Essay Comparing The Taming Of The Shrew And 10 Things I Hate About You

Hello and welcome respected audience of the Shakespeare Society. I would like to start today by thanking you for allowing me to speak on the topic of how the stereotypical roles of women have changed and evolved in a positive manner since the Elizabethan era. I will start by defining a few beneficial terms before discussing how Shakespeare’s Taming of the Shrew has been appropriated by Gil Junger’s in the 1999 movie, 10 Things I Hate About You.

Through intertextual relationships, detecting the significant differences and transformations between William Shakespeare's play Taming of The Shrew, and Ten Things I Hate About You, a contemporary hollywood film directed by Gil Junger enriches our understandings towards cultural issues through feminist attitudes, social hierarchy and the transformation in sentiments towards love and marriage. Both texts exert compelling issues through different techniques to proclaim to the audience that women during the 16th century were seen as obsequious, however Ten Things I Hate About You, an allusion of Taming of the Shrew, enriches our understanding of these gender role issues by proclaiming that we must reject blatant consumerism. Among this, issues of class and love are explored, and through a historical reading I was able to depict the changes in values and cultures between the production of both texts.

The historical and cultural contexts of Shakespeare’s The Taming of the Shrew (TTS) and the 1999 film 10 Things I Hate About You (10TIH) differ exceptionally, resulting in the film’s expression of values unlike those expressed in Shakespeare’s original text. Shakespeare’s play was written during the Elizabethan era, during which the belief that men were superior to women was prevalent. This concept is centralised in TTS, through incorporation of a disputably misogynistic tone and the dominance of men consequently forcing Katherina into marriage and submission. In contrast, 10TIH, a modern film appropriation of TTS, largely challenges the values of Shakespeare’s play. It presents to

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

Love is represented in many shapes and ideas based on social context as well as those caught within. William Shakespeare’s Taming of the Shrew as well as its adaptation 10 Things I Hate About You by Gil Junger, represent their respective ideas on love which shares its similarities and differences, both portraying love in their own forms. Both texts highlight the ideals of love in their context as well as one of the main courtships, Katharina and Petruchio, involved in love, portraying their values of love.

The theatrical play of ‘The Taming of the Shrew’ (1594) and the live action film ’10 Things I Hate About You’ (1999) are clearly similar in many ways (as the drama film is a modern adaptation of the classic Shakespearean text), these similarities can be recognized through themes which point out scenes, quotes and/or effects both text types share with each other. Themes include, Gender Politics/Roles, Romantic Relationships and Social Hierarchy (social status/class). The themes of Gender Politics and Social Hierarchy support the precisely represented similarities both text types share, highlighting the enduring provenance of these concerns over time.

In addition, Shakespeare intermingles the play with the idea of appearance versus reality, highlighting how truelove can exist within even the curst and is absent amongst even the most attractive. As the play progresses, we see how true this is, as Bianca and Katherina contrast one another on the interior as well, yet Katherina?s true love underneath, allows her to dwell in an effective relationship. As we know, Petruchio?s love is obvious yet Katherina?s shrewish nature masks her true love for Petruchio - proving the deceptiveness of appearances. On the other hand, even though Bianca has many desperate suitors we see how shrewish she really is as she questions, ?Am I your bird? (5.1)?. Bianca?s rhetorical question and indignant tone towards Petruchio highlights her lack of respect and her internal shrewish personality. Moreover, Bianca?s interior personality

In this respect, the play is a typical romantic comedy. However, unlike other Shakespearean comedies, The Taming of the Shrew does not conclude its examination of love and marriage with the wedding. Rather, it offers a significant glimpse into the future lives of married couples, one that serves to round out its exploration of the social dimension of love. Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage; specifically, how economic considerations determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers. Moreover, the play focuses on how courtship affects not just the lovers themselves, but also their parents, their servants, and their

Hortensio first told Petruchio of Katherina, and he claimed that his deceased father knew her father well. ”I know her father, though I know not her, and he knew my deceased father well”. Even though he was told she was known in Padua for being a shrew he still insisted on meeting her. “I will not sleep, Hortensio, till I see her.”

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and

Sexism is the stereotyping and discrimination based upon gender. Typically steered towards women, it has played a large part in not only our society today but in the past as well. In the play The Taming of the Shrew by William Shakespeare, it is shown in the treatment of the women by their male counterparts. It is most prevalent in the way that fortune-seeking Petruchio goes about taming his aggressive and sharp-tongued wife Katharina. By examining Petruchio’s actions and Katharina’s reactions towards his efforts at taming her, once can see that the play is indeed sexist.

For this analysis paper I have decided to focus on the concept of masculinity and how it was similar and how it differed between the play The Taming Of The Shrew and the movie 10 Things I Hate About You. Despite the cultural differences, I personally believe they did a decent job adapting a play that was written in the late 1500s into a 90s high school comedy. Though there were a lot of things that they change between the book and the movie to be more relevant to a more modern mindset. For Instance, In the play Petruchio showed his masculinity by showing his dominance over his wife Kathrine by “taming” her.

Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.

Perhaps the theme that is most recurrent in William Shakespeare's plays is that of filial relationships, specifically the relationship between daughter and father. This particular dynamic has allowed Shakespeare to create complex female characters that come into conflict with their fathers over issues ranging from marriage to independence. At the same time, the dramatist exposes his audience to the struggles women face when attempting to assert themselves in a misogynistic world. Through the daughter-father dyads portrayed in The Taming of the Shrew and A Midsummer Night's Dream, Shakespeare highlights the effects that gender constraints have on female characters while simultaneously drawing attention to the sharp contrast between both relationships.