A Clean, Well-Lighted Place

In “A Clean, Well-Lighted Place” the narrator describes the importance of the cafe compared to all the other places that are open to convey the idea of loneliness and despair. Through the use of imagery, symbolism, point of view and, allegory Ernest Hemingway establishes a connection between the older waiter and the deaf guy, as he illustrates the significance the well-lit cafe brings to their lonely night. As the waiters discuss their thoughts on being open so late, the older waiter claims to be one of those who enjoy the aura of the cafe being open so late compared to other places. “With all those who do not want to go to bed. With all those who need a light for the night.“ The role the cafe plays to diminish loneliness and despair does not go unrecognized by the older waiter and deaf guy who find their escape in that clean well-lit cafe. Loneliness screams louder at night for those who walk through it by themselves. They look to find comfort in a well-lit place with a calm and pleasant aura. The feeling displayed between the old deaf man and older waiter does not register with the younger waiter who does not understand the search of finding peace found in the cafe. The younger waiter has a wife to go home to as the older deaf man and older waiter have nothing and that is their escape from their dark loneliness, the cafe. Since it is clear that Ernest Hemingway has established that the old deaf man

Sadness, frustration, or discontent, however it’s put, there is an obvious difference with the characters in, “A Clean, Well-Lighted Place” by Ernest Hemingway, and their ideas of mortality and old age. The short story shows the concept of “nothingness,” displayed through a very depressing view on life. This suggesting that all people, even those who are happy and content, will eventually end up lonely, drunk, or unhappy. By allowing a reader to view this from three diverse perspectives, Hemingway is able to render how someone’s attitude of their own life can go from one extreme to another. Allowing suicide as a final option to surface for some.

Throughout the short stories of Ernest Hemingway, alcohol inevitably lends its company to situations in which desperation already resides. In an examination of his earlier works, such as In Our Time, a comparison to later collections reveals the constant presence of alcohol where hopelessness prevails. The nature of the hopelessness, the desperation, changes from his earlier works to his later pieces, but its source remains the same: potential, or promise of the future causes a great deal of trepidation and lament throughout Hemingway's pieces. Whether the desperation comes from trepidation or lament depends on the view point from which it is observed, or rather, experienced.

It shows what there is. It does not search for what there might be. The old man sits in the shadow and looks down. Joyce's character carries a chalice of faith through a maelstrom of mundane chatter (228). Hemingway's sips a glass of brandy. To him, the mundane is not a distraction on the way to higher awareness, it is all there is. If one does not like it, one may numb themselves to it, or one may quit it. This old man will not listen to myths of meaning and comfort. He has gone deaf, perhaps out of not wanting to hear any more empty promises or stories that fail to hold up. Joyce's boy has had his first crushing disappointment. Hemingway's old man has had his last. There is no more looking up for him. His drink, his regular café, these are his comfort and his refuge.

In “A Clean, Well-Lighted Place,” experience characterizes the older waiter because he empathizes with those around him, thereby proving that enduring hardships encourages greater acceptance of others. By explaining how he is different from the young waiter, the older waiter clarifies why he disagrees with the young waiter’s decision to force the deaf customer to leave: “I have never had confidence and I’m not young. … I am of those who like to stay late at the cafe. … With all those who do not want to go to bed. With all those who need a light for the night” (Hemingway 9). Without the overconfidence of the young waiter, the older waiter has humility, a trait that allows him to develop empathy through his life experience. Also, the waiter is older, so he persevered through more difficult situations than the young waiter. Since he undergoes the same sleeplessness that the deaf man faces, the older waiter willingly sacrifices his time because he notices the importance of his job at the cafe to other people. Furthermore, the older waiter acknowledges the importance of the cafe to those like him when he describes that “[e]ach night [he is] reluctant to close up because there may be some one who needs the cafe. … This is a clean and pleasant cafe. It is well lighted. The light is very good and also, now, there are shadows of the leaves” (Hemingway 9). Unlike

Ernest Hemingway's short story, "A Clean, Well-Lighted Place," first published in 1933, is written in his characteristic terse style. It is the story of two waiters having a conversation in a café, just before closing up and going home for the night. They cannot leave because they still have a customer. One is anxious to get home to his wife, while the other sympathizes with the old man sitting at the table. Without realizing it, they are discussing the meaning of life.

He thinks that religion does not help feeling depressed or lonely and both of these things you must face alone. All he needs is the café and to be able to provide this safe haven for other people who feel like him. When he is finished closing up the café, he returns home and thinks about how he doesn’t like bars and bodegas and prefers the “clean well-lighted” café because it “was a very different thing” (7). He knows he will go into his room and be up all night thinking until the sun would come up. Then, he would sleep. Hemingway writes, “After all, he said to himself, it’s probably only insomnia. Many must have it” (7). The ending of this story shows that the old waiter is in fact full of despair and loneliness. He tries to convince himself that it’s only insomnia and tries to feel less alone by saying that “many must have it.” Even though he acknowledges that he and the old man are extremely similar, it appears that the old waiter is not yet ready to admit that at the end of his life, he is feeling horrible and he does not know how to bring himself out of it. All he knows is the café since that’s where he seems

The despair that Hemingway himself felt is best shown in "A Clean, Well-Lighted Place" when the older waiter was intertwined in a conversation with himself. He said that: "It was all a nothing and a man was nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it was nada y pues nada y nada y pues nada" (383).

A Clean, Well-Lighted Place is my favorite Hemingway story, so I wrote a parody mocking Hemingway’s masterful dialogue in the piece and other Hemingway characteristics. I took a careful look at the story and remembered a quote by Hemingway describing his writing process at a café in France. The quote reads “It was a pleasant cafe, warm and clean and friendly, and I hung up my old water-proof on the coat rack to dry and put my worn and weathered felt hat on the rack above the bench and ordered a cafe au lait. The waiter brought it and I took out a notebook from the pocket of the coat and a pencil and started to write”. This quote inspired the old man in my parody to be Hemingway at his favorite café engaged in his writing process. The story of my parody is essentially a story of an elderly Hemingway seated late in his favorite cafe writing while the two waiters gather the courage to ask him to leave.

Upon reading this internal monologue, one’s natural inclination may be to dismiss the older waiter, and perhaps by extension Hemingway, as merely depressed, or lonely, or haunted by some unspoken tragedy. However, such an interpretation of the above passage, and thus the story’s theme, would be an egregious oversimplification. Instead, it would be far more accurate to regard the older waiter’s worldview as something akin to existential nihilism, which is the belief that, essentially, life has no intrinsic meaning, that humanity’s very existence means nada. And as one comes to this realization, one truly grasps the theme of life’s meaninglessness that “A Clean, Well-Lighted Place” exhibits.

Although Hemingway and Carver are both important writers of the twentieth century, they have different outlooks on the value of faith and on human existence due to their distinct historical backgrounds (Pettinger; “Raymond Carver Biography”). Ernest Hemingway served as an ambulance driver in World War I and his military experience unfortunately deteriorated his mental health and resulted in depression and paranoia (Pettinger). His struggle with depression transcends in the fatalistic view of the old waiter, the main character of his short story “A Clean, Well-Lighted Place.” On the other hand, even though Carver had to deal with bankruptcies, a divorce, and alcoholism, “Cathedral” was published after this short-story author had settled down with his new wife and after he had quit drinking (“Raymond Carver Biography”). While Hemingway makes use of a narrative shift into the old waiter’s head to identify the nothingness of life, Carver uses the epiphany of his protagonist and a foil character to convey the message that people’s lives will become better if they take a leap of faith.

Hemingway puts effort in the simplicity of word and sentence structure, but he does this in a certain technique, which adds on to the meaning of the story “It was late and everyone had left the café except an old man who sat in the shadow of the leaves of the tree made against the electric light” (157). Hemingway uses everyday words and begins his story with the simplicity of observation. Hemingway sets his story up chronologically, making his story flow. The story is written in third person, which emphasizes how the narrator doesn’t matter to

      Hemingway's second portrayal of symbolism that a reader may distinguish is the café itself.  The café represents a sanctuary of the evilness of the world.  The namesake of the short story is a clue for the reader to see that the café would represent some form of an asylum not only from the elements of nature, but also safety from evil.  An example of the usefulness of this sanctuary is how the deaf old man uses the café as a safe-haven to be to himself after the incident where he almost succeeded in committing suicide and enjoys the comfort the café gives.  The old waiter represents in the café the kindness and caring that the café should provide; whereas the younger waiter is more of a materialistic character.  He clearly displays shallowness and selfishness.  Arthur Waldhorn writes that the older waiter helps keep the light on a little longer at the café for those, who like himself, 'do not want to go to bed.' (P 28)  The younger waiter is a protagonist in attitude of the older waiter.  The philosophy of Nihilism is brought into this theme when the older man recites the Lord's Prayer but substitutes the word "nada" for every noun in it.  Nihilism is brought onto a larger scale because it is very evident that there is nothing to believe in, even as a

This story was written by Hemingway in 1933. It details an evening's interaction between two waiters, and their differing perspectives of life. Hemingway uses an old man as a patron to demonstrate the waiter's philosophies. Hemingway is also visible in the story as the old man, someone who society says should be content, but has a significant empty feeling inside. What follows is a line-by-line analysis, putting emphasis on the philosophies of the waiters.

A clean well lighted place by Ernest Hemingway has a few themes that stand out clearly but the one theme that stands out to me is despair. According to Merriam-Webster dictionary, despair means to lose all hope or confidence. In the story, the older waiter and the old deaf man somehow share a common bond of despair. Both men are of age and like to be out, late at night, alone. Asides from the story alone, the theme of the story can be brought out by the setting. The setting contributes to the story’s theme in different ways. The setting contributes to the mood of the story, to the structure of the story, and to the lesson of the story. The café represents salvation for despair which is shown through the setting of the