise lived a life where their words are meaningless to men, their reputations were not important in a society where men were seen as superior than women. Both works of literature, “ A Doll’s house” and “ The story of an hour” uses similarities and differences aspects to portray to the Victorian era that resemble in their writings.

In Henrik Ibsen's A Doll's House, Christine Linde surprises Nora Helmer with a visit to her house. The two women were childhood friends and have not seen each other in many years. As both characters' qualities unfold during the play, it is easy to see how Mrs. Linde's character traits underscore those of Nora's. Mrs. Linde's serious, responsible nature amplifies Nora's playful, childlike personality; Mrs. Linde's taking care of her sick mother and two young brothers emphasizes Nora's abandonment of her dying father; and finally Mrs. Linde deciding to marry Krogstad heightens the ending of Nora's marriage.

Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were written at a time when men dominated women in every aspect of life.  Edna Pontellier, the protagonist in The Awakening, and Nora, the protagonist in A Doll's House, are trapped in a world dominated by men.  The assumed superiority of their husbands traps them in their households.  Edna and Nora share many similarities, yet differ from each other in many ways.

Even when eating macaroons, Nora assures Torvald, "You know I could never think of going against you" (A Doll’s House 1242). Nora is a doll, a helpless little "lark", a "songbird", and over the course of their relationship, Nora has been molded into thinking she must be all those and does not want Torvald to think otherwise (A Doll’s House 1242). Because helpless songbirds did not save lives on their own, Nora could not let Torvald find out about her use of forgery to obtain money, because it would hurt his "masculine pride" and "just ruin their relationship”.

In the Deep South women were always known of as housewives. They were not given individual identities but rather a collective personality that all women possessed. Kate Chopin uses this theme of the individuality of women in all of her short stories and other writings. In The Story of An Hour, Chopin expresses this very well, using the character Louise Mallard. As in Chopin’s typical stories, Louise Mallard is a woman looking for her inner self and thinks she found it but goes through a hard time and attempts to overcome it while having a positive outlook on life. However, through her marriage she has been a patient, self-sacrificing, restless woman who believed she was given a chance to change her life around for the better, which

When the door slams at the end of “A Doll’s House” by Henry Ibsen, No one would not believe the woman walking out of her house is the same one who appeared at the beginning of the play. The main character in this play is Nora. Nora goes through a complete transformation, changing from a child like and dependant woman to a self strong woman pushing to become independent. Ibsen portrays the roles of society in the Victorian times in this play. Throughout her whole life, Nora’s husband and father have always controlled her; she has never been able to be independent, and the treatment she receives is not equal to the males around her, and the people around her belittle and patronize her to no end. Finally it goes too far and Nora realizes

In “The Story of an Hour” the main character Louise Mallard suffers from a bad heart, but otherwise, she is young and cute. Louise learned from family members that her husband had just been killed in a railroad disaster. As she grieves alone in her upstairs bedroom, she suddenly is hit with new emotions. She realizes that she did love her husband and he loved her, but what she wants more than anything is to be free. Free to go and do as she pleases without anyone watching over her. Later

In Kate Chopin's story, "Story of an Hour," Louise Mallard is confronted with a situation she never thought was possible. She found out that her dear husband has died. The people around her do not see her for who she really is and treat her like a porcelain doll while giving her the news. What they cannot see is the powerful and opposite emotions that are zooming through her. She is filled by a "storm of grief, and yet she feels as if she is a "goddess of victory" (Epperson 59, 60) The life she had was not the life she wanted, and the life before her was what she only dreamed of. Upon finding out that her husband is on dead and that the freedom she thought she had was ripped away, the "joy" killed her (Epperson 60). In both stories both of the characters are not only not seen for who they are, but they both also have guilt and love for those that they are close to. Luke Ripley, the main

restricted to playing with the children, doing little housework, and working on her needlepoint. A problem with her responsibilities is that her most important obligation is to please Torvald, making her role similar to that of a slave. Torvald easily talks down to Nora saying things like: “…worries that you couldn’t possible help me with”, “Nora, Nora, just like a woman”, and “Mayn’t I look at my dearest treasure? At all the beauty that belongs to no one but me—that’s my very own?” as if she is considered his property.

A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the

As Torvald receives the letter, he acts out with rage “It is so incredible that I can’t take it in. But we must come to some understanding. Take off that shawl. Take it off, I tell you. I must try and appease him some way or another. The matter must be hushed at any cost. And as for you and me, it must appear as if everything between us were just as before- but naturally only in my eyes of the world. You will still remain in my and that is a matter of course. But I shall not allow you to bring up the children; I dare not trust them to you. To think that I should be obliged to say so to one whom I have loved so dearly, and whom I still-. No, that is all over. From this moment happiness is not the question; all that concerns us is to save the remains, the fragments, and the appearance-“(715 ). In was in this spite of rage that’s Nora’s dream of the soon to be wonderful life, is changed. Although it was shortly after this outrage from Helmer that he receives another letter saying Nora’s secret is safe; it was too late for Nora. The outrage has caused Nora to realize things about her life and explains to Helmer “I mean that I was simply transferred from papa’s hands into yours. You arranged everything according to your own taste, and so I got into the same tastes as you- or else I pretended to, I am really not quite sure which- I think sometimes the one and sometimes the other. When I look back on it, it seems to me as if I have

I don’t have that much experience with reading drama. I remember reading some in high school, but I was not interested in any of them. Mostly they were written in a hard to read language and the stories were boring. It was different with “A Doll House”. It was a smart and well-written play. I was keep reading it because I wanted to know what is going to happen. The language of it was simple, but there was a lot of information hidden in the dialogue. The characters were all unique and having its own little secrets that made them so interesting. I think the construction of the drama made it so good. At the beginning Nora was introduced as a silly, empty housewife, but at the end she was the one that was strong and smart. Also, I founded interesting

Torvald is only concerned with, in regard to his relationship with Nora, how well she makes him look and what other people think about it. If he has a beautiful, obedient wife and joyful relationship, people will respect him. They’re relationship, on the outside appears to be happy. But, when you analyze their relationship, you see Nora is treated like a child in this relationship, but as the play progresses she begins to realize how phony her marriage is. Torvald sees Nora 's only role as being the subservient and loving wife. He refers to Nora as "my little squirrel" (185), “my little lark” (185), or “little spendthrift” (185). He only sees her as a possession. Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own. Whenever she begins

Nora’s understanding of how little individuality she possesses is expressed by the symbolic and comparative language present in the play. The plot clearly displays the role Nora plays in reference to serving her family, specifically Helmer. While the reader builds their own perspective of the text, an in depth analysis of the language used by and directed towards Nora provides insight to her own personal perspective. Nora’s initial sentiment of her role is very limited past serving her husband. This is very clear when she reassures him stating “I will do everything to please you Torvald; I will sing and dance”(act 1, page 43). The use of “everything” displays the lack of